Music-Illuminati.com | Advice From Musicians

ADVICE FROM MUSICIANS

Advice From Musicians

By admin ⋅ January 23, 2010 ⋅ Post a comment

Filed Under Abdul "Duke" Fakir, Airto Moreira, Al Kooper, Alan Parsons, Alex Ebert, Ambrosia, Andy Shernoff, Annie Haslam, Avengers, Baseball Project, Beatles, Bert Lams, Bill Callahan, Billy Corgan, Billy Cox, Billy Duffy, Black Flag, Black Francis, Blind Boys of Alabama, Blondie, Bob Bert, Bob Cowsill, Bob Mould, Bones Howe, Bonnie "Prince" Billy, Bonnie Bramlett, Brute Force, Bryan Adams, Buddy Miller, Buffalo Springfield, Buzz Osborne, Buzzcocks, Byrds, Calexico, California Guitar Trio, Camper Van Beethoven, Carl Giammarese, Charles Bradley, Charlie Musselwhite, Chelsea, Chicago, Chris Hillman, Chris Shiflett, Chuck D, Circulatory System, Clem Burke, Cliffie Swan, Country Joe & The Fish, Country Joe McDonald, Cracker, Crosby Stills & Nash, Dale Crover, Dallas Good, Daniel Levitin, Danny Seraphine, Dave Alvin, David "Honeyboy" Edwards, David Crosby, David Freiberg, David Harrington, David Lindley, David Lowery, David Pack, Depeche Mode, Dictators, Dinosaur Jr., Don Fleming, Don Randi, Dream Syndicate, Eddie Izzard, Eddie Tuduri, Edward Sharpe and the Magnetic Zeros, Emerson Lake & Palmer, Fanny, Fats Domino, fIREHOSE, Flo & Eddie, Flying Burrito Brothers, Folk Implosion, Foo Fighters, Four Tops, Frank Zappa, Fred Tackett, Funkadelic, Furthur, Garland Jeffreys, Gary Brooker, Gary Lucas, Gary Twinn, Gene Loves Jezebel, Geoff Emerick, Geoff Muldaur, George Clinton, George Martin, Glen Matlock, Glen Phillips, Gong, Graham Nash, Grandaddy, Greg Lake, Greg Lisher, Hale Milgrim, Hank Dutt, Henry Rollins, Hollies, Holly Near, Howard Kaylan, Howling Hex, Husker Du, Ian Anderson, Ian Underwood, International Swingers, Ira Kaplan, Jack Casady, Jack Grisham, Jake Shimabukuro, James Jackson Toth, James Stevenson, Jane's Addiction, Jason Lytle, Jason Reeves, Jean Millington, Jeff Barry, Jeff Hanneman, Jeff Mangum, Jefferson Airplane, Jefferson Starship, Jethro Tull, Jim Heath, Jim Kweskin, Jim Yester, Jimi Hendrix, Jimmy Carter, Jimmy Haslip, Joey Burns, John Cowsill, John Densmore, John Doe, John Kadlecik, John McEuen, John Sherba, Johnny Rivers, Jon Anderson, Jonathan Richman, Jonathan Segel, Jonathan Wilson, Jorma Kaukonen, Julian Koster, June Millington, Justin Roberts, Kim Manning, King Crimson, Kinky Friedman, Kronos Quartet, L.A. Guns, Larkin Grimm, Larry Ramos, Laurie Anderson, Lights, Linnea Vedder, Little Feat, Lou Barlow, Maceo Parker, Mark Tulin, Mark Volman, Martha High, Martin Gore, Mau Maus, Meat Puppets, Melvins, Menahan Street Band, Michael Andrews, Michael Chapman, Michael Livingston, Mike Deller, Mike Watt, Modern Lovers, Music Tapes, Neil Hagerty, Nerf Herder, Neutral Milk Hotel, Nitty Gritty Dirt Band, Nolan Gasser, Nolan Wheeler, Olivia Tremor Control, Parliament, Parry Gripp, Paul Kantner, Paul Kowert, Paul Mars, Paul Richards, Penelope Houston, Pete Seeger, Pete Shelley, Peter Buck, Peter Case, Pixies, Procol Harum, Public Enemy, Punch Brothers, Pussy Galore, Quicksilver Messenger Service, R.E.M., Ray Manzarek, Renaissnace, Reverend Horton Heat, Richie Furay, Rick Wilder, Rickie Lee Jones, Ritzy Bryan, Robben Ford, Robin Trower, Ron Emory, Rosemary Butler, Royal Trux, Russell Ferrante, Scott Franklin, Scott McCaughey, Scott Spillane, Sebadoh, Seun Kuti, Sex Pistols, Seymour Duncan, Slayer, Smog, Sonic Youth, Stephen Friedland, Stephen Perkins, Steve Diggle, Steve Hillage, Steve Reich, Steve Vai, Steve Wynn, Steve Young, Sugar, Supernaut, System 7, T-Bone Burnett, Tata Vega, Ted Nugent, The Association, The Blasters, The Buckinghams, The Cowsills, The Cult, The Doors, The Gerbils, The Joy Formidable, The Minutemen, The Plimsouls, The Sadies, The Stooges, Thomas Brenneck, Thurston Moore, Toad the Wet Sprocket, Todd Rundgren, Tony Kaye, TSOL, Twenty Flight Rockers, Van Dyke Parks, Victor Krummenacher, Wanda Jackson, Weird Al Yankovic, Wheeler Brothers, Will Cullen Hart, Will Jennings, Will Oldham, Willie Nelson, Wooden Wand, Wrecking Crew, X, Yanni, Yellowjackets, Yes, Yo La Tengo, Young Fresh Fellows

Pete Seeger

Pete Seeger is a legendary folk singer with quite a colorful history. In the early 1940′s he performed with the Almanac Singers, whose ranks also included Woody Guthrie. In 1948 he co-founded The Weavers, which had a number one hit with their cover of “Goodnight, Irene” by Leadbelly. In 1953, The Weavers were dropped by their record label and their songs were denied airplay because of suspected communist activities. When Seeger was called to testify before McCarthy’s House Un-American Activities Committee in 1955, he refused to name his personal and political associations, which led to him being found in contempt of Congress and blacklisted. Seeger was a key figure in the 1960′s folk revival, and wrote or co-wrote the folk classics “Where Have All the Flowers Gone?”, “If I Had a Hammer”, and “Turn, Turn, Turn!”. He also helped to popularize “We Shall Overcome”, which became an anthem for the American Civil Rights Movement. Seeger also recorded multiple albums for children. In January 2009, at age 89, Seeger led the crowd in singing Woody Guthrie’s “This Land is Your Land” at President Obama’s inauguration.

Jeff Moehlis:What advice would you give to an aspiring songwriter?

Jeff Moehlis:What advice would you give to an aspiring musician?

Sir George Martin

Sir George Martin, commonly referred to as the “fifth Beatle,” is recognized as one of the top producers in the history of recorded sound. His musical arrangements and use of studio experimentation elevated many of The Beatles’ songs, with notable examples including “Yesterday”, “Strawberry Fields”, “I Am The Walrus”, and “Eleanor Rigby”. Martin also produced albums by Jeff Beck, Mahavishnu Orchestra, America, Cheap Trick, and others.

Jeff Moehlis: What advice would you give to an aspiring musician?

Sir George Martin: So much depends on the talent and abilities of the individual. If one is suited to perform or compose music and has a genuine talent, then the age old adages apply: the advice is consistent hard work in training and practice to develop the talent and then persistence in finding the opportunity to perform.

Many thanks to Brooks Firestone for passing this question on to Sir George Martin while he was in the Santa Barbara area, and for sending his reply.

Steve Reich

Steve Reich is a pioneering composer, who along with La Monte Young, Terry Riley, and Philip Glass is viewed as one of the most important figures in minimal music.

Reich’s early compositions “It’s Gonna Rain” (1965) and “Come Out” (1966) made use of tape loops which went out of phase with each other, an idea which he extended to live instrumentation with “Piano Phase” (1967) and “Violin Phase” (1967). He also explored the concept of “music as a gradual process” in pieces such as “Pendulum Music” (1968), in which microphones as pendula swing over a speaker, causing feedback.

His music took a new turn with “Drumming” (1971), inspired by a trip to Ghana. Steady pulse and rhythm became a dominant element of his compositions, including in the acclaimed “Music For 18 Musicians” (1976), widely viewed as one of his most important pieces.

Reich’s pieces began to incorporate themes from history and from his Jewish heritage with “Tehillim” (1981), which is the original Hebrew word for Psalms. Such themes continued with “Different Trains” (1988) which uses voices including those of Holocaust survivors, “The Cave” (1993) based on The Cave of the Patriarchs in Hebron which uses videos developed by his wife Beryl Korot, the opera “Three Tales” (1998-2002) about The Hindenberg, the nuclear tests at Bikini Atoll, and cloning, which also uses visuals by Korot, and “WTC 9/11″ (2011) which uses voices related to the attacks on the World Trade Center on September 11, 2001.

Reich’s compositions have been highly influential in the world of classical music, and he has been called “America’s greatest living composer.” In the rock music world, his influence has been cited for artists including Brian Eno, King Crimson, The Residents, and Tortoise. Reich is currently working on a piece based on the music of Radiohead.

Jeff Moehlis: What advice would you give to an aspiring composer or musician?

Steve Reich: To the aspiring composer, the advice that I would give you is be around a community of players. Don’t be sitting around a classroom talking about music, analyzing music. Go where there are lots of players and where you can write a piece and get it played, and write another piece and get it played, and learn what works and what doesn’t work.

And also, if you can, get involved in performance. I had an ensemble for forty years – we’re now on hold because I really can’t take the responsibilities of being a bandleader – so when I travel around now I coach, and I sometimes sit in for certain pieces that can be done easily, like “Clapping Music” or something like that. But, you know, my ensemble was a very active presence, and lots and lots and lots of recordings were made, and we still occasionally play together, I mean with individuals. I just played with Russell Hartenberger at Ohio State about a month ago.

So get involved, I would say to them. Get involved in the performance of your own music. If you play an instrument, play an instrument. If you conduct, conduct. If you program a drum machine, program a drum machine. But get involved on a practical level.

Another thing, if you write a piece, make sure that it gets played. And hopefully it gets played more than once, because if you write something that’s not worth playing more than once, then you better write another piece fast.

For full interview with Steve Reich, click here.

Jeff Barry

Jeff Barry is one of rock and roll’s most accomplished songwriters, and was recently selected for a 2010 Ahmet Ertegun Award by the Rock and Roll Hall of Fame. Barry and his songwriting partner Ellie Greenwich co-wrote such early rock and roll classics as “Be My Baby”, “Da Doo Ron Ron”, “Chapel of Love”, “River Deep, Mountain High” (all co-written with Phil Spector), “Leader of the Pack” (co-written with George “Shadow” Morton), “Hanky Panky,” and “Do Wah Diddy Diddy.” Later, Barry co-wrote the bubblegum smash “Sugar, Sugar” with Andy Kim, and theme songs for the TV shows “The Jeffersons,” “One Day at a Time,” and “Family Ties.” Barry also was the producer for many well-known songs, including “I’m A Believer” by The Monkees, and early Neil Diamond songs such as “Girl, You’ll Be A Woman Soon” and “Kentucky Woman.”

Jeff Moehlis: What advice would you give to an aspiring songwriter?

Jeff Barry: [long pause] Have a clear vision of what you’re doing, why you’re doing it. All show-biz, all entertainment has one thing in common, whether it’s film, TV, writing a novel, a song, or a script, painting, anything. Almost all creativity that is even commercial design, cars, you know, designing…, what do you call that, when you’re designing products? That’s what I was studying to be, too, before I quit. It’s all about creating emotion. There’s an old adage that if you leave them like you found them, you blew it. So it’s all about creating emotion, and a songwriter needs to understand that as well. That’s why people want to buy, and own I should say, the thing that you’re presenting, because it creates an emotion. Otherwise why would they want it? I think that’s fact #1.

You’re communicating. You could even say songs to some degree are a little like greeting cards. People buy them to express something to someone else that they can’t make up themselves. So it’s all about communication and creating emotion. If you’re writing strictly for yourself, and the lyrics are obtuse and unavailable and people don’t know what the hell you’re talking about, then you sure are limiting your ability to create emotion. So write those songs, get that stuff out, that’s fine.

But if you want to make a living at it, you need to write songs that are commercial. Commercial is a good word. There is nobody in show business that is not trying to be commercial. I don’t care how obscure and weird they are, they want to sell, which is commercial. Pop is short for popular, and that’s the idea. If you’re not looking to make a career of it, it doesn’t matter. Write songs, that’s great. Play them for family and friends, and whatever, that’s beautiful, there’s nothing wrong with that.

But your question, I think, is aimed at people that want to make a living at it, which is tough these days. I’m very thankful that when I came into the industry the songs were more valued than they are today. Today record companies are interested in things other than the songs, a lot of the time. And the artists who are writing their own songs, they’re having hits, maybe not based on the song all the time, [instead] on the rhythm and the haircut and the tattoo and the weirdness and the publicity. Which is different from what it was back then. In my heyday, it was certainly more based on radio play, what it sounded like. The E Channel didn’t exist, and TV wasn’t such a source of entertainment as it is today. The visual, let’s put it that way. It was more about the audio than it is today, which is a lot to do with the visual.

So the advice would be to basically create emotion, keep it simple, keep it clear. When you’re trying to get to somebody in the industry, take the three to five best songs, most commercial songs, most valuable songs, and put them on a disk. Don’t present 25 songs. You don’t have 25 hits, you just don’t. Take the best five, even if you have 25 smashes. Take the best five. Get that to whoever you can. And the emotion you want to bring out in anyone that you’re pitching to is greed. No one is going to do you any favors. Greed is a healthy word, whether it’s a music publisher, or a recording artist, or an A&R person at a label, or a record producer. You want them to want the material. No one is going to do you any favors, record it just because. If it’s a relative, perhaps. But otherwise, as it should be, they have to hear something that is going to make them look good, make them a success. So keep that in mind.

The other hint would be, sometimes you start a song and you write the first verse and you write the chorus, and then you get to the second verse and you can’t come up with the second verse. It could be that you’ve already written it. You take the first verse, make it the second verse, and then write the first verse [as] pre-story, set-up. That will free you up. So in other words, the beginning, middle, and end, I mean you might have already written the middle. And if you have, and you put it at the beginning, you’re messed up. Because then you’re going to write the ending for the middle, and you’ll have no ending. So I find that, for myself, that works. Because basically if you have an idea for a song you’ll write the core idea instantly, and the core, which is represented in the chorus usually too, but story-wise many times it’s overrepresented in the first verse. So you can take a look at that. That might be a good hint for songwriters in general.

For full interview with Jeff Barry, click here.

David Crosby

David Crosby was a founding member of The Byrds, and contributed to hits including “Mr. Tambourine Man”, “Turn! Turn! Turn!”, and “Eight Miles High”. He then co-founded Crosby, Stills & Nash (and sometimes Young), writing or co-writing “Guinnevere”, “Almost Cut My Hair”, “Long Time Gone”, and “Wooden Ships”, and contributing vocals on such well-known songs as “Suite: Judy Blue Eyes”, “Teach Your Children”, and “Our House”. He also released the acclaimed 1971 solo album If I Could Only Remember My Name.

Jeff Moehlis: What advice would you give to an aspiring musician?

David Crosby: [laughs] Get a real job. Nowadays.

Graham Nash

Graham Nash is an English singer and songwriter best known for his contributions to British Invasion band The Hollies (he co-wrote “Carrie Anne”, “King Midas in Reverse”, “On a Carousel”, and “Dear Eloise”, and sang on many others including “Bus Stop”), to Crosby, Stills, & Nash & sometimes Young (he wrote “Teach Your Children”, “Our House”, “Wasted on the Way”, and “Marrakesh Express”, and sang on nearly all of their output) and as a solo artist (he wrote “Chicago” and “We Can Change the World”). In 2010 he was appointed Officer of the Order of the British Empire for his service to music and to charity.

Jeff Moehlis: What advice would you give to an aspiring musician?

Graham Nash: Gotta mean it. Gotta believe it. You gotta have a passion for it. ‘Cause if you don’t you’re fucking wasting your time.

Fats Domino

Fats Domino is one of the pioneers of rock ‘n’ roll, bringing New Orleans rhythm & blues into the fledgling genre. His first hit, “The Fat Man”, was released in 1950 and sold over a million copies; it is sometimes argued to be the first rock ‘n’ roll song. His 1955 song “Ain’t That A Shame” become a #1 pop hit for Pat Boone. The next year, his version of “Blueberry Hill” reached #2 in the pop charts, and spent eleven weeks at #1 on the R&B charts; it sold more than 5 million copies. Another notable song was “I’m Walkin”, which hit #4 on the pop charts in 1957. All told, between 1956 and 1960 Domino sold 65 million records, second only to Elvis Presley.

From the 1980′s onward, Domino rarely left New Orleans, not even for his induction into the Rock and Roll Hall of Fame or an invitation to perform at the White House. He was feared to have been killed when Hurricane Katrina hit New Orleans, but he survived; his home is being restored, and he hopes to return there someday.

Jeff Moehlis: What advice would you give to an aspiring musician?

Fats Domino:

Willie Nelson

Willie Nelson is an American icon, a country music legend who has written and/or recorded hit versions of classics including “Crazy” (a hit for Patsy Cline), “Blue Eyes Cryin’ in the Rain”, “Georgia on My Mind”, “Blue Skies”, “All of Me”, “On the Road Again”, “Always on My Mind”, “To All the Girls I’ve Loved Before”, “Good Hearted Woman”, “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”, and “Pancho and Lefty”. His #1 country albums include the outlaw country classic Red Headed Stranger, Stardust, and Always on My Mind. He has also lent his talent to a number of fundraisers, including the 1985 Farm Aid concert which he set up along with Neil Young and John Mellencamp. He continues to tour extensively.

Willie’s response was transmitted by his granddaughter Raelyn Nelson, herself an aspiring songwriter/musician. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Willie Nelson: Don’t stop writing and keep playing.

George Clinton

George Clinton is widely regarded as one of the most important figures in the development of funk music, along with James Brown and Sly Stone. Clinton was the mastermind of the bands Parliament and Funkadelic, whose notable 1970′s albums include Mothership Connection, The Clones of Dr. Funkenstein, Maggot Brain, and One Nation Under a Groove, and whose songs include “Flash Light” and “One Nation Under A Groove” (both of which reached No. 1 in the US R&B charts), “Give Up The Funk (Tear the Roof Off the Sucker)”, “P-Funk (Wants to Get Funked Up)”, and “Dr. Funkenstein”. Clinton was inducted into the Rock and Roll Hall of Fame in 1997, and continues to tour.

Jeff Moehlis: What advice would you give to an aspiring musician?

George Clinton: Hang the fuck in there.

Wanda Jackson

Wanda Jackson is often referred to as the “Queen of Rockabilly”, and for good reason. After some success as a country singer, Elvis Presley himself encouraged her to try singing rockabilly, resulting in a string of hot tracks including “Hot Dog! That Made Him Mad”, “Mean, Mean Man”, “Fujiyama Mama” (which hit No. 1 in Japan), “Funnel of Love”, and “Let’s Have a Party” (which was a Top 40 hit in the U.S.) She blazed the trail for women in rock ‘n’ roll, and was inducted into the Rock and Roll Hall of Fame in 2009. Not content to rest on her laurels, earlier this year she released an album of smoking covers called The Party Ain’t Over, which was produced by and featured the guitar of Jack White.

Jeff Moehlis: What advice would you give to an aspiring musician?

Wanda Jackson: Well, things have changed so much in the industry. So I really don’t know much about the workings of it. Even country music is big business these days. It’s a big thing. So everything’s different.

But I would say I think it’s a good time. People are loving music, and they’re accepting people who are different, and want to do it their own way.

So, golly, I would say, you have to get a record contract, that’s your first step. And I don’t know how to tell anybody how to do that. They’d have to ask someone… People come to me now to record, so I really don’t know how to go about going out.

But you just knock on doors and talk to people, and sing everywhere that you have the opportunity. And hold on to your dream, and don’t be swayed. You might get detoured, but that’s OK. If something happens in your life, that you can’t sing or something for a while, it’s OK. Go ahead and do what you have to do. But hang onto that dream, and continue to be determined.

For full interview with Wanda Jackson, click here.

Ian Anderson

Ian Anderson is the frontman / singer / songwriter / flautist / acoustic guitarist for the band Jethro Tull. Jethro Tull’s first album, the bluesy This Was, came out in 1968, and their music rapidly developed with 1969′s Stand Up incorporating elements of English folk music and 1970′s Benefit embracing hard rock.

Next up was Jethro Tull’s classic album Aqualung, released in 1971 and regarded by many to be the band’s best. This included such Jethro Tull mainstays as the title track, “Locomotive Breath”, and “Crosseyed Mary”.

Jethro Tull followed with two concept albums, both of which reached No. 1 in the U.S. concert charts: 1972′s Thick as a Brick, and 1973′s A Passion Play, the latter including the not-universally-loved Winnie-the-Pooh-on-acid piece “The Story of the Hare Who Lost His Spectacles”.

Jethro Tull released many more albums, notable ones including the compilation Living in the Past (1972), War Child (1974), Minstrel in the Gallery (1975), Songs from the Wood (1977), and Crest of a Knave (1987) which somewhat controversially beat out Metallica for the Grammy Award for Best Hard Rock/Heavy Metal Performance. Also well worth checking out is Nightcap (1994), which has a different take on the material that ended up in A Passion Play.

Jeff Moehlis: What advice would you give to an aspiring musician?

Ian Anderson: Well, the same advice probably as my parents would have given me. Don’t give up your day job. If you want to do it for fun, that’s great, and there’s nothing wrong with being an amateur musician. In fact, it’s a much purer way of making music because you’re not seduced by the culture and money, the greed and avarice approach to music as a means of becoming a star, either for financial or egotistical reasons. For some individuals it proves to be a curse, or even a cause of death, in the case of Jimi Hendrix or Amy Winehouse. People who can’t handle it shouldn’t really go there. It’s just too dangerous.

In reality, I think being an amateur musician, as from the Latin root “to love”, you do it because you have fun with it. I think you can enjoy your amateur status and be constructive within that. Should you get lucky and find yourself with a professional opportunity, well that’s a bonus. But start off by doing it because you love doing it, and you love doing it for fun. Playing for yourself, or to family and friends, or a small audience somewhere is just as reward bringing as selling a million records, or standing on a big stage getting screamed and shouted at. Arguably, the amateur status might prove up to be more enjoyable.

For the full interview with Ian Anderson, click here.

Jon Anderson

Jon Anderson is, quite literally, the voice of Yes, the band whose albums The Yes Album, Fragile, and Close To The Edge are amongst the most beloved of the progressive rock genre. Songs from this era co-written by Anderson include “Roundabout”, “Yours Is No Disgrace”, “I’ve Seen All Good People”, “Heart Of The Sunrise”, and many others. His first solo album was 1976′s Olias of Sunhillow, and he sang on Yes’ 1983 runaway hit “Owner of a Lonely Heart”. Anderson also had a long-running collaboration with Vangelis of Chariots of Fire fame. (Robin Kauffman photo)

Jeff Moehlis: What advice would you give to an aspiring songwriter / musician?

Jon Anderson: Never give up…. keep practising, music will always give you a life… a special life.. be true to your dreams…

For full interview with Jon Anderson, click here.

Jeff Mangum

Jeff Mangum is the singer, songwriter and main force behind Neutral Milk Hotel, whose 1998 album In the Aeroplane Over the Sea is often hailed as one of the best albums of that decade thanks to its highly evocative lyrics (inspired in part by the story of Anne Frank), impassioned singing, quirky instrumentation, and fuzzy production. Neutral Milk Hotel, which was part of the Elephant 6 Collective of musically talented friends from Ruston, Louisiana, also released a fine album in 1996 called Over Avery Island.

After a short tour was undertaken for the Aeroplane album, Mangum grew disillusioned with his burgeoning fame, and not much was heard from him, literally, for about a decade. During this time Neutral Milk Hotel’s music became better and better known.

Mangum slowly returned to live performance starting in the late 2000′s, including some shows with the Elephant 6 Holiday Surprise Tour. In Fall 2011 he did a short acoustic tour of the East Coast, and in 2012 he played at the Coachella Valley Music and Arts Festival. He has continued touring in the U.S. and abroad during 2012 and 2013, and his shows regularly receive rave reviews. (Cory Greenwell photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Jeff Mangum: Just stay true to yourself.

Greg Lake

Greg Lake first made his mark as a founding member of King Crimson, for which he was lead singer and bass player. During Lake’s tenure, King Crimson released their debut album In the Court of the Crimson King, which is regularly hailed as one of the pioneering works of progressive rock, and included “21st Century Schizoid Man” and the title track. When this original line-up broke up, Lake joined with Keith Emerson and Carl Palmer to form the prog rock supergroup Emerson, Lake & Palmer (often abbreviated ELP), which became one of top bands in the genre. ELP’s albums included Tarkus and Brain Salad Surgery, and their best known songs include “Lucky Man”, “From The Beginning”, and “Karn Evil 9″, all of which were written or co-written by Lake. ELP broke up in 1978, but reunited in the 1990′s and beyond, most recently for a one-off 40th anniversary concert in London in 2010.

Photo: Lee Millward

Jeff Moehlis: What advice would you give to an aspiring musician?

Greg Lake: Make music for yourself. When you’re making music for other people it becomes complicated. Making music that you like is simpler, and chances are someone else will like it as well.

For the full interview with Greg Lake, click here.

Geoff Emerick

Geoff Emerick was the recording engineer on a number of The Beatles’ most noteworthy recordings, including the albums Revolver, Sgt. Pepper’s Lonely Hearts Club Band, part of The White Album, and Abbey Road, plus the Magical Mystery Tour EP and a number of singles. He was often tasked with getting new sounds, which he achieved by “abusing the equipment”. His handiwork can be heard on songs such as “Tomorrow Never Knows”, “Eleanor Rigby”, “Paperback Writer”, “Strawberry Fields”, and “A Day In The Life”. He also worked on Paul McCartney’s Band on the Run album, Robin Trower’s Bridge of Sighs album, and on recordings by many others including Elvis Costello, Badfinger, the Mahavishnu Orchestra, and Chris Bell.

Jeff Moehlis: What advice would you give to someone who wants to have a career in music, as a musician or perhaps an engineer or producer like yourself?

Geoff Emerick: Don’t do it. [laughter]

I don’t know what to say really. I mean, I come from a different era. You know, we’re missing a huge piece of what I came up through, which is the creation of something spectacular, for want of a better word, on the studio floor. Everything sounds the same now. With the internet, there’s tons and tons and tons of stuff that comes out, and it all sounds the same. I guess, it’s like making a great film again. Just forget all the plug-ins and everything else, and try to create something from the basic instruments yourself.

I happened to work with good artists as well. I can’t manufacture – it’s against my way, really – I wouldn’t manufacture like a Justin Bieber out of the control room, with a tuner or whatever. I mean, I was listening the other day to Art Garfunkel’s vocal on “Bridge Over Troubled Waters”, and that vocal, if you listen to it, and there’s no tuning device involved, is the most amazing vocal you ever heard in your life. If you can go back to that sort of time, where people are professional, and are really, really, incredibly good. You can’t really get into it just for the sake of the music, it’s got to be something special, and there’s something that you can personally add to it. That’s all I can really say on that subject. That’s a hard one to answer.

Bonnie Bramlett

Bonnie Bramlett’s soulful voice has graced an amazing number of recordings and concert stages over the years, making her a true American treasure. As a teenager, she was the first white Ikette to back Ike and Tina Turner. Later, with her then-husband Delaney Bramlett they formed the band Delaney & Bonnie & Friends, which struck a chord in the late-60′s and early-70′s with its mix of rock, Gospel, soul, and blues music. The “Friends” in this band included such notables as Eric Clapton, George Harrison, Leon Russell, Duane and Gregg Allman, and others.

Bramlett has also performed and/or recorded with the likes of John Lennon, Joe Cocker, Little Feat, Stephen Stills, The Allman Brother Band (earning her the title of “Allman Sister”), Emmylou Harris, and many others. She released several solo albums in the 1970′s, and then more in the 2000′s, with her latest release being the 2008 album Beautiful.

Plus, Bramlett is a noted songwriter, having co-written “Superstar” which was a mega-hit for The Carpenters, and Eric Clapton’s single “Let It Rain”. A recent composition, “Ain’t Gonna Let You Go”, appeared on Bonnie Raitt’s latest album Slipstream.

And if that’s not enough, Bramlett is also an actress, most notably in her recurring role on the TV show Roseanne.

Jeff Moehlis: What advice would you give to an aspiring musician?

Bonnie Bramlett: School! Education, education, education. Simply because this is no longer show business. It is an industry, and they’ll eat you alive out here. So if you don’t know how to count your money, you won’t ever see any.

You know, you are a product, and they are there to sell you. They can tell you they love you, and kiss you all day long. But they don’t. So get your education so you can count your own money.

Because you don’t have to be an old black guy to get ripped off. I’m an old white woman, and I got hammered, OK? It’s just because if you don’t know how to do it, you have to give it to somebody that does. And people that know, they know that you don’t know, and they take your money. And if they’re honest people, you probably put them in a precarious situation anyway, and put them to be tempted when they shouldn’t have. So you really need to do it yourself.

For the full interview with Bonnie Bramlett, click here.

Chuck D

Chuck D is one of the most important figures in the history of hip-hop music. He is the founder and lead rapper for the hugely influential (and controversial) band Public Enemy, which created a powerful mix of politically-charged lyrics and layered, aggressive sounds. Their second album, 1988′s It Takes a Nation of Millions to Hold Us Back, is widely regarded as one of the greatest hip-hop albums of all time, and is considered to be hugely important for making rap music popular with white audiences. Other notable Public Enemy albums include Yo! Bum Rush the Show (1987), Fear of a Black Planet (1990), Apocalypse 91… The Enemy Strikes Black (1991), and How You Sell Soul to a Soulless People Who Sold Their Soul??? (2007).

Jeff Moehlis: What advice would you give to an aspiring musician?

Chuck D:

1. Truly do what you do from your training and belief.

2. TRY NOT TO ASK other people opinions of your art.

3. Give music away like an advertisement for your performance as an act.

4. Make a video for 33% of your music, we live in a visual audio age, not audio visual.

For full interview with Chuck D, click here.

Eddie Izzard

Eddie Izzard is widely regarded as one of the top stand-up comedians of his generation, with a surreal, stream-of-consciousness style that’s a hit in Britain, America, and pretty much everywhere else in the world.

Izzard started doing comedy during his only year at the University of Sheffield in north-central England. He spent a decade in relative obscurity until a performance at a 1991 AIDS benefit lifted his profile. He went on to win a British Comedy Award for “Top Stand Up Comedian” for his 1993 show Live at the Ambassadors. His U.S. breakthrough came from his show Dress To Kill, which was shown on HBO in 1999 and for which he won two Emmy Awards. He recently became the first solo stand-up comedian to perform at the famed Hollywood Bowl.

Izzard has also acted in many movies (including Velvet Golmine, Ocean’s Twelve, Ocean’s Thirteen, and Across the Universe), starred in in the television show The Riches with Minnie Driver, and provided his voice to the animated films Igor and Cars 2.

Other notable things about Eddie Izzard are that he ran 43 marathons in 51 days for charity, he appeared briefly onstage with his heroes on Monty Python Live at Aspen (and has been referred to by John Cleese as “the lost Python”), he was a huge supporter of the London Olympics, and he is a heterosexual cross-dresser.

Jeff Moehlis: What advice would you give to an aspiring comedian?

Eddie Izzard: My advice is to do a hundred gigs. It’s as simple as that. It sounds a bit brutal. “That’s not much help”. But it’s a bit like “What advice would you give to a car driver?” Well, drive a hundred hours. Drive a hundred hours in a car and then you’ll get the hang of it. There’s not much else you can do. You can’t say, “Read this book on car driving and you’ll be there.”

Literally, do a hundred hours, do a hundred gigs. That’s the thing. The more you do it the more you get acclimatized to it. It’s tough, because it’s like learning to drive without a driving instructor. You go onstage, and there is no one standing next to you or whispering lines into your ear. You’re just doing it live, and you can’t stop. Television shows you can stop. Films you can stop. In live shows, you just have to keep going. So that’s it. If you want it enough, you can go and get it. But if you don’t fight for it, it won’t happen.

For the full interview with Eddie Izzard, click here.

Rickie Lee Jones

Rickie Lee Jones is an acclaimed singer-songwriter who released her first album in 1979 and won the Grammy Award for Best New Artist in 1980. Her song “Chuck E.’s In Love” was a huge hit, as were her first two albums, both of which reached the Top 5 in the U.S. She went on to release a dozen more albums in various styles, and her 1989 duet with Dr. John, “Makin’ Whoopee!”, won her another Grammy Award.

Jeff Moehlis: What advice would you give to an aspiring songwriter / musician?

Rickie Lee Jones: Remember the Music. Concentrate on how you feel when you sing it. If there’s a place you don’t like, fix it. That’s the place that’s not true. Have fun always. Even sad songs, have fun. Go there to the place the song Is. And remember, it’s your job to make Them cry, not to cry yourself.

For full interview with Rickie Lee Jones, click here.

Todd Rundgren

Todd Rundgren has worn many musical hats, from principal songwriter and guitarist for the 1960′s Anglophile band The Nazz, to the pop meister who wrote the 1972 hit “Hello, It’s Me” and co-wrote the 1983 anti-work anthem “Bang the Drum All Day,” to a member of the prog-rock ensemble Utopia, to the lead singer of The New Cars after Ric Ocasek decided not to join a reunion of The Cars, to the producer of Meat Loaf’s Bat Out of Hell, The New York Dolls’ debut album, and albums by many other artists including Patti Smith, Grand Funk Railroad, and XTC.

Jeff Moehlis: What advice would you give to an aspiring musician?

Todd Rundgren: Well, as you will recall, I gave you this whole dissertation about the difference between being a musician, and a performer, and an entertainer. The first thing to do is to have a clear distinction of what you’re trying to accomplish in that regard.

So if you want to be a musician, the first thing you need to do is get a day job [laughs]. You need to find something to do to feed yourself because music is one of these things where there aren’t success guarantees. It’s not like going to business school, getting an MBA, and then finding a job in a company somewhere. You’re going to go through this period of mystery regarding whether or not you are going to be able to ever make a living at making music. At some point you will have to make a decision that, yes, this is the life that I want to live, and that this is enough success for me to at least make a commitment to that lifestyle. Or you’re going to give up and find something else to do.

The question that you’ll have to answer for yourself at that point is, “am I really any good at it?” If I’m good at it, then regardless of what I have to do otherwise, I’m going to continue to do it. Because I’m good at it, you know? Because it means something to me to do it. And being good at it means that people respond to you.

I mean, you could say that there are egg-headed measures that only a musician would understand, in order to determine if something’s good. But really, the bottom line is, do other people enjoy listening to what you do? If they enjoy it enough to eventually go out of pocket to hear it.

But if you really just believe that you’re doing something musically important, and other people don’t understand it yet or whatever, and you’ll be lauded after you die for your incredible musicality that nobody was yet ready to listen to, then I don’t have any advice, you know [laughs]. You already have the level of self-assurance that makes you keep going regardless of what kind of success you have.

If the kind of advice is, how can I succeed as a musician, in other words, to get paid to do it… you know, I’m having enough trouble myself and I don’t need the competition. So if I knew how, I wouldn’t reveal it [laughs]. And I wouldn’t be telling you how to do it.

For full interview with Todd Rundgren, click here.

Alan Parsons

Alan Parsons has had a truly amazing career in music. His start was as an assistant engineer on the Abbey Road and Let It Be albums by The Beatles. He went on to engineer Pink Floyd’s Atom Heart Mother and their sonic masterpiece Dark Side of the Moon. He also engineered and/or produced works by Paul McCartney (Red Rose Speedway, Wildlife), The Hollies (“The Air That I Breathe”), Pilot (“Magic”), Al Stewart (“The Year of the Cat”), and Ambrosia. He then focused his attention on The Alan Parsons Project, with classic albums including Tales of Mystery and Imagination, I Robot, Pyramid, Eve, The Turn of a Friendly Card, and Eye in the Sky, and songs including “Eye in the Sky”, “Games People Play”, “I Wouldn’t Want To Be Like You”, and “Sirius”, the latter of which is particularly beloved by fans of the Chicago Bulls.

Jeff Moehlis: What advice would you give to an aspiring musician?

Alan Parsons: Never give up. It’s tough, but never give up.

[different day, asked same question]

Alan Parsons: I think the basis of successful rock music is collaboration. I think too many people try to do it on their own, and sit in front of their laptop and try to be creative, and think that they can do the whole thing themselves. All the best records have come from successful collaborations, co-writing, co-performing. I would encourage musicians to work with others.

For full interview with Alan Parsons, click here.

Laurie Anderson

Laurie Anderson has been an intriguing and captivating performance artist since the 1970s, mixing voice, visuals, violin and synth-textures into artistic events that are thought-provoking, entertaining and often highly amusing.

Anderson first became widely known for her 1981 left-field single “O Superman,” which was a surprise No. 2 hit on the United Kingdom pop music charts. This song was included on her 1982 album Big Science, which remains essential listening for fans of experimental music. Those with more stamina might want to check out United States Live, a four-hour-plus recording from which Big Science only gives highlights.

Anderson’s musical endeavors have included several more albums, and she has collaborated with an impressive collection of experimental musicians such as Peter Gabriel, Brian Eno, Philip Glass, Jean Michel Jarre (check out his criminally underappreciated album Zoolook) and Lou Reed, who she married in 2008. She has also toured multiple major performance art pieces, at times featuring instruments and devices that she invented. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Laurie Anderson: Play with other musicians that you really like. You know, expand your style a little a little. And don’t be shy about asking. They might say “yes”. They might say “no”, but don’t take it seriously. I’ve been learning to do that a lot lately, and that’s really been fun. You know, jump out of your style a little bit.

Glen Matlock

Glen Matlock was the original bass player for the seminal and hugely influential punk rock back the Sex Pistols. Their album Never Mind the Bollocks is widely viewed as one of the most important in the history of rock music, punk or otherwise. Matlock co-wrote nearly all of the songs on this album, including “Anarchy in the U.K.” and “God Save the Queen”, but he didn’t play on it because he had left the group. He later played in Rich Kids, and with Iggy Pop and the re-formed Faces. He recently has been performing with The International Swingers. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Glen Matlock: Try it like you mean it. Or don’t [laughs]. Even though I’ve had reasonable success, there’s a lot of frustration involved in the in-between periods. It’s not a smooth career path, but that’s kind of life.

For full interview with Glen Matlock, click here.

Danny Seraphine

Drummer Danny Seraphine was a founding member of Chicago, which is rated by Billboard as the second all-time most successful American rock band based on chart success, behind only The Beach Boys. He was with Chicago from 1967 through 1990, a span which includes their jazz rock classics (“25 or 6 to 4″, “Does Anyone Really Know What Time It Is”, “Saturday in the Park”) and 1980′s pop successes (“Hard to Say I’m Sorry”, “Hard Habit to Break”, “You’re the Inspiration”). A few years ago, Pitbull sampled the Chicago song “Street Player”, co-written by Seraphine, for “I Know You Want Me (Calle Ocho)”. Seraphine currently plays drums in the band California Transit Authority.

Jeff Moehlis: What advice would you give to an aspiring musician?

Danny Seraphine: First of all, really do it for the right reasons, because you love music, you love the art form. Be prepared to make a lot of sacrifices. Don’t leave that second job, so that you can subsidize yourself unless you’re really lucky. And you’re going to need a lot of perseverence. It’s a very tough environment. It’s a lot tougher than it used to be. When I was coming up, I had all kinds of night clubs to play. It’s a different world now. If you love music, you just want to devote your life to it, be prepared for something that’s very tough. Be prepared for that.

Clem Burke

Clem Burke is the drummer for Blondie, arguably the most successful of the original punk / New Wave bands. Blondie’s hits include “Heart of Glass”, “Call Me”, “The Tide is High”, and “Rapture”, and their 1978 album Parallel Lines is regularly ranked as one of the best albums of all time. Burke has also played with The Romantics, The Eurythmics, Bob Dylan, and The Ramones (as “Elvis Ramone”). He recently has been performing with The International Swingers. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Clem Burke: Just keep your business together. Get a good lawyer, although they’re expensive. Things like that. And try to write some good songs.

Stephen Perkins

Stephen Perkins is the drummer for the hugely influential alt-rock band Jane’s Addiction, which formed in Los Angeles in 1985.

The band’s first studio album, Nothing’s Shocking, was released in 1988, and consists of songs ranging from the hard rocking “Ocean Size” and “Mountain Song”, to the funk rock “Standing in the Shower… Thinking”, to the dreamy, psychedelic “Summertime Rolls”, to the disturbing “Ted, Just Admit It…” about serial killer Ted Bundy, to the delicate junkie tale “Jane Says”.

In 1990, Jane’s Addiction released the follow-up album Ritual de lo Habitual, with songs including “Stop!”, “No One’s Leaving”, “Ain’t No Right”, “Three Days”, and their biggest hit “Been Caught Stealing”. Unfortunately, tensions between band members led to their break up, but not before the first Lollapalooza, which was created by Jane’s Addiction singer Perry Farrell as a farewell tour for the band.

After the break up, Perkins worked with Farrell in Porno for Pyros, and did guest appearances on Rage Against the Machine’s debut album and Nine Inch Nails’ album The Downward Spiral. Jane’s Addiction has reunited several times, and in 2011 released the album The Great Escape Artist.

Jeff Moehlis: What advice would you give to an aspiring musician?

Stephen Perkins: Just like any artist if you sit there and sketch, you sit there and paint or sculpt, at first you want to replicate the greats. That’s all you know. There has to be a time when you get you technique together, and you have your arsenal, your fingers on the fretboard, or your hands on sticks.

Once you get to that point when you can play, you’ve got to throw the book out the window, and you’ve got to find yourself. A lot of people consider my playing a personality. That’s what it is. You have to find your personality. My favorite players are not the technique guys. They may have it, or they may not. But it’s their personality. Mike Watt. Stewart Copeland. I don’t know the guy, but I feel like he’s got an attention problem, just by listening to his drumming – he’s everywhere! So I think that anybody who picks up an instrument, make sure your personality comes first, and bring that to the surface. Because it’s art. And that’s what you’re there for. You’re out there obviously to pay the bills, you’re out there to show off. All of that goes into your playing at first. I can make money, I can meet girls, whatever it is. But it’s really about the art, and being alone with the drum, or guitar, or piano, and trying to find what turns you on.

For the full interview with Stephen Perkins, click here.

Holly Near

Singer-songwriter Holly Near has been combining music and activism for over four decades, dating back to the turbulent early-70′s when as a cast member of the Broadway musical Hair she was part of a silent vigil for the victims of the Kent State shootings, and as a member of the FTA (Free The Army) Tour she traveled with Jane Fonda and others to protest the Vietnam War.

Over the years Near has also lent her talents to feminist and LGBTQ causes, and she has worked with other socially conscious musicians including Pete Seeger, Arlo Guthrie, Bonnie Raitt, Jackson Browne, and Joan Baez.

Near is also notable for being one of the first women to found her own record label, Redwood Records, which released her own recordings and those by “politically conscious artists from around the world”.

Near’s honors include being named Woman of the Year by Ms. Magazine, and being nominated as one of the “1,000 Women for the Nobel Peace Prize” in 2005.

Jeff Moehlis: What advice would you give to an aspiring musician?

Holly Near: There are lots of ways to be a musician. A musician has to find her/his way. Sometimes that is clear from the start. Other times, it is trial and error and full of surprises. I thought I was going to be a star on Broadway. Instead, I became fascinated with music associated with social change movements. The main thing is to be good at one’s craft. And that takes practice. Artists are like heart surgeons. I wouldn’t want my heart cut open by someone who had not studied medicine.

For the full interview with Holly Near, click here.

Will Jennings

Will Jennings is a hugely successful songwriter. Songs that he co-wrote include “My Heart Will Go On” (from the movie Titanic and sung by Celine Dion, this single sold 15 million copies and won an Academy Award for Best Original Song and a Grammy Award for Best Song of the Year), “Up Where We Belong” (from the movie An Officer and a Gentleman and sung by Joe Cocker and Jennifer Warnes, this won an Academy Award for Best Original Song), and “Tears in Heaven” (from the movie Rush and performed by Eric Clapton, this won a Grammy Award for Song of the Year). He also co-wrote Whitney Houston’s “Didn’t We Almost Have It All”, Steve Winwood’s “Higher Love”, Barry Manilow’s “Looks Like We Made It”, Tim McGraw’s “Please Remember Me”, and songs for B.B. King, Jimmy Buffett, Roy Orbison, and Peter Wolf.

Jeff Moehlis: What advice would you give to an aspiring songwriter?

Will Jennings: I don’t know. I’ve gone so many places working with so many people. But I don’t have a clue. I just come in and try to get to the next thing, and my beautiful wife is right there behind me. You’re looking at a statue of ‘Thank you, thank you, thank you, thank you, everybody.’

Kinky Friedman

Before Kinky Friedman became a best-selling author of mystery novels, or ran for the Governor of Texas as an Independent in 2006 (coming in fourth out of six candidates), he recorded some of the funniest country music ever committed to tape. His best known songs include “They Ain’t Makin’ Jews Like Jesus Anymore”, “Ride ‘Em Jewboy”, and “Get Your Biscuits in the Oven and Your Buns in the Bed”, which aren’t exactly hymns to political correctness, but they probably will make you laugh, and might even make you think. (Larry Pullen photo)

Jeff Moehlis: What advice would you give to an aspiring musician, or an aspiring author, or in your case, an aspiring politician?

Kinky Friedman: The advice is easy – stop before it’s too late. I remember the story of Johnny Gimble, one of the greatest fiddle players who ever lived. When he was about five years old he told his mother, “Mama, when I grow up I’m gonna be a musician.” His mother said, “Well make up your mind son, because you can’t do both.” And that’s about right. In spite of what Johnny Gimble’s mother said, it’s still true that that being a musician is a much higher calling than being a politician.

For full interview with Kinky Friedman, click here.

Yanni

Not many living people have their name appear regularly as the answer to crossword puzzle clues. But if you’re looking for a five letter answer to “One-named New Age musician” or “Greek New Age keyboardist”, it doesn’t take long to come up with “Yanni”.

Of course, Yanni’s mark extends far beyond crossword puzzles. He has released fourteen studio albums, the latest of which is 2011′s Truth or Touch and two of which have been nominated for Grammy Awards, plus seven live albums including Live at the Acropolis which along with its companion video has sold over seven million copies.

His music, which he prefers to call “Contemporary Instrumental” rather than “New Age”, has also been used in television shows, televised sporting events, and commercials. Yanni was even the first Westerner to perform at the Taj Mahal and Beijing’s Forbidden City.

Jeff Moehlis: What advice would you give to an aspiring musician?

Yanni: For me, I was able to always follow my passion for music by listening to what I felt was right for me. There are many times when you cannot see the path ahead clearly but you have to keep moving in the direction that inspires you. I could have never imagined when I first started my career some 30 plus years ago that I would be where I am today. Throughout both the good and bad times, I never gave up on following my dreams and that is perhaps the best lesson could share.

For full interview with Yanni, click here.

Mark Volman

Mark Volman and long-time collaborator Howard Kaylan were founding members of The Turtles, whose 1960′s hits include “Happy Together” and a cover of Bob Dylan’s “It Ain’t Me Babe”. When The Turtles disbanded, Volman and Kaylan joined Frank Zappa’s Mothers of Invention, and due to contractual reasons adopted the names Flo & Eddie. Flo & Eddie performed on the Zappa albums Chunga’s Revenge, Fillmore East June 1971, and Just Another Band from L.A., and in the movie 200 Motels. Flo & Eddie also sang background vocals for T. Rex, including on the worldwide hit “Get It On (Bang A Gong)” and the albums Electric Warrior and The Slider.

And that’s just scratching the surface. They also sang on records by notable artists including Bruce Springsteen (“Hungry Heart”), The Psychedelic Furs (“Love My Way”), Stephen Stills, Alice Cooper, Ray Manzarek, Keith Moon, The Ramones, and Blondie. Volman is also the Chair of the Entertainment Industry Studies program at Belmont University in Nashville.

Jeff Moehlis: What advice would you give to an aspiring musician?

Mark Volman: Well, learn the business. In this day and age, any young musician who is trying to have any kind of success at all should strengthen themselves emotionally, spiritually and creatively. And one of the ways you do that is by becoming much more aware of the business of music, because it will allow you to become more valuable in all of the areas of your career. And it will help you to be able to look at what’s going on management-wise, and creatively that is very important to understand ownership, and understand publishing, and understand what record companies are about.

If you’re really moving towards the music in a business way, then you definitely have to take the time to take yourself more seriously, and the way you do that is to become much more in tune with the elements that come into the music business in terms of ownership and what makes a good manager, and what makes a good record company. So that you can protect yourself. The saddest thing is for a musician to have a great record lost in the shuffle because he didn’t know what needed to be done. Just because you make the record doesn’t allow you the ability to ignore the necessities of marketing, and public relations, and advertising, and understanding what needs to be done in the most important things.

For full interview with Mark Volman, click here.

Howard Kaylan

Howard Kaylan and long-time collaborator Mark Volman were founding members of The Turtles, whose 1960′s hits include “Happy Together” and a cover of Bob Dylan’s “It Ain’t Me Babe”. When The Turtles disbanded, Volman and Kaylan joined Frank Zappa’s Mothers of Invention, and due to contractual reasons adopted the names Flo & Eddie. Flo & Eddie performed on the Zappa albums Chunga’s Revenge, Fillmore East June 1971, and Just Another Band from L.A., and in the movie 200 Motels. Flo & Eddie also sang background vocals for T. Rex, including on the worldwide hit “Get It On (Bang A Gong)” and the albums Electric Warrior and The Slider. And that’s just scratching the surface. They also sang on records by notable artists including Bruce Springsteen (“Hungry Heart”), The Psychedelic Furs (“Love My Way”), Stephen Stills, Alice Cooper, Ray Manzarek, Keith Moon, The Ramones, and Blondie.

Jeff Moehlis: What advice would you give to an aspiring musician?

Howard Kaylan: Don’t give yourself a fallback plan. Never give yourself a fallback plan. Because the minute things go wrong, you’ll fall back. Go straight ahead with your career, and pretend that it’s the only important thing in your life, because it is. If you give yourself something to fall back on, like another career, you’ll be selling shoes.

Chris Hillman

Chris Hillman has been a professional musician for nearly fifty years, starting on bluegrass mandolin before he joined The Byrds, for which he played bass guitar and contributed vocals. You can hear him on hits including “Turn! Turn! Turn!”, “Eight Miles High”, and “So You Want To Be a Rock ‘N’ Roll Star”, which he co-wrote.

Hillman left The Byrds after their landmark album Sweetheart of the Rodeo, joining up with Gram Parson (who also played on that album) to form The Flying Burrito Brothers, whose classic debut album The Gilded Palace of Sin featured many songs that he wrote or co-wrote with Parsons. Hillman was also a key member of the band Manassas with Steven Stills, and had multiple country hits with the Desert Rose Band.

Jeff Moehlis: What advice would you give to an aspiring musician?

Chris Hillman: OK, I would give this advice to an aspiring musician. I would say, follow your dream. But, have a backup plan. Most of the young kids who ask my advice are in their late teens, or maybe their early twenties, and I say, listen, you’re not going to like what I’m going to say to you, but get a college degree. In something you really enjoy. Get a four-year degree if not a Master’s degree.

Don’t stop playing music. Play wherever you can. Don’t even worry about getting paid. In a college environment, campus environment, there’s a million places you can play. Have a band, meet other guys, da da da da da. You’ve got to have a backup plan. Because even if you had a hit record, and a hit album, and all that, like I just said, I don’t know how long one can maintain that over a period of time anymore. It may be the greatest thing in the world for a year. There’s exceptions, but…

There’s also things, where I see a lot of these very popular groups, and a lot of the members have, like, degrees in physics and things. It’s an amazing thing.

But I’m dead serious with these kids nowadays. Get a four-year degree, which isn’t much. Try and get a four-year degree, if not a Master’s degree. Don’t stop playing the music, but don’t put all your eggs in that one basket. Do not put everything into it. Don’t give up the band, but don’t rely on that to be your ticket. If it falls part, and all of a sudden you’ve put three years into it, you’re twenty-three, twenty-four years old, going back to college then is a little tougher. And it’s tough enough to even have a job when you do get a degree these days. It’s really hard out there. If you don’t have a degree, forget it.

That’s my advice. It’s hard advice, but I stand by it.

For the full interview with Chris Hillman, click here.

Richie Furay

Richie Furay is best known for co-founding two notable bands: Buffalo Springfield, which is in the Rock and Roll Hall of Fame and for which Furay was one of the primary songwriters along with Neil Young and Stephen Stills, and Poco, which is regarded as one of the pioneering bands of the country-rock genre. After leaving Poco in the early 1970′s, Furay was in the short-lived supergroup Souther-Hillman-Furay, and has since released several solo records. His song credits include “Kind Woman”, “A Child’s Claim To Fame”, “Hurry Up”, “Keep On Believin’”, “You Are The One”, and “Let’s Dance Tonight”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Richie Furay: Enjoy the gift; be serious about it but don’t take yourself too seriously.

For full interview with Richie Furay, click here.

Ted Nugent

Ted Nugent is known as the Motor City Madman for his gonzo persona, music, guitar playing, and right-wing punditry. He was in the Detroit band The Amboy Dukes best known for the 1968 acid-rock song “Journey to the Center of the Mind”. After going solo in the 1970′s, he recorded the multi-platinum classic hard rock albums Ted Nugent, Free-for-All, and Cat Scratch Fever, plus the live album Double Live Gonzo!

Jeff Moehlis: What advice would you give to an aspiring musician?

Ted Nugent: Stay clean and sober and treat your mind, body and soul as a sacred temple. Eat smart, remain athletic. Treat others as you wish to be treated. Be early, stay late. Carry yourself with confidence and pride. Demand accountability from yourself and everyone around you. Put your heart and soul into everything you do and demand the same from everyone around you. Avoid losers. Get a bow and arrow, discover the spirit within. Aim small, miss small. Listen to every black soul artist, R&B and blues artist you can. Listen closely. Be one with the groove. Trample the weak, hurdle the dead.

For full interview with Ted Nugent, click here.

Billy Corgan

Billy Corgan is the lead guitarist and singer for Smashing Pumpkins, one of the best known alternative rock bands which broke through in the 1990′s. Their 1993 album Siamese Dream is widely recognized as one of the best and most influential albums of the decade.

Jeff Moehlis: What advice would you give to an aspiring musician?

Billy Corgan: I don’t know, because in the old days it was just, get your shit together and tour, and now I think that’s a complete waste of time. I think if you go recording first, you know, you end up being sort of a victim to the pitchfork[.com] culture, of “you know, that’s really precious.” I think the lack of bands of great width and power says something about the ground level. When we came in at the ground level, we had to be able to play. And I don’t think that exists anymore, so I don’t know.

I mean, your first album could be hailed as a masterpiece, you can play, and there’s forty guys with beards [in the audience], but it’s not going to translate to Iowa.

JM: I’m from Iowa, by the way [laughs].

BC: That was always the Pumpkins’ thing. Yeah, things like The Strokes and bands like that, that might work in New York, but it doesn’t work in fucking Iowa. That’s the thing. You can’t really truly succeed in America. You see a lot of English bands that come and play New York, Philly, Detroit, Chicago, Denver, LA, they play like eight cities and then they get the fuck out. Because they can’t go through the heartland.

I think it’s really difficult. Honestly, I don’t know. I think, sometimes, well, if I was eighteen, what would I do?

I think at the end of the day, talent is always the great arbiter. Every system is different. But at the end of the day, it should be that the talented win. Right now the mediocre seem to be winning. You know, the ones that… if everything’s niche, then you have to be somebody who kind of basically attracts four niches to add your thing up. Or be really non-offensive. And I don’t know how you do rock and roll and be non-offensive. Coldplay mastered that [everyone laughs]. I think they’re really good, but I’m saying, they mastered the art of feeling a little dangerous without being dangerous at all.

For the full chat with Billy Corgan, click here.

Peter Buck

Peter Buck is guitarist and co-founder of the long-running alternative rock band R.E.M., whose songs include “Radio Free Europe”, “It’s The End of the World As We Know It”, “Stand”, “The One I Love”, “Everybody Hurts”, “Man on the Moon”, “Losing My Religion”, “Shiny Happy People”, and “What’s The Frequency, Kenneth?”. In 2007, R.E.M. was inducted into the Rock and Roll Hall of Fame. Buck has also produced records by The Feelies, Uncle Tupelo, and others.

Jeff Moehlis: What advice would you give to an aspiring musician?

Peter Buck: Only do it if you have to. It’s a great life, but if you’re doubting that you want to be a musician for life then you shouldn’t be, because it’s tough work. And don’t ever sign anything. I’m one of the only people I know who didn’t get ripped off.

JM: Because you didn’t sign anything?

PB: I’ve been careful.

Bryan Adams

Bryan Adams is the all-time best-selling male Canadian artist, having co-written and performed some of the best known songs of the 1980′s and 1990′s, including rockers like “Cuts Like a Knife”, “Run to You”, “Summer of 69″, and “Can’t Stop This Thing We Started”, plus the ballads “Straight from the Heart”, and “Heaven”. He has also brought us mega-hit songs from movies, most notably the theme song “Everything I Do (I Do It for You)” from the Kevin Costner film Robin Hood: Prince of Thieves, which spent a record sixteen straight weeks as the No. 1 song in the United Kingdom. He has also hit No. 1 with “Have You Ever Really Loved A Woman?” from Don Juan DeMarco, and “All For Love”, performed with Rod Stewart and Sting from The Three Musketeers. He even did the soundtrack for the 2002 DreamWorks animated film Spirit: Stallion of the Cimarron.

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Bryan Adams: Well, as long as you are OK with the fact that you’ll probably never get paid for your work, thanks to internet and free downloading, then at least don’t sign your songs away. Hang on to everything you can.

For full interview with Bryan Adams, click here.

Maceo Parker

Saxophonist Maceo Parker played on many of James Brown’s most popular songs, including “I Got You (I Feel Good)”, “Papa’s Got a Brand New Bag”, “I Got The Feelin’”, and “Say It Loud – I’m Black and I’m Proud”. He also played with George Clinton on Parliament’s albums such as The Clones of Dr. Funkenstein and Mothership Connection. More recently, he has made guest appearances on recordings with the likes of the Red Hot Chili Peppers, Brian Ferry, Living Colour, Deee-Lite, 10,000 Maniacs, and Prince. He has been described as the funkiest saxophonist on the planet, and Music Illuminati would have to agree. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Maceo Parker: Play. You don’t necessarily have to be in a group. If you’re in a group, that’s alright, but just try and find situations where you can play, play, play, play, play. Because the more you play the better you get at it.

“Weird Al” Yankovic

When “Weird Al” Yankovic was sixteen years old, he gave a home-recorded tape of original and parody songs to Dr. Demento, who broadcast them on his radio show. This was the beginning of Yankovic’s career in comedic music, which really took off in 1984 with his hit song with “Eat It”, a parody of Michael Jackson’s “Beat It” with a hilarious video which spoofed Jackson’s own. He has released many other popular parodies, including another song by Jackson (“Fat”) and songs by Madonna (“Like A Surgeon”), Queen (“Another One Rides The Bus”), Nirvana (“Smells Like Nirvana”), Coolio (“Amish Paradise”), and Chamillionaire (“White & Nerdy”). He also has written a number of original comedy songs.

Jeff Moehlis: What advice would you give to an aspiring songwriter or musician?

“Weird Al” Yankovic: I would say give up, because all of the slots are filled. There’s really no openings left. So thanks for your interest, but they’re not taking applications anymore.

Billy Duffy

Billy Duffy is the guitarist for The Cult, a renowned British hard rock band with psychedelic and punk rock influences formed in 1983. The Cult’s notable albums include Love (1985), Electric (1987), and Sonic Temple (1989), and in 2012 they released a new album called Choice of Weapon. Their songs include “She Sells Sanctuary”, “Love Removal Machine”, “Fire Woman”, and “Edie (Ciao Baby)”, all co-written by Duffy and singer Ian Astbury. Before The Cult, Duffy played in The Nosebleeds (with a pre-Smiths Morrissey, who Duffy reportedly introduced to Johnny Marr), Slaughter & The Dogs for a short time, and Theatre of Hate.

Jeff Moehlis: What advice would you give to an aspiring musician?

Billy Duffy: Have two great girlfriends, an excellent haircut, and a fantastic pair of sunglasses. That’s the answer I always give.

For the full interview with Billy Duffy, click here

Chris Shiflett

Chris Shiflett is best known as the lead guitarist for the last ten or so years for the alt-rock powerhouse Foo Fighters, which was founded by Dave Grohl after Kurt Cobain’s suicide effectively ended the band Nirvana. Foo Fighters have won the Grammy Award for Best Rock Album a record four times – three during Shiflett’s tenure – including for their latest album Wasting Light. Before Foo Fighters, Shiflett played with the punk band No Use for a Name, and he continues to be a member of the “punk rock supergroup” Me First and the Gimme Gimmes. He also has a country music project called Chris Shiflett and the Dead Peasants.

Jeff Moehlis: What advice would you give to an aspiring musician?

Chris Shiflett: When I was a kid and wanted to be a musician, and was trying to be a musician, I just loved music. Just love music.

JM: And it’ll work out?

CS: Maybe it will, and maybe it won’t, but at least you’re doing it for the right reason.

Kronos Quartet: David Harrington, John Sherba, Hank Dutt

David Harrington is the founder and plays violin in the acclaimed Kronos Quartet, which has been called the foremost ambassador of contemporary chamber music. John Sherba (violin) and Hank Dutt (viola) are longtime members. The quartet has released more than 45 recordings, has commissioned more than 750 pieces and arrangements, and has worked with many of today’s top composers including Terry Riley, Steve Reich, and Philip Glass. In 2004 the quartet won a Grammy for Best Chamber Music Performance, and in 2011 they received the prestigious Polar Music Prize and Avery Fisher Prize. They continue to tour and record extensively.

(L-R): David Harrington, John Sherba, and Hank Dutt (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

David Harrington: I’ve never been able to follow advice, so I don’t really give it very much. But if I did have to give it, in fact what I say to a lot of composers that I’m mentoring or talking to, is to try to learn to hear the sound that your own spirit, your own soul, your own body is making. That’s the hardest thing, I think, for any musician, to actually hear the inner sound. You have to turn your ears around, and in our life, with all the noise and confusion and complexity, that’s a really tough thing to do. And it’s not very often talked about. But I would say that’s the most important thing for any musician to do.

John Sherba: Always be curious. Keep your ears open and curious. And follow your own instinct – that’s really important. Everybody’s going to give you advice, listen to some of it, and learn how to discard other advice you get. Be very careful what you decide to take.

Hank Dutt: There’s many things one can say. For a performer, I would say find a mentor, a teacher that you respect and who inspires you. Work hard, practice, and perform. And enjoy what you do.

Abdul “Duke” Fakir

The Four Tops, one of Motown’s premiere music groups, performed the timeless classics “Baby I Need Your Loving”, “Bernadette”, “Reach Out I’ll Be There”, and “I Can’t Help Myself (Sugar Pie Honey Bunch)”, the latter two of which reached #1 in the US charts. The original group members Levi Stubbs, Renaldo “Obie” Benson, Lawrence Payton, and Abdul “Duke” Fakir stayed together from 1953 until 1997, and The Four Tops continue to perform today with Fakir as the only surviving member.

Jeff Moehlis: What advice would you give to an aspiring musician?

Abdul “Duke” Fakir: Learn everything you can about being a musician. And just be totally committed. Don’t let nothing stop you. If you really know you’re good enough, and you really feel it in your bones, just follow that. Because you’ll push the doors open. Those doors will come open if you do it and you’re really committed. It just might take a while. Don’t get discouraged.

Annie Haslam

Annie Haslam is the vocalist extraordinaire (with a five-octave range!) for the progressive / classical rock band Renaissance. The band’s classic albums include 1974′s Turn of the Cards and 1975′s Scheherazade and Other Stories, both of which they recently covered in full on tour. Renaissance’s songs include “Mother Russia”, “Carpet of the Sun”, “Song of Scheherazade”, and “Northern Lights” which was a Top 10 single in the UK in 1978. Renaissance will soon be releasing a new album called Grandine il Vento.

Annie Haslam has also released several solo albums, starting with 1977′s aptly named Annie in Wonderland. And she is an accomplished painter!

Jeff Moehlis: What advice would you give to an aspiring musician?

Annie Haslam: Stay true to your dreams, never falter, keep that desire burning. If your intentions are for your highest good you will achieve your goal. Personally : Please take care of your mind as well as your body, and ‘other’ people, friends and strangers.

For full interview with Annie Haslam, click here.

David “Honeyboy” Edwards

David “Honeyboy” Edwards is a Delta bluesman who was with legendary fellow-bluesman Robert Johnson on the night in 1938 that Johnson drank the poisoned whiskey that led to his premature death. Edwards was first recorded in 1942 by folklorist Alan Lomax for the Library of Congress. Edwards was inducted into the Blues Hall of Fame in 1996, won the 2008 Grammy Award for Best Traditional Blues Album, and in 2010 received a Lifetime Achievement Award Grammy. Edwards died on August 29, 2011 at age 96.

Jeff Moehlis: What advice would you give to an aspiring musician?

David “Honeyboy” Edwards: If you’re playing, and you like to play, keep on playin’. Don’t care what anybody tells you, you do what you want to do. Keep on playin’. That’s the way I do it. Keep on playin’. And finally it’ll pay off.

JM: By the time you’re 95?

DHE: Yeah.

Jimmy Carter

The Blind Boys of Alabama started singing together in 1939, at a school for the blind in a little town in Alabama called Talladega. They had their first professional performance in 1944, and have been going strong with their heavenly Gospel music ever since, although only one original member, Jimmy Carter, still regularly tours with the group. They have received many accolades, including Lifetime Achievement Awards from the Grammys and the National Endowment for the Arts, and have performed for three Presidents. (Erika Goldring photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Jimmy Carter: When people ask me that, I tell them that there are three things that a musician has to have, or anybody that has a goal in mind. Three things that they have to have. You first have to be dedicated. Then perseverance and persistence. Those are the three things that you need if you have anything in mind that you’re trying to do. You have to be focused on those three things – dedication, perseverance, and persistence. And one more – patience, too.

For the full interview with Jimmy Carter, click here.

Ray Manzarek

Ray Manzarek is best known for being the co-founder and keyboard player for The Doors. Since The Doors didn’t have a bassist, he also usually covered the bass parts on the keyboard as well. The Doors recorded six acclaimed studio albums before Jim Morrison died. Manzarek has also recorded several solo albums, including The Golden Scarab and The Whole Thing Started With Rock & Roll Now It’s Out of Control, both from 1974. His production credits include the debut album by Los Angeles punk band X.

Jeff Moehlis: What advice would you give to an aspiring musician?

Ray Manzarek: Practice, practice, practice.

JM: That’s how you get to Carnegie Hall, right?

RM: That’s how you get to Carnegie Hall, exactly. And if you’re a guitar player, learn your fucking scales. A, E, G, D, C, then when you get good, E flat and B flat. Learn your scales. I want to hear you go [sings] da da da da da da da da. Major and minor. And practice, practice, practice.

John Densmore

John Densmore is best known for being the co-founder and drummer for The Doors, who recorded six acclaimed studio albums before singer Jim Morrison died. Densmore’s jazz-influenced drumming is often credited as an important component of the band’s unique sound. After The Doors’ demise, Densmore and Doors guitarist Robbie Krieger founded The Butts Band, which released two mid-Seventies albums.

Jeff Moehlis: What advice would you give to an aspiring musician?

John Densmore: That if you’re completely obsessed, go for it. Otherwise, it’s a big roll of the dice. So keep your day job, but if you have to do it, just do it.

Paul Kantner

Paul Kantner was a co-founder, singer, rhythm guitarist, and songwriter for the Sixties psychedelic band Jefferson Airplane, which is best known for the hits “Somebody To Love” and “White Rabbit”. His songwriting credits include “Crown of Creation”, “We Can Be Together”, “Volunteers” (co-written with bandmate Marty Balin) and “Wooden Ships” (co-written with David Crosby and Stephen Stills). Kantner stayed onboard when Jefferson Airplane morphed into Jefferson Starship. Photo taken by L. Paul Mann

Jeff Moehlis: What advice would you give to an aspiring musician?

Paul Kantner: Just keep playing. Play your guitar as many places as you can. If you want to work with other musicians, go to places where other musicians are. And learn from them.

Hopefully you’ll have some favorite musicians and music. The way I started out was copying and learning things from people that I liked, like Fred Neil and the Weavers, and stuff like that. Eventually I started writing a song or two. The first song I ever wrote actually became part of the lyrics of “Wooden Ships”. Part of the lyrics of the first song I ever wrote.

Go places that music exists, and immerse yourself in it in as many ways you can find enjoyable and possible. And be around people who play music, and give you new ideas that you wouldn’t have thought of. Just sitting in your back room making up music and putting it on a tape recorder is fine for a certain element of things. But for me I love the interaction between musicians, which for me produces usually a “one and one equals three” kind of situation. And things occur that you never would have thought of by yourself, and other people’s influences touch you and move you. So, yeah, other people.

For full interview with Paul Kantner, click here.

Jorma Kaukonen

Jorma Kaukonen was the lead guitarist for the Sixties psychedelic band Jefferson Airplane, which is best known for the hits “Somebody To Love” and “White Rabbit” from the album Surrealistic Pillow. His signature song is the instrumental “Embryonic Journey” from the same album. Other acclaimed Jefferson Airplane albums include After Bathing At Baxter’s, Crown of Creation, and Volunteers. As the Sixties wound down, Kaukonen and Airplane bassist Jack Casady’s attention shifted to their new band Hot Tuna, which focused on acoustic and electric folk- and blues-based music. Kaukonen has also released multiple solo albums, including 1974′s masterpiece Quah. Kaukonen continues to tour in Hot Tuna, and with his wife owns and operates the Fur Peace Ranch which runs a yearly music and guitar camp.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jorma Kaukonen: I guess the most important thing is, first and foremost, to love whatever it is that you do. Whatever your muse, whatever kind of music, whatever instrument that you play, you love that first. Every now and then you meet people that are chasing stardom. If that works for you, then that’s great. If you’re lucky it might happen. It probably won’t. But if you love to play music you’ll have a great companion for your whole life.

For full interview with Jorma Kaukonen, click here.

Jack Casady

Jack Casady played bass guitar for the Sixties band Jefferson Airplane, which is best known for the hits “Somebody To Love” and “White Rabbit”. Their albums Surrealistic Pillow, After Bathing At Baxter’s, Crown of Creation, and Volunteers are amongst the best of the psychedelic rock genre. Casady also played on “Voodoo Chile” with Jimi Hendrix, and “Song With No Words (Tree With No Leaves)” from David Crosby’s first solo album. As the Sixties wound down, Casady and Jefferson Airplane lead guitarist Jorma Kaukonen’s attention shifted to their new band Hot Tuna, which focused on acoustic and electric folk- and blues-based music. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Jack Casady: Well, I think nowadays there’s so much opportunity to investigate music. When I was a kid, I would get on a bus in Washington D.C., and go down to the Library of Congress. You’d get signed in, and you’d get to pull out records and take them into booths, and listen to world music – that it’s called now. Music from all over the world. Later on, in the early Sixties they started to be put out in collections on albums. But nowadays you have the Internet, you can do so much exploration of music from all over the world, and I think that’s really fascinating for any young musician, and to hear music from all different time periods. I mean, you’ve got recorded music for a hundred years now, so I think that offers a tremendous opportunity to expand your horizons, and hear different approaches, and to be intrigued and inspired to work on the music yourself.

There’s that aspect, and then there’s the good old know your instrument, know the theory. It always pays to take lessons and explore the harmonic aspect of your instrument as well as music in general. I tell my bass players, you should play another instrument that has chords. You should at least play a guitar, and learn piano. It would expand your horizons terrifically. Particularly in songwriting, and writing music in general.

For full interview with Jack Casady, click here.

Martin Gore

Martin Gore is a multi-instrumentalist, sometimes singer, and principal songwriter for electro-pop band Depeche Mode, whose hits have included “People Are People”, “Personal Jesus”, and “Enjoy the Silence”. Depeche Mode has sold over 100 million albums and singles worldwide, and has been called “the most popular electronic band the world has ever known”. Photo: 805Live.

Jeff Moehlis: What advice would you give to an aspiring musician?

Martin Gore: I would advise any aspiring musicians to just try to be original, and do something that’s unique. Obviously you take influences from something you like, but you have to somehow put a twist on it and do something that comes from the heart that is different from everybody else.

John McEuen

Multi-instrumentalist John McEuen has been playing music professionally for over forty-five years. A key member of The Nitty Gritty Dirt Band for much of that time, he was the driving force behind their classic 1972 album Will The Circle Be Unbroken, which had the band collaborating with bluegrass and country-western legends like Maybelle Carter, Doc Watson, Earl Scruggs, and Merle Travis. McEuen has also recorded or performed with a staggering array of other artists over the years, and his production credits include the Grammy-winning Steve Martin album The Crow: New Songs for the 5-string Banjo.

Jeff Moehlis: What advice would you give to an aspiring musician?

John McEuen: Let me qualify your question to a young musician wanting to be in the music business.

Pay attention to the fact that if you’re going to be in the music business, remember it’s two words. Each word is equally important. You’re getting into to a business that’s you, and you will be the only one that cares the most about you. Others may sound like they do, just remember it’s your business. Learn everything about it. If you’re a songwriter, read The Songwriter’s Guide to Music Publishing by Randy Poe. Or quit pretending to be a songwriter. It’s that simple. People tell me, “I’m writing songs, and I want to know if I can get them out there.” Well, if you’re writing songs, I’ll talk to you after you read this book. Songwriting is a profession.

The other thing I usually say is to be as smart as a farmer. A farmer knows what crop to plant, he grows it, he has to harvest it, he goes through a lot of problems making it happen. But when he’s done, he knows how to distribute it. He knows how to market it. He knows what his market might be. A lot of musicians say, “Oh, yeah, we have a band, and we just finished the album and recorded it in the garage,” and they open the garage door and say, “Our album’s ready!” and nobody’s out there.

The time goes so fast. Don’t put an album out in September. You won’t get any notice. Everybody’s already got their editorial calendar committed through October and November. And Christmas and Halloween… there’s no space. And before you know it you’re going to be saying, “We put out an album last year.”

For the full interview with John McEuen, click here.

Fred Tackett

Multi-instrumentalist Fred Tackett officially became a member of Little Feat in 1988, but he had worked as a session player on earlier albums by the band including the classic album Dixie Chicken. Tackett has also recorded with an amazing collection of artists including Bob Dylan, Ringo Starr, Rod Stewart, Jackson Browne, Glen Campbell, Neil Diamond, Kris Kristofferson, Barbra Streisand, Bonnie Raitt, Lionel Richie, Joan Baez, The Allman Brothers Band, The Carpenters, Tom Waits, Rickie Lee Jones, Curtis Mayfield, Kenny Loggins, The 5th Dimension, Johnny Rivers, Van Dyke Parks, Bob Seger, Carly Simon, Harry Nilsson, and more. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Fred Tackett: I always repeat George Burns’ advice, which is “Take your wallet onstage.” It is the number one advice, man. I remember going out on the road with Bob Dylan, and all the background singers got their stuff stolen. What do you do? Keep your wallet with you onstage [laughs].

Steve Hillage

Steve Hillage is best-known for his amazing guitar playing with Gong during its classic Radio Gnome Trilogy phase (1973-75), and for his subsequent solo career which included the albums Fish Rising (1975), L (1976), Motivation Radio (1977), Green (1978), and Rainbow Dome Musick (1979). He also played with the prog rock band Khan which released their only album Space Shanty in 1972, with Kevin Ayers on the album Bananamour (1973), and on the live performances of Tubular Bells at Queen Elizabeth Hall in 1973 and for the BBC in 1974.

In the 1980′s, Hillage worked as a producer for artists including Simple Minds, Cock Robin, and Robyn Hitchcock. Then, after meeting Dr. Alex Paterson, he co-wrote, co-produced, and recorded songs with The Orb, including the British hit song “Blue Room”. Hillage and Miquette Giraudy also formed the still-active ambient dance band System 7, which has collaborated with Paterson, Derrick May, and others.

Jeff Moehlis: What advice would you give to an aspiring musician?

Steve Hillage: There’s the great advice that actually Jimi Hendrix told Daevid Allen in the toilet of a club once in 1967. And he said, “Stay with your thing, man!” Basically, you’ve just got to stay with your thing. You’ve got to find a way of manifesting your individuality and your personality in what you do. Stick with it, and just develop your skills. That’s the essence of the whole thing. “Stay with your thing, man!” [laughs]

For full interview with Steve Hillage, click here

Robben Ford

Robben Ford has been playing guitar professionally for over four decades, and was ranked one of the Greatest 100 Guitarists of the 20th Century by Musician magazine. He has released multiple solo albums, helped launch the jazz fusion band Yellowjackets, and has worked with artists ranging from Joni Mitchell to Jimmy Witherspoon to Kiss to George Harrison to Miles Davis.

Jeff Moehlis: What advice would you give to an aspiring musician?

Robben Ford: If it was a guitar player, I would tell them to learn chords, and chord voicings. And learn how to play songs. A lot of musicians, and particularly jazz musicians, they want to learn how to solo. How to play a lot of notes. What will always make that an easier road is if you understand harmony, if you understand chords, and how to use chords. If you know chords, you can play songs. If you can play songs, you’re making music. You’re not asking yourself to come up with something out of thin air. That’s a big problem for musicians, too. It’s like they just don’t know what to do. They don’t where to begin, they don’t know where to go. Again, if you know how to play chords on your instrument, and you learn some songs so that you can use these chords, you’re making music right there. And that can be done in a matter of, if not weeks, months. You can be making music. So that would be my advice.

For full interview with Robben Ford, click here.

Hale Milgrim

Hale Milgrim is a lifelong music fan whose jobs have ranged from working at Discount Records in Isla Vista, California to being president of Capitol Records from 1989-93. During his time at the helm, Capitol released notable albums by the likes of Paul McCartney, Bonnie Raitt, Blind Melon, Garth Brooks, Crowded House, MC Hammer, Megadeth, and Radiohead. He currently hosts a Sunday morning program from 8:55 to 10:05 a.m. called “Go to Hale” on 99.9 KTYD.

Jeff Moehlis: What advice would you give to an aspiring musician?

Hale Milgrim: The same thing I’ve told artists since I was really young. The same thing. If you really love what you’re doing, then do it for that focus and that purpose in your life. There is no easy way, in my opinion. It’s all about performing, working hard, honing your skills, going out in front of people, whether it’s four people you’re playing in front of, or it’s thousands. You go out there and you do it over… and not the same thing over and over again, but the process over and over again until you’re comfortable enough that if all the monitors go out, your strings all break, you figure out some way to improvise, some way to get through those moments, so when you get your opportunity you’re prepared in all possible ways. Whether you’re one of the back-up musicians, or you’re the lead vocalist, or the singer-songwriter.

I really believe it’s all about that work ethic, just like it is for you or it is for me. It’s all about how I’m going to get up everyday, how I’m going to be motivated to do what it is that I love doing, and how it is that you’re going to go out there and communicate. Communicate. And whether that’s a sullen artist that doesn’t want to really share much with the audience, but is so powerful because they’ve got the real deal in them, they’re great writers, they’re great at being able to get their concepts across. And they don’t really care about…

Sort of Jim Morrison, from The Doors, that was just a great poet. Was he the guy to sit and talk to, like, Garland [Jeffreys] or Peter [Case, both also at the afterparty where this conversation took place]? No, not generally speaking. But, boy, when you saw him live, you were transfixed. Just hypnotically taken to another planet. With the rest of his bandmates, I might add, with Densmore, and Manzarek, and Krieger.

I used to be able to say “Go to a record company”, or “Go to this”. But in my opinion, at the end of the day, if you’d have had a tape that you gave me to listen to, I’d listen to it, hopefully, or I’d give it to one of the A&R guys to listen to it, and then eventually I hopefully listen to it, sometimes sooner than others. But at the end of the day, before I would sign any group or be excited about any group, you see them live. If they can’t do it live, if they can’t have seven people out there the first time they play, twelve or fifteen the second, twenty-five the third, then obviously the synergistic situation is not working.

At the end of the day, it’s about the charisma or depth of artist. If you’re really creative, and you can write really well, or you can sing or you can play really well, you have a possibility. But in my opinion, it’s one of the toughest businesses to break into. That doesn’t mean that there aren’t rewards from it. There’s people like Richard Thompson, one of the finest singer-songwriters in the world in my opinion, and guitarists. He doesn’t sell millions of records, but he’s unbelievable. And if you go and give it an opportunity, or a chance to listen to it, and then if you see him live, you will be taken to another planet. Because he is that talented.

Most of the artists that I’ve loved in my life, in a lot of cases they never had hits, or they had a hit or a few hits. As old as I am, with 55 years of listening – I was ten then – that’s what got me. I never knew where anything would lead, and I never cared about that. As long as I could still enjoy listening to music, and working in a record store and turning you on.

For the artist, I don’t know what to tell you other than hard work. It’s sort of a thankless job. Allow your horizons to continue to expand. Force yourself to hear and see and meet different people. That’s very tough to do sometimes when you’re in the art world. Anybody that gets focused on one or two things, to try to get to their creative point, sometimes one becomes so focused on themselves and on what they’re doing, that you sort of forget about everything else that’s going on around you. That’s a very difficult thing to do sometimes, to allow yourself to be open enough to other possibilities. That’s something that needs to be celebrated, allowing yourself to be open to different things.

Bones Howe

Dayton “Bones” Howe was the producer for a number of sunshine pop hits by The 5th Dimension (including the Grammy-winning “Aquarius/Let the Sunshine In” and “Wedding Bell Blues”), The Association (including “Windy” and “Never My Love”), and The Turtles (“It Ain’t Me Babe”). He also produced several songs for Elvis Presley (“If I Can Dream” and “Memories”; he was also chief engineer for the 1968 NBC Elvis Christmas Special) and The Monkees, and several albums by Tom Waits. He later supervised the music for movies such as La Bamba and Back to the Future.

Jeff Moehlis: What advice would you give to an aspiring musician?

Bones Howe: It’s about attitude. People used to ask me about the studio, and I would say to them, “Look, you never say no until you’re too busy to say yes.” Because you just never know what’s going to be there. You walk through those doors, and you just never know what’s going to be on the other side. You don’t know what’s going to happen, you don’t know who you’re going to meet. You don’t know who you’re going to play with, maybe somebody you’ve never met before. And one thing leads to another. That’s how the Wrecking Crew became the Wrecking Crew. It was just guys together, and these guys together, and producers saying “I really like it”. When Hal [Blaine] plays with Larry Knechtel… you know, those feelings that they got in the studio. So it ended up with the same gang of guys playing on everybody’s records, but in different combinations. My combination was Hal, Joe [Osborn], and Larry, but everybody had different combinations out of the same bunch of guys. Of course, with Brian [Wilson], he used everybody. Because he’d like to fill the studio up to make that huge sound.

Don Randi

Don Randi was a member of The Wrecking Crew, the informal collection of Los Angeles-based studio musicians who played on a staggering number of hit recordings during the 1960′s. Randi’s credits include playing piano or doing arrangements for The Beach Boys, Buffalo Springfield, Carole King, Diana Ross, Dusty Springfield, The Electric Prunes, The Association, Frank Sinatra, Frank Zappa, Ike & Tina Turner, Neil Diamond, The Righteous Brothers, Simon & Garfunkel, Sonny & Cher, The Monkees, and many more. He is also the proprietor of the club The Baked Potato in Studio City, California, and is a noted jazz pianist on his own and with the band Quest.

Jeff Moehlis: What advice would you give to an aspiring musician?

Don Randi: Get a job. How serious are you? Because it’s 24 hours a day. You have to have parents that are really very loving and appreciative, and giving you a lot of support. It’s a very, very hard way to go. Especially in the beginning. Even at the end it’s a hard way to go.

A piece of advice, if you know somebody that really is serious about it, and they want to be in the studio, they have to have a character that doesn’t mind if somebody asks them to play a certain style, that they will be willing to do it. Most of the time there’s not any music at all. They might give you numbers and a certain key, and you have to understand what those numbers are. They might give you some strange thing that you’ve never done before, but they want it in this style. So what I usually tell a student in school is that you can’t listen to one radio station. You’ve got to keep turning that dial. Learn what’s on a country station, learn what’s on a classical music station. Listen to a bebop station. So that if somebody comes in and says, “We’re doing a country record. Give me some of Floyd Cramer today.” Or, “I want it to be more like Ray Charles.” You can’t be embarrassed about that, but you have to know what they wanted and to be able to give it to them. That’s what we had to do, and that’s what you don’t see a lot of times. Everybody wants to be a specialist. They want to be a rock star.

Bob Cowsill

Bob Cowsill played guitar and sang in The Cowsills, a band of siblings and their mother who recorded some of the most beautiful sunshine pop in the 1960′s, including the hits “Hair” and “The Rain, the Park and Other Things” (think “I love the flower girl”). The Cowsills played on the Ed Sullivan Show, The Tonight Show with Johnny Carson, and The Johnny Cash Show, and were the inspiration for the TV series The Partridge Family. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Bob Cowsill: Well first, get good at what you do. Then once you have something that you’re good at, and you want people to hear it, get on the internet and take advantage of all the free ways of marketing yourself, that cost you nothing. You get a YouTube presence, you play, you put it on YouTube. That’s number one. I only say that because you can do that immediately, without a record deal, without any help. That gets you out there. And when you go looking for bigger stuff, you’re gonna have to be tough, you’re gonna hear “no” a lot, you’ve gotta hang in.

John Cowsill

John Cowsill played drums and sang in The Cowsills, a band of siblings and their mother who recorded some of the most beautiful sunshine pop in the 1960′s, including the hits “Hair” and “The Rain, the Park and Other Things” (think “I love the flower girl”). The Cowsills played on the Ed Sullivan Show, The Tonight Show with Johnny Carson, and The Johnny Cash Show, and were the inspiration for the TV series The Partridge Family. Later, John played drums and sang background vocals on “867-5309/Jenny” by Tommy Tutone. He is currently the touring drummer for The Beach Boys. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

John Cowsill: [laughs] I don’t have any advice. I mean, you either do it or you don’t do it. You either like it or you don’t. I guess, do it for the right reason – because you have to. I could say “practice”, but an aspiring musician’s going to be doing that anyway.

It’s a weird business. I know so many guys better than me, and so many guys better than the other guy, and certain guys who are shitty have got gigs, guys who are great don’t. I don’t understand the math, actually.

David Pack

David Pack was the lead singer and guitarist for the prog-rock/soft-rock band Ambrosia, whose hits included “Holdin’ On To Yesterday”, “How Much I Feel”, “Biggest Part of Me”, and “You’re the Only Woman (You & I)”, all of which he wrote or co-wrote. He also co-wrote “All I Need”, which was a No. 1 hit for soap opera star Jack Wagner. He has performed on albums by other artists, including The Alan Parsons Projects’ Tales of Mystery and Imagination and Kansas’ Vinyl Confessions. Pack is also an acclaimed producer for artists including producer for Phil Collins, Aretha Franklin, Kenny Loggins, Wynonna Judd, and many others.

Jeff Moehlis: What advice would you give to an aspiring musician or songwriter?

David Pack: I would just say to follow your heart, and try to hone in on what it is that makes you truly authentic, as opposed to any other artist in the world. Find your own voice, try to be authentic, and don’t give up.

David Lindley

David Lindley was a key member of 1960s eclectic psychedelic band Kaleidoscope, which was described by Led Zeppelin guitarist Jimmy Page as “my favorite band of all time — my ideal band.” He is best known for his fretwork for Jackson Browne — for example, on the classic albums Late for the Sky and Running on Empty, and he also contributed to music by David Crosby and Graham Nash as part of The Mighty Jitters band, Warren Zevon, Linda Ronstadt and many, many others. Somehow he also found time for his own project, El Rayo-X, in the 1980s.

Jeff Moehlis: What advice would you give to an aspiring musician?

David Lindley: Play all the time. The right way. Practice makes permanent, not perfect. So practice stuff the right way. I mean do it all the time, like all the people who I really like, whose playing I enjoy. Jascha Heifetz said, “If I miss one day of practice, I notice it. If I miss two days of practice, my audience notices it.” [Actual quote: "If I don't practice one day, I know it; two days, the critics know it; three days, the public knows it."]

Rosemary Butler

Rosemary Butler was in the all-female band the Ladybirds, which opened for The Rolling Stones in 1964. She later joined the all-female hard rock band Birtha, which released two albums in the early 1970′s. She went on to be a noted backing vocalist with an amazing number of artists including Jackson Browne (think “Running on Empty”), Bruce Springsteen, and Bob Dylan.

Jeff Moehlis: What advice would you give to an aspiring musician?

Rosemary Butler: Follow your heart, and practice. And get a community of like-minded people around you. I think that music is about sharing with other people. That’s why you have to have to have so many different instruments and singers and stuff together. It’s very important to surround yourself by other people that are doing their music that inspires you, and you inspire them.

Tata Vega

Tata Vega was in the groups Pollution and Earthquire before embarking on a solo career, with four albums released in the late 1970′s and early 1980′s. She has also sung backing vocals with many artists including Michael Jackson, Ray Charles, Stevie Wonder, Madonna, and Leon Russell. She was nominated for a Grammy award for Best Soul female Gospel Performance in 1985, and sang on four songs for the soundtrack of The Color Purple, including one which was nominated for an Academy Award in the Best Song category.

Jeff Moehlis: What advice would you give to an aspiring musician?

Tata Vega: Don’t give up. Do what you love. Always be above the money. Study. It’s hard. I mean, for a young person I would say probably learn to do other things, so when the hard times come you’re OK. Have faith.

T-Bone Burnett

T-Bone Burnett is a musician, songwriter, and noted producer of albums by the likes of Elvis Costello, Roy Orbison, Los Lobos, Leo Kottke, Spinal Tap (!), Robert Plant and Alison Krauss, Elton John and Leon Russell, Willie Nelson, B.B. King and many others. Burnett also has produced movie soundtracks such as O Brother, Where Art Thou? and Crazy Heart. Burnett shared the Academy Award with Ryan Bingham for Best Original Song for “The Weary Kind” from the latter film.

Jeff Moehlis: What advice would you give to an aspiring musician?

T-Bone Burnett: Learn how to paint [laughs].

Johnny Rivers

Johnny Rivers was the leader of the house band when the Whisky a Go Go opened in 1964 on the Sunset Strip in Los Angeles. His long residency helped the club to be the place to be. Between Rivers’ sets, go-go dancing was invented. Rivers had many hit songs in the 1960′s; probably the best known is “Secret Agent Man”, originally used in opening of the TV show “Secret Agent”.

Jeff Moehlis:What advice would you give to an aspiring musician?

Johnny Rivers: Always take your wallet onstage.

Gary Brooker

Gary Brooker is the singer, pianist, and principal songwriter (with lyricist Keith Reid) for Procol Harum, whose 1967 debut single “A Whiter Shade of Pale” melds Bach-inspired Hammond organ with Percy Sledge-like vocals and evocative, cryptic lyrics to give an enduring classic. With Brooker being the constant member through multiple personnel changes, Procol Harum released many acclaimed albums in the 1960′s and 1970′s. The band reformed in the 1990′s, and continues to tour.

Jeff Moehlis: What advice would you give to an aspiring musician?

Gary Brooker: Have you got about seven hours? I haven’t.

JM: Do you have quick advice?

Matt Pegg (bassist for Procol Harum): Yeah, buy as many lottery tickets as you can.

GB: Find a rich wife…

MP: Yes!

GB: …to support you.

MP: A wife with a real job.

GB: Practice every day, and pick the right muse. Pick the right muse.

Robin Trower

Robin Trower first gained fame as the guitarist for Procol Harum, playing on their classic late ‘60s and early ‘70s prog-tinged albums. When he left after 1971’s Broken Barricades, he followed the direction hinted at on that album’s “Song for a Dreamer” and his earlier Procol Harum song “Whisky Train,” namely Jimi Hendrix-inspired blues-based rock. He went on to release more than 20 albums in this vein, including 1974’s acclaimed Bridge of Sighs.

Jeff Moehlis:What advice would you give to an aspiring musician?

Robin Trower: Become a barber.

Garland Jeffreys

Garland Jeffreys is an acclaimed singer and songwriter whose songs cover a variety of styles including rock, reggae, and soul. His best-known songs are his 1973 single “Wild in the Streets” and his 1979 U.K. and European hit “Matador”. Notably, Jeffreys was named Best New Artist by Rolling Stone magazine in 1977. Jeffreys’ most recent album, The King of In Between, was released in 2011 and is one of the strongest of his career.

Velvet Underground afficionados will also be interested to know that Jeffreys is a long-time friend of Lou Reed and John Cale, and he played on John Cale’s first solo album Vintage Violence, which included Jeffreys’ song “Fairweather Friend”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Garland Jeffreys: What do you want to do with your music, say you want to write songs?

JM: Yeah, say write songs.

GJ: Songs are the most important thing you can have. Great songs. So you’ve got to work your ass off on becoming a very good songwriter. If you’re not a good songwriter it’s difficult, because, say if it’s guitar, you have to rely on your guitar skills to be very, very good. And it’s so competitive. But songwriting is individual. So if you have an idea or a thing that you’re writing about that’s your view of things, you just have to become very good at it.

For an interview with Garland Jeffreys, click here.

Airto Moreira

Airto Moreira is a Brazilian drummer and percussionist who has released many solo albums, and also appeared on Miles Davis’ seminal jazz fusion album Bitches Brew, plus Davis’ Live/Evil. He also played on the first album by Weather Report, and the first two albums by Return To Forever. He has been named the top percussionist of the year multiple times by publications such as Downbeat, Jazz Times, and Modern Drummer.

Jeff Moehlis: What advice would you give to an aspiring musician?

Airto Moreira: How old is this person?

JM: Say a twenty year old.

AM: Make sure that you choose the right instrument, that you really love to play it. Then, you just keep playing. And the more you play with other people, the better. Of course, if you want to practice technique, then you practice by yourself. But the best thing is to play all kinds of music, and to play with other people. Also, nevermind your ups and downs, because life is like that.

Seun Kuti

Seun (pronounced Shay-oon) Kuti is a Nigerian singer/saxophonist who, like his late father Fela Kuti, makes music in the Afrobeat style – a rhythm-heavy, hypnotic mix of James Brown-style funk, jazz, Cuban and traditional West African music, featuring call-and-response vocals which are often about political topics. He has been performing with Fela’s last band Egypt 80 for sixteen years, and recently releases his second album From Africa With Fury: Rise, which was co-produced by Brian Eno.

Jeff Moehlis: What advice would you give to an aspiring musician?

Seun Kuti: Your music has to be a part of the solution. Your music has to stand for the majority of the people. Music should be used for the people. If in your country everyone is living the good life, like you’re in Switzerland, you can sing about champagne, and fast cars, and wristwatches, and all that. But if you feel that your people need change, and your people need to develop in some area, then dedicate your music to the people, because that is what music is for, truly. Music is not selfish, you know? In one word, I’ll tell the musician, music is not selfish. That is what I would say to an aspiring musician.

For the full interview with Seun Kuti, click here.

June Millington

June Millington sang and played guitar for Fanny, the first all-female rock band to record a full-length album (the self-titled Fanny in 1970) for a major label. Her sister Jean Millington played bass guitar for Fanny. Fanny released a total of five stellar albums in the 1970′s (the last without June), and toured with many of the era’s biggest artists. Both June and Jean played on albums by Ringo Starr and Barbra Streisand. June also played guitar on Cris Williamson’s classic Women’s Music album Changer And The Changed, and co-founded the Institute for the Musical Arts.

Jeff M: What advice would you give to an aspiring musician?

June M: I’d say, number one, practice. Eat well and get enough sleep. And learn how to schedule, learn how to prioritize. This is a business, it’s not all just glamour. It’s not a hologram. It’s a lot of work. So if you can get your head behind the work part, then all the exciting stuff happens. And if you can not blast yourself out of the universe through bad eating and sleeping habits – it can’t be that forever, it can be that for a bit but it can’t be that forever. So you just kind of have to fit all that in, because, you know, it’s so much fun [laughs]. But the fun isn’t the thing. You get to the fun through hard work. I bet that’s kind of dull and boring, but that really would be my advice.

Jeff M: Well, you’re speaking from experience.

For full interview with June Millington (and her sister Jean), click here.

Jean Millington

Jean Millington played bass guitar for Fanny, the first all-female rock band to record a full-length album (the self-titled Fanny in 1970) for a major label. Her sister June Millington sang and played guitar for Fanny. Fanny released a total of five stellar albums in the 1970′s (the last without June), and toured with many of the era’s biggest artists. Both June and Jean played on albums by Ringo Starr and Barbra Streisand. Jean also appears on albums by David Bowie and Keith Moon.

Jeff M: What advice would you give to an aspiring musician?

Jean M: It’s so funny that June said what she said, because I haven’t heard that. But the first thing that I would say is make the decision that nothing’s going to stop you. And practice your butt off. Because that’s the only thing. When I first started learning how to play slap bass, I literally sat in my room for three months, and that’s all I did day in day out. I got tunes, I played along with them, I learned how this thing went. What they call woodshedding. I’m sure they don’t use that term anymore, it’s so ancient.

And one of the most important things is also to keep your mind and your health together. It’s so easy to get caught up with all the addictive behavior, because it’s so darn inviting and seductive. So, I mean, when you’re young, of course you’re going to do that. But the thing is, it’s about trying to keep a balance, to stay in the middle ground. And moderation is the key. The most important thing is you have to take care of yourself.

Jeff M: Do you have any specific advice for females, or pretty much the same?

Jean M: Pretty much the same.

We really thought it would’ve changed so much by now, the attitude toward girls. It hasn’t really changed, and as a matter of fact, with all the single performers, it’s become more sexist than ever. It’s just unbelievable to me, what even say Beyonce has to go through or Rihanna. I mean, the kind of images that they try to live up to. But that’s with the pop music.

KT Tunstall, I just so admire her. She plays like a dream, her compositions are great, it’s very original. And she retains her sense of rock and roll looking sexual, but not being that overt horrible thing. And I very much respect that.

But there still aren’t any girl bands out there. You have all of the individual performers that you admire. You have women as musicians who are recognized just for being a musician, but it’s not an all-girl band.

For full interview with Jean Millington (and her sister June), click here.

Penelope Houston

Penelope Houston fronted the San Francisco punk band Avengers, whose “Pink Album”, consisting of recordings made in 1977-8 but not released until 1983, is often hailed as one of the best punk rock albums of all time. Avengers opened for the Sex Pistols at their final show. Houston re-emerged years later as a folk singer-songwriter, still retaining much of her punk attitude. Houston just released a new solo album called On Market Street, and a new Avengers compilation is coming out soon. (Photo: Ethan Hill)

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Penelope Houston: Keep your publishing and your masters as much as possible!

For full interview with Penelope Houston, click here

Jake Shimabukuro

Jake Shimabukuro is a ukulele virtuoso who gained international prominence from his viral YouTube cover of The Beatles’ “While My Guitar Gently Weeps”. He has performed with Jimmy Buffett, Bela Fleck, Yo-Yo Ma, Ziggy Marley, and others, and has released multiple albums that include ukulele instrumentals in a multitude of styles. His latest album is called Peace Love Ukulele.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jake Shimabukuro: I usually tell people this. When I first started playing I just played songs that I liked, because that made me always want to pick up my instrument, you know, because I liked playing the songs. I’ve had friends that were more classically trained, and they were always forced to learn the usual songs that you have to know, and for them it was like pulling teeth, you know, they didn’t want to practice. It was like, “I don’t want to play these silly songs.” So for me it was always important to play songs that I love playing, because even if they were difficult I would just be driven to practice. Every time you get through a passage, you’re like, “Well, I know that much more of the song.” So, yeah, I would definitely say play songs that you love.

Country Joe McDonald

Country Joe McDonald was a co-founder of the 1960′s psychedelic band Country Joe & the Fish, whose acid-soaked album Electric Music for Mind and Body is one of the classics of the genre. The band’s best known song, off their next album, is “I-Feel-Like-I’m-Fixin’-To-Die Rag”. McDonald performed solo and with the Fish at Woodstock, and led the massive crowd in the “Fish Cheer” which starts with “Gimme an ‘F’…” Since the band broke up, McDonald has released many solo albums. McDonald is a strong supporter of causes related to Vietnam Veterans. Photo taken by L. Paul Mann.

Jeff Moehlis: What advice would you give to an aspiring musician?

Country Joe McDonald: Get an audience and make them happy. It’s as simple as that.

Jonathan Richman

Jonathan’s Richman’s place in rock and roll history is assured by the debut album by The Modern Lovers, produced by ex-Velvet Underground multi-instrumentalist John Cale and belatedly released in 1976. This album features the classic Richman songs “Roadrunner” and “Pablo Picasso”, and influenced the emerging punk rock sound. Richman’s later albums moved away from the Velvets-inspired minimalist proto-punk of The Modern Lovers’ debut, as he developed into a quirky singer-with-an-acoustic-guitar. He is featured several times in the movie There’s Something About Mary.

Jeff Moehlis:What advice would you give to an aspiring musician?

Jonathan Richman: Sing what you feel. But do not sing what you do not feel.

Van Dyke Parks

Van Dyke Parks wrote the lyrics for the lost-Beach Boys-masterpiece Smile, which was resurrected a few years ago by Brian Wilson. Parks also played keyboards on many albums and songs including The Byrds’ Fifth Dimension album, Tim Buckley’s self-titled debut album, and the should-have-been-a-hit “Magic Hollow” by The Beau Brummels. His production credits include the first albums by Ry Cooder and Randy Newman, both with Lenny Waronker, and he has also done arrangements for U2, Laurie Anderson, Joanna Newsom, and the song “Bare Necessities” from the Disney movie The Jungle Book. His solo albums include the eclectic Song Cycle from 1968, and the Caribbean-tinged Discover America from 1972.

Jeff Moehlis:What advice would you give to an aspiring musician?

Van Dyke Parks: I am in no position to advise anyone. Ask my CPA.

Steve Wynn

Steve Wynn was the vocalist, guitarist, and principal songwriter for The Dream Syndicate, a key band in the guitar-driven neo-psychedelic Paisley Underground style which emerged in early 1980′s Los Angeles. Their first album, the Velvet Underground-influenced The Days of Wine and Roses, is considered an early classic of the alternative rock genre. The Dream Syndicate recorded several more albums, including 1984′s Sandy Pearlman-produced Medicine Show. After The Dream Syndicate broke up, Wynn continued his prolific career, with acclaimed albums as a solo artist and with Gutterball, The Miracle 3, and The Baseball Project.

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Steve Wynn: Remember: you are always right. No matter what people tell you or what came before, you are always right. If you hear it and you feel it and it rings true to you, then that’s what you’ve got to do.

For full interview with Steve Wynn, click here.

Peter Case

Peter Case was a member of the short-lived power pop band The Nerves, which is best known for the original version of “Hanging on the Telephone”, later recorded by Blondie. He then formed The Plimsouls, whose best-known song “A Million Miles Away” was on the soundtrack to Valley Girl. The Plimsouls broke up in 1983, but have reunited several times over the years. Case has also released a number of well-regarded solo albums, most recently 2010′s Wig!

Jeff Moehlis: What advice would you give to an aspiring musician?

Peter Case: If you want to be a musician, you have to get in touch with your feelings. That’s it. You’ve got to get in touch with the way you really feel. That means everything you’re putting in between yourself and the way you feel, you’ve got to get rid of, so you can just sit there and be with yourself and feel the way you feel. Then translate that into music. Most people don’t want to hear that, but that’s the truth, if you want to be good.

And then, the second thing would be don’t care about what anyone says about you. Get in touch with those feelings and express them. Forget what everybody says, because everybody’s full of shit. Work hard.

Steve Diggle

Steve Diggle plays guitar, writes songs, and sometimes sings for The Buzzcocks, the hugely influential band from Manchester which produced the blueprint for pop punk. The Buzzcocks also jump-started the punk do-it-yourself ethos with their 1977 self-released Spiral Scratch EP, on which Diggle played bass guitar. The Buzzcocks’ notable songs include “Orgasm Addict”, “Ever Fallen in Love (With Someone You Shouldn’t've)”, “I Don’t Mind”, “Promises”, and “Harmony In The Head”, the latter two of which he wrote or co-wrote. The Buzzcocks compilation Singles Going Steady is regularly ranked as one of the best punk rock albums of all time. The Buzzcocks broke up in 1981, but re-united in the late 80′s and have been going strong ever since. Diggle also released a solo album called Air Conditioning last year. (Photo: Ian Rook)

Jeff Moehlis: What advice would you give to an aspiring musician?

Steve Diggle: You’ve got to have some kind of self-belief. Because with music you’re dabbling in the darkness and the spirits, and you’ve got to have some solid self-belief to give you a guiding light through the darkness, the heaven and the fucking hell of it all. Because, as you know, many highs and as many lows… it’s like going through a fucking swamp. You’ve got to be real strong, that’s the first thing.

It’s one thing to learn to play. Anybody can learn to play a few chords, but you’ve got to have that strength not to lose yourself. And you’ve got to believe you can get through the forest, or from one end of the tunnel to the other, and still keep something of who you are. Because people lose themselves so much in music, where it can really fuck you up. As we know from casualties.

But having that self-belief, and the love of or some kind of commitment to it, that can see you through to the other side of the river. That’s the main thing. To the land of milk and honey, almost [laughs].

You know, it’s not all bad. But that’s the main advice. The playing is the easy bit in a way. It’s hard to learn to play and write songs, but you can get that down. But, it’s that other stuff that breaks people. You’ve have to have that fucking will of iron to keep going, because you’re in a ring with fucking Muhammad Ali getting fucking punched to pieces in the music business. You’ve got to fucking take the punches, you know, a fucking Joe Frazier is punching the fucking lights out of you, and you’ve got to come back with some fucking hit records or some kind of music that fucking gives it back a bit.

I know that’s weird advice, but I’ve come through to the other side myself. Through the drugs, I’m pretty clean now and all that stuff. I’ve been through the fucking mill like a lot of people of my age that are still around surviving. I’ve done all the fucking drugs on the tours, and all the things, and no sleep, and everything else. But you’ve still got to get up and write the songs, and that’s the excitement of it. That’s the reward, or whatever it is.

Because a lot of musicians don’t know what’s going to come to them. I’ve seen people crack up on tour buses because they can’t handle it, they kind of change, you know? It’s like one of those TV reality shows, when they do those two month tours of America on the bus. They start off thinking this is going to be great. We’re going to St. Louis, Los Angeles, we’re going to Seattle, we’re going to Kansas, all the rest of it. But after a few fucking weeks some of them just fucking crack up. I’ve seen tour managers and crew members go to pieces [laughs]. But I’m not one of those. I’m made of fucking steel, so I got through it [laughs].

For the full interview with Steve Diggle, click here.

Pete Shelley

Pete Shelley is the primary singer and songwriter for The Buzzcocks, the hugely influential band from Manchester which produced the blueprint for pop punk. The Buzzcocks also jump-started the punk do-it-yourself ethos with their 1977 self-released Spiral Scratch EP. The Buzzcocks’ notable songs include “Orgasm Addict”, “Ever Fallen in Love (With Someone You Shouldn’t've)”, “I Don’t Mind”, “Promises”, and “Harmony In The Head”, first four of which he wrote or co-wrote. The Buzzcocks compilation Singles Going Steady is regularly ranked as one of the best punk rock albums of all time. The Buzzcocks broke up in 1981, but re-united in the late 80′s and have been going strong ever since. Shelley also had a hit single with 1981′s “Homosapien”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Pete Shelley: If you want to do it, you might as well just do it. I mean, nobody’s gonna tell you anything different.

Andy Shernoff

Andy Shernoff was the primary songwriter for The Dictators, a seminal New York City proto-punk rock band whose huge influence was sadly never matched by huge record sales. Shernoff also played bass, keyboards, and sang many of the songs. The band’s first album The Dictators Go Girl Crazy!, released in 1975, is a brilliant mix of irreverent lyrics and youthful energy. Two more albums followed – 1977′s Manifest Destiny and 1978′s Bloodbrothers. Their last studio album was 2001′s D.F.F.D. (“Dictators Forever Forever Dictators”), which is arguably their strongest album after their debut. Shernoff also played bass on Joey Ramone’s 2002 solo album Don’t Worry About Me, and has produced and/or played with various other bands/artists.

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Andy Shernoff: It takes 10,000 hours to excel in your craft so enjoy the journey.

For full interview with Andy Shernoff, click here.

James Stevenson

James Stevenson was the guitarist for the U.K. punk band Chelsea. Later, for a short time he joined Generation X with Billy Idol. He spent a longer time with goth rockers Gene Loves Jezebel, and has also played in The Alarm and The Cult. He recently has been performing with The International Swingers. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

James Stevenson: It’s really difficult. My son started playing, and I even didn’t even want to encourage him to start playing professionally [laughs]. The thing to do, if you’re serious, is just to keep active. Keep playing. Always play for fun. It’s fine to try to make some money, but don’t do it for the money. Do it because you love playing. Sooner or later you’ll end up in a band you love. Even if you never make money at it, or you’re never really successful, just playing a musical instrument can be an antidote for so many experiences in life. If you’re depressed or lonely, you can pick up your instrument and play it, and it makes you feel better.

For full interview with James Stevenson, click here.

Gary Twinn

Gary Twinn was the singer for the glam/punk band Supernaut, which had a huge hit in Australia in 1976 with the song “I Like It Both Ways”. He later was in the bands Twenty Flight Rockers, Speedtwinn, and The Honeydippers. He recently has been performing with The International Swingers. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Gary Twinn: Don’t give up. Just keep doing it. Don’t expect to get rich quick, or don’t expect to get rich.

I can tell you a quick joke.

Three guys die and go to heaven, and they walk up to the gates and St. Peter is standing there. And he goes, “Before I let you in, you know in the Bible it says it’s easier for a camel to pass through the eye of a needle than a rich man to walk into heaven. So, how much did you make in your last year on Earth?”

The first guy says, “I was an industrialist. Millions.” And St. Peter says, “You’re gonna have to have a couple of months in purgatory, and then you can come in.”

The next guy comes up, and he goes, “I was a doctor. I made a quarter of a million dollars.” St. Peter says, “You know, these days that’s OK. In you go.”

The next guy comes up, and St. Peter goes, “How much did you make on Earth this last year?” And he says, “About four thousand dollars.” And St. Peter goes, “Cool! What instrument did you play?”

Tony Kaye

Tony Kaye was the keyboard player in the original line-up of Yes, and played on the albums Yes, Time And A Word, and The Yes Album. After touring with the band in support of the latter, he left Yes and played in Badger, which released two albums. He rejoined Yes for the 90125 and Big Generator albums. He also toured with David Bowie for the Station To Station tour. Kaye is currently playing keyboards in CIRCA:, which recently released the album And So On.

Jeff Moehlis: What advice would you give to an aspiring musician?

Tony Kaye: It’s a hard road, and you have to love what you’re doing, without thinking of success. You just have to love what you’re doing, and you have to have a love of your instrument. And you have to practice, and you have to become a good band. There’s no real room for mediocrity. You’ve just got to keep on plugging away. We tend to live in an age where things just go by extremely quickly, and even if you’re signed with a record company you kind of have one album to prove yourself. It’s certainly a lot more difficult than it was when we started, you know where record companies kind of kept with you and three albums later you’re still trying. Obviously the thought of and the need for success is a very important aspect of it, but I don’t think that it can be the only inspiration.

For full interview with Tony Kaye, click here.

Glen Phillips

Glen Phillips is best known as the singer and songwriter of the 1990′s alternative rock band Toad the Wet Sprocket, whose songs include “All I Want”, “Walk on the Ocean”, and “Fall Down”. He has released several solo albums, and is a member of the band Works Progress Administration.

Jeff Moehlis: What advice would you give to an aspiring musician?

Glen Phillips: These days? Diversify. [laughs] That’s a nicer way of saying ‘Don’t quit your day job’. But regardless, yeah, diversify. And work very hard. Learn to write, learn to compose, learn to record, learn to arrange, learn to do website design.

JM: There’s a lot to it nowadays.

GP: There’s a fuck of a lot of jobs involved. [laughs]

Larry Ramos

The Association was one of the most nobable sunshine pop bands, and was the first band on the bill at the legendary Monterey Pop Festival in 1967. Their catalog includes the #1 songs “Cherish” and “Windy”, plus “Never My Love”, which is the second most played song on the radio ever, and “Along Comes Mary”. Larry Ramos joined The Association in 1967, and was the lead singer on “Never My Love”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Larry Ramos: Don’t give up. When things look the bleakest, there’s always a light at the end of the tunnel. For a lot of people, the reason they never succeed is that they give up too easily. I’ve been very fortunate in the fact that I’ve never really given up [laughs]. Actually, I started when I was so young that I didn’t know what it was like to give up. It was just a part of my life. Another thing, too. There’s a saying, “talent will out”. If you’ve got talent, eventually people will recognize it. But you’ve got to keep at it. You can’t give it up.

Jim Yester

The Association was one of the most nobable sunshine pop bands, and was the first band on the bill at the legendary Monterey Pop Festival in 1967. Their catalog includes the #1 songs “Cherish” and “Windy”, plus “Never My Love”, which is the second most played song on the radio ever, and “Along Comes Mary”. Jim Yester was the original lead singer for The Association.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jim Yester: Practice, practice, practice.

No, the main thing is just keep doing it. Talent will out. Talent will win in the long run. Just keep doing it, don’t give up. That, and desire. If you have that and the desire to do it, you’ll do it. Desire is the key.

And no man can serve two masters. When we started, nobody did anything else. It was the group 24/7. For the first six months we were together we worked six days a week, eight hours a day, writing, rehearsing, working on choreography. You finish a song, one guy’s stepping back, another guy’s moving a microphone, somebody’s handing a guitar.

And you’ve got to have fun. The audience is not going to have fun unless you’re having fun. So if you have fun, 90% chance they’re going to have fun.

And don’t take yourself too seriously.

Gary Lucas

Gary Lucas has been described as “The Thinking Man’s Guitar Hero” by The New Yorker, a “Guitarist of 1000 Ideas” by The New York Times, and a “legendary leftfield guitarist” by The Guardian (UK). He first gained acclaim for his work with Captain Beefheart (aka Don Van Vliet), appearing on Beefheart’s 1980 album Doc at the Radar Station and 1982’s Ice Cream for Crow. Lucas was also Van Vliet’s manager during this time. He has since released solo albums – the first being 1990’s Skeleton at the Feast featuring effect-heavy interstellar guitar instrumentals – and albums with his band Gods and Monsters, whose ranks once included Jeff Buckley. He has worked with many other artists, and was nominated for a Grammy for co-writing Joan Osborne’s song “Spider Web”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Gary Lucas: If you really want to make music for a living, go for it! And don’t give up as difficult as it gets, you have to pay your dues to succeed in it like everything else that’s worth doing or attaining.

For full interview with Gary Lucas, click here.

Charlie Musselwhite

Charlie Musselwhite is a blues-harp player who got his start in Chicago before moving to San Francisco and being embraced by the counterculture scene. His 1967 debut album Stand Back! is considered a classic, and he has released over twenty more albums. He was inducted into the Blues Hall of Fame in 2010.

Jeff Moehlis: What advice would you give to an aspiring musician?

Charlie Musselwhite: Follow your heart. Play what you want to play. Play what resonates with you. Just ’cause somebody else is playing something, don’t feel like, “I’d better play what they’re playing, ’cause people like that”. Play what you like.

That’s what happened to me. I never even thought about being a professional musician. I just love blues and wanted to play it, and the blues overtook me. It took me where I wanted to go.

Carl Giammarese

Carl Giammarese was the guitarist, and is currently the lead vocalist, for The Buckinghams, whose songs include the hit single “Kind Of A Drag” which was #1 for two weeks in February 1967, the Top Ten hits “Don’t You Care” and “Mercy, Mercy, Mercy”, plus “Hey Baby (They’re Playing Our Song)” and “Susan”.

Jeff Moehlis: What advice would you gvie to an aspiring musician?

Carl Giammarese: One of the main things is that you have to stay focused. You have to be willing to sacrifice a lot. Otherwise you don’t stand a chance, especially nowadays. But it was always that way. Decide what you want, stick with it, and be willing to sacrifice a lot. I missed so many things in my life because of being a musician. But it was worth it to me. As long as it’s worth it to you…

And just stay true to yourself, and your music, too. You can only do what you do. Nobody can do everything. Just do what you do best, and hope there’s an audience there for you. That’s all you can do.

Carl Graves

Carl Graves was a member of the Canadian band Skylark, who had a hit single “Wildflower”. He reached the R&B charts as a solo artist in 1974 with the song “Baby Pick Up the Phone”. His lone solo album, featuring smooth soul music, came out in 1975.

Jeff Moehlis: What advice would you give to an aspiring musician?

Carl Graves: It really depends on how long they’ve been in it, and what they’re doing. If they’re singers, you can spend forever singing and getting it together. If you’re a player, you have to start kind of young, because you want to be great at your craft. And that’s what you’re gonna run up against.

Things have completely changed. If you’re fortunate enough to get a following… It’s funny, I said this years ago. It’s going to be about the smaller pieces of the pie. No more of the Triple Platinums, and all that kind of stuff. That’s kind of gone. There are still some artists that are kind of up in there. But they’re the older mega-stars. That’s what’s funny. Like, Michael [Jackson] could still do all that, but he’s dead now. If you get a following, and you could sell 5-10,000 pieces, but it’s more direct now. You’re direct to the fans. And that could sustain you, if you’re doing concerts and stuff. You’ve gotta play all the different places. Play as much as you can. Hone your craft.

Martha High

Martha High was a singer in The Jewels, which had a minor hit with the song “Opportunity” in 1964. The Jewels became the opening act for James Brown, and when they disbanded High became a singer with Brown’s live band – this lasted for over thirty years. She also sang on various James Brown studio tracks including the 1977 duet “Summertime”. She has also been in Maceo Parker’s live band. She released a self-titled disco album in 1979, and a solo album It’s High Time in 2009.

Jeff Moehlis: What advice would you give to an aspiring musician?

Martha High: As far as singers are concerned, if it is their dream, don’t give up the dream, to stick with it. And make sure that you have someone to take care of your business, you know what the older singers went through in the past, getting ripped off and everything. It takes a lot of practice and wanting to really stick with it. You have to stick with it. Because I’ve been doing it all my life [laughs]. The things that you go through are lessons learned. You just try not to make the same mistakes over and over again.

Steve Vai

Steve Vai is a rock guitarist who started his career transcribing music for and then touring with Frank Zappa, who called him the “little Italian virtuoso”. He also played with David Lee Roth and Whitesnake, has released multiple solo albums, and has toured with other guitarists for the G3 series. He also played in the super cool guitar duel in the 1986 movie Crossroads.

Jeff Moehlis:What advice would you give to an aspiring musician?

Steve Vai: Same advice Frank Zappa gave me: keep your publishing.

Thurston Moore

Thurston Moore is a singer and guitarist for Sonic Youth, the alt-rock band formed in New York City in 1981 which pioneered the use of dissonance, noise, and alternative guitar tunings in the post-punk musical landscape. Sonic Youth’s mid- to late-1980′s albums EVOL, Sister, and Daydream Nation were hugely influential on the emerging alt-rock movement, and they maintained their integrity and credibility with their move to a major label for 1990′s Goo and and 1992′s Dirty. Sonic Youth continues to release albums 30 years after their formation. Moore has also released several solo albums and has worked with artists including Glenn Branca and Lydia Lunch.

Jeff Moehlis: What advice would you give to an aspiring musician?

Thurston Moore: Make cassettes. Cassettes rule, they always rule. They’re the great balancing leveller of recorded music. To me they’re the best sounding, they’re the most economical. They make sense. If people don’t have a cassette player, then just get one.

Bob Mould

Bob Mould was the guitarist and one of the singers and principal songwriters for the influential indie-rock band Husker Du, which was together from 1979 until early 1988. They released various acclaimed albums, including Zen Arcade, New Day Rising, Flip Your Wig, and Warehouse: Songs and Stories. He later founded the band Sugar, whose 1992 album Copper Blue was hailed as one of the year’s best. Mould has also released multiple solo albums. In 2011 he released his memoir See A Little Light.

Jeff Moehlis: What advice would you give to an aspiring musician?

Bob Mould: Just make the music that you really care about. Don’t worry about being successful. If you love what you do and you do it well, it’ll happen. So don’t go chasing somebody else’s idea of what success is.

Lou Barlow

Lou Barlow was a founding member and the bass player for Dinosaur Jr., including on their classic album You’re Living All Over Me. When he was dismissed from that band, he focused on his side project Sebadoh, which helped to define the 1990′s lo-fi style of rock music. Another Barlow project, The Folk Implosion, had a Top 40 hit “Natural One” from the movie soundtrack to Kids.

Jeff Moehlis: What advice would you give to an aspiring musician?

Lou Barlow: Do something weird, and keep doing it over and over again.

JM: And record it, right?

LB: [laughs] Record it. But do something weird.

Cris Kirkwood

Cris Kirkwood is the bassist for the Meat Puppets, which released the indie rock classic albums Meat Puppets II in 1984 and Up on the Sun in 1985. They hit their commercial peak with 1994′s album Too High to Die, which featured the minor hit “Backwater.” Their visibility was helped immensely around this time by Kurt Cobain proclaiming the Meat Puppets to be one of his biggest influences, and by brothers Curt and Cris Kirkwood joining Nirvana onstage at their MTV Unplugged performance of three songs from Meat Puppets II. But things crumbled shortly thereafter, in large part because of Cris’ escalating substance abuse problems.

Jeff Moehlis: What advice would you give to an aspiring musician?

Cris Kirkwood: Yeah… stop. Go back to school. Become a dentist.

God, I don’t know. I’m no one to ask for advice. You know, read about me and don’t do what I’ve done.

[discussion about music]

So I would say to an aspiring musician, do what feels good to you. Then beyond that, I would say sell out when you’re young and make a lot of money.

For full interview with Cris Kirkwood, click here.

Mike Watt

Mike Watt’s musical resume is about as cool as they come. He co-founded the influential San Pedro-based indie-punk band The Minutemen, playing bass and composing many of their songs. After Minutemen guitarist D. Boon tragically died in a car accident, guitarist Ed “fROMOHIO” Crawford joined up with Watt and Minutemen drummer George Hurley to form the somewhat underappreciated late-80′s and early-90′s band fIREHOSE. And since 2003, he has been playing bass with re-formed (but perhaps not reformed) punk rock godfathers The Stooges, fronted by Iggy Pop.

Jeff Moehlis: What advice would you give to an aspiring musician?

Mike Watt: You’ve gotta find the inside voice. The best analogy I can give for it is writing a novel. You don’t have to invent new words, but there’s ways of using the words that everybody knows, where you can get a very personal work. And I think that’s what you’ve gotta do with music. It’s not like you have to invent new kinds of notes, or instruments, or styles. Though that might be kind of neat [laughs]. I still think you can do it with the stuff that’s there, you know that you learn from other people and stuff. I’m not talking about copying them. I’m saying – you know what I mean – like writing a novel. You might not invent one new word, but you can still write an original novel.

And also, it’s not bigger words. You read “Old Man and the Sea” that Hemingway did, you know, there are no big words. It’s just over a hundred pages. It ain’t that long. It’s still a very good story. And I think the same thing with music. It’s not about incredible technique. It’s finding your voice, finding your expression. Which is probably very difficult. But you know what, maybe it should always be kind of difficult. If there was some system to make that easy, maybe it wouldn’t be as genuine.

For full interview with Mike Watt, click here.

Will Oldham

Will Oldham has been steadily releasing records for nearly two decades now, under different names including (rarely) his own, Palace Brothers, and, for most of the last decade, Bonnie ‘Prince’ Billy. His music receives much (well-deserved) critical acclaim: for example, his 1999 album I See A Darkness – the title track of which was covered by the late Johnny Cash – was ranked as the 9th best album of the 1990′s by the influential indie-arbiters pitchfork.com, who say that it “confirm[s] that Oldham is indie’s detached and brilliant DeNiro.”

Jeff Moehlis: What advice would you give to an aspiring songwriter or musician?

Will Oldham: [laughs, long pause] I don’t think that there’s any broad or sweeping advice that I would have to offer to anybody. If someone said, how can I finish this song, then maybe I could say something.

I’m not sure that I have the same motivation as someone else who writes songs or plays music. In my experience, I’ve found that my advice, in terms of making records and making music, doesn’t really get communicated, or doesn’t really apply to folks.

I don’t know. It would depend on the individual – man, woman, young, or old, and what their motivations were, and what their practices were. I think that there’s very few people that I would have advice that would be valuable to them. [laughs] I have a particular way of doing things, and most people think it’s retarded. They’ll ask me, what would you do about this – they’re writing songs – and I’ll say, and they’ll look at me like I’m from Mars.

JM: Well, this of course begs the question. You say that you have a different motivation, and a different way of doing things. What is your motivation for doing music?

For full interview with Will Oldham, click here.

Bill Callahan

Singer-songwriter Bill Callahan first started releasing his recordings under the alias Smog in 1988. His earliest releases were lo-fi home recordings, but as the years passed his recordings gained more polish, albeit without completely losing their grittiness. Fittingly, his song “Cold Blooded Old Times” appeared on the excellent soundtrack to the 2000 movie High Fidelity, being the type of song that the movie’s music-obsessed characters would put on a mix tape. Starting in 2007, Callahan started releasing his music under his own name, his latest album being 2011′s Apocalypse.

Jeff Moehlis: What advice would you give to an aspiring songwriter / musician?

Bill Callahan: All you can do is write more songs, play more music. Share it somehow when you think it’s good.

For full interview with Bill Callahan, click here.

Buzz Osborne

“Buzz” Osborne, also known as King Buzzo, is the guitarist and vocalist for The Melvins, purveyors of sludgy, heavier-than-Black-Sabbath metal. Although never really rising above cult band status, The Melvins are assured at least a footnote in rock ‘n’ roll history because of their connections to Nirvana and that band’s frontman Kurt Cobain, who counted them amongst his favorites. Cobain, Osborne, and Melvins drummer Dale Crover were friends from high school. In 1984, Cobain auditioned to play bass with The Melvins, but he was not chosen. The next year, Osborne and Crover played in Cobain’s first band Fecal Matter (with Osborne on bass). Later, in 1988, Crover played on Nirvana’s 10-song demo, most of which was released on their albums Bleach and Incesticide. After Nirvana went supernova with “Smells Like Teen Spirit” and the album Nevermind, Cobain championed The Melvins, even co-producing and playing on a few tracks for the band’s 1993 major-label debut Houdini. Obsborne and The Melvins have steadily and uncompromisingly kept at it, having by now released 20-plus albums.

Jeff Moehlis: What advice would you give to an aspiring musician?

Buzz Osborne: Be as peculiar as you can. There’s all kinds of ways you can be peculiar. That’s the best, I would say. And there’s enough bands playing in tune. Nobody should expect you to.

Dale Crover

Dale Crover is the drummer for The Melvins, purveyors of sludgy, heavier-than-Black-Sabbath metal. Although never really rising above cult band status, The Melvins are assured at least a footnote in rock ‘n’ roll history because of their connections to Nirvana and that band’s frontman Kurt Cobain, who counted them amongst his favorites. Cobain, Crover, and Melvins guitarist/vocalist “Buzz” Osborne were friends from high school. In 1984, Cobain auditioned to play bass with The Melvins, but he was not chosen. The next year, Osborne and Crover played in Cobain’s first band Fecal Matter (with Osborne on bass). Later, in 1988, Crover played on Nirvana’s 10-song demo, most of which was released on their albums Bleach and Incesticide. After Nirvana went supernova with “Smells Like Teen Spirit” and the album Nevermind, Cobain championed The Melvins, even co-producing and playing on a few tracks for the band’s 1993 major-label debut Houdini. Crover and The Melvins have steadily and uncompromisingly kept at it, having by now released 20-plus albums.

Jeff Moehlis: What advice would you give to an aspiring musician?

Dale Crover: Practice a lot. Get in a band. It’s great to play with other people because that’ll help you. And it’s a lot more fun than playing by yourself. Or playing with yourself.

Jim Heath

Jim Heath is the singer, songwriter, and guitarist for Reverend Horton Heat, a band which updated the sound and energy of rockabilly for the alt-rock era and beyond.

Reverend Horton Heat hit the ground running with their first album, 1992′s Smoke ‘Em If You Got ‘Em, which has gems like “Bad Reputation”, “Marijuana”, and “Psychobilly Freakout”. They’re still going strong ten albums and countless live shows into their career, with Heath’s twisted humor taking a front seat on songs such as “Please Don’t Take the Baby to the Liquor Store” and “Death Metal Guys” from their latest album, 2009′s Laughin’ and Crying’.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jim Heath: Figure out some way to get a really good running van. That’s it.

JM: You must speak from experience on that.

JH: Yeah, that’s it. You know, there’s two ways to do it. If you really make great music, and you can make demos and release your own local music, if your music is really great there’s still probably a 90% chance that you will never make it in the music business. Now, if your music is pretty good, and you can go and play gigs and make a little bit of money in your home area, in your region, get a really good running van and start playing all over America. As far as you can play. Take the money that you make, whatever gig you make the most money off of, take a good chunk of that portion of money and save it so that you can go and play Tucson, Arizona, where you’re gonna not make more that $100. Save it so that you can go play San Francisco. Save it so that you try to make it up to Seattle, and drive all the way to Seattle only to get paid $100. You’re gonna lose money. So you have to save the money from your local gig. Anyway, you get the picture. If you do that, you will make it in the music business, I guarantee.

Problem is, nobody wants to do that. They want, well, let’s just be a great band and we’ll get signed. To me, you’re a pussy if that’s the way you’d want to do it. Because eventually you’re gonna have to get in that van, even if you get signed. Why not make it on your own terms?

For full interview with Jim Heath, click here.

Neil Hagerty

Neil Hagerty is a guitarist and songwriter who got his start in the uncompromising underground band Pussy Galore, which released albums including Groovy Hate F*ck and Dial ‘M’ For Motherf*cker. When that band broke up, Hagerty and girlfriend Jennifer Herrema turned their attention to Royal Trux, which recorded multiple albums during the 1990′s including Cats & Dogs and Thank You. Royal Trux’s best-known song is “The Inside Game”, which is on the soundtrack for the movie High Fidelity. After Royal Trux broke up, Hagerty released a couple of solo albums, and also recorded with The Howling Hex.

Jeff Moehlis: What advice would you give to an aspiring songwriter / musician?

Neil Hagerty: You just better know what it is you really want.

For full interview with Neil Hagerty, click here.

Bob Bert

Bob Bert was the drummer for two of the most notable bands from the American Underground: Sonic Youth (playing on the albums Confusion Is Sex, Sonic Death, and Bad Moon Rising) and Pussy Galore (playing on their recordings from Exile on Main St onwards). He has also drummed with Bewitched, Knoxville Girls, and The Chrome Cranks, the latter of which just released a cool new swamp/noise/punk/blues album called Ain’t No Lies In Blood. (Carlos Van Hijfte photo, 1982)

Jeff Moehlis: What advice would you give to an aspiring musician?

Bob Bert: Keep your day job and be original. Don’t be a dick.

For full interview with Bob Bert, click here

Don Fleming

Don Fleming is a musician and producer who has had his hands in an amazing number of projects, mostly in the alt rock universe. As a musician, he was a member of the Velvet Monkeys, B.A.L.L., Gumball, and Half Japanese. As a producer, he has worked with Sonic Youth, Hole, Teenage Fanclub, Alice Cooper, The Dictators, The Posies, Screaming Trees, and more. Don recently released a cool EP called Don Fleming 4 which includes contributions from Sonic Youth’s Kim Gordon.

Jeff Moehlis: What advice would you give to an aspiring musician?

Don Fleming: Get an MBA. Too many musicians think that if they know too much about the business they are sell-outs, but in reality “the man” wants them to think that way so they can be endlessly taken advantage of. That’s why most musicians barely make a living, have no health care, no retirement plans, no salaries. So my advice is to get a real job and play music because you like to, put the stuff out yourself and avoid “the man.”

For full interview with Don Fleming, click here.

Jason Lytle

The Grandaddy album Sophtware Slump masterfully explored the relationship between technology and alienation, and it is only fitting that it came out in the year of Y2K. This album, one of the best of the 2000′s decade in my humble opinion, was the work of Jason Lytle, a sonic architect who creates lush, vintage synthesizer-driven futuristic pop music.

Grandaddy released three other stellar studio albums and various EPs in addition to Sophtware Slump, and broke up in the mid-2000′s, although they recently reunited for a short tour. Lytle (the first syllable is pronounced “light” not “lit”) went on to release the Grandaddy-esque solo album Yours Truly, The Commuter in 2009, and just released his second solo album called Dept. of Disappearance. (Jeff Hawe photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Jason Lytle: [long pause] Make sure that you love it. Make sure that the love for the music and the creativity is driving everything else. And then if you pass that test, then you’ve got to think really long and hard if that love exists enough to get you through all of the tough times that are going to come if you actually decide to try to do that for a living. And, I don’t know, if you work really hard then there’s a good chance that stuff will fall into place. I think if you don’t go into it with some pretty noble reasons to begin with, then you’re going to be kind of screwed in the long run.

For the full interview with Jason Lytle, click here.

Parry Gripp

Parry Gripp is the singer and guitarist for the “nerd rock” pop punk band Nerf Herder, whose self-titled debut album was released in 1996. Their best known song is “Van Halen”, which is a tribute to the David Lee Roth era of that band. Nerf Herder also recorded the theme song for the TV show Buffy the Vampire Slayer. Gripp has released several solo albums, and has many catchy/hilarious songs on YouTube including “Nom Nom Nom Nom Nom Nom Nom”, “Boogie Boogie Hedgehog”, and “This Is The Best Burrito I’ve Ever Eaten”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Parry Gripp: My advice is always the same. Don’t follow anyone’s advice. People give you advice of what they think you should do, but it’s not usually what they actually did.

Jonathan Wilson

Jonathan Wilson’s producer and musician credits include work with Jackson Browne, Robbie Robertson, Erykah Badu, Elvis Costello, Bonnie “Prince” Billy, and young country-folk rockers Dawes. Wilson was also host to a number of all-night jam sessions at his place in Laurel Canyon, which attracted musicians such as Costello, Conor Oberst, and members of Wilco and The Black Crowes, and drew favorable comparisons to the canyon’s musical glory days. His album Gentle Spirit was rated the fourth-best album of 2011 by MOJO magazine, and UNCUT magazine named him the New Artist of the Year.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jonathan Wilson: Definitely to play some other instruments that they don’t play. That’s what I did, and that was really the best thing that I ever did.

JM: So what did you start out on?

JW: I started out on guitar, then moved to drums, and to piano, played some banjo, things like that.

JM: So just get out of your element?

JW: Yeah, exactly.

Ritzy Bryan

Ritzy Bryan is the singer and guitarist for the Welsh rock band The Joy Formidable, who is making waves with their 2011 debut album The Big Roar, and to Music Illuminati’s knowledge is the best Welsh rock trio since Budgie. In 2011 they have played at the Reading and Leeds Festivals and Lollapalooza, and their hit song “Whirring” has become a staple on modern rock radio.

Jeff Moehlis: What advice would you give to an aspiring musician?

Ritzy Bryan: I honestly refuse to give advice because I think every band should just carve their own fucking way. If you do your own thing there’s no rules, because everybody has a different journey.

Kim Manning

Kim Manning is an electrifying, red-hot performer who has been singing vocals with George Clinton and Parliament / Funkadelic / The P-Funk All Stars for ten years. She has also worked with artists including The Red Hot Chili Peppers, Snoop Dogg, and Sly Stone, and was “Peaches” on the first season of the reality TV show Flavor of Love. Manning just released a new album called Good People.

Jeff Moehlis: What advice would you give to an aspiring musician?

Kim Manning: Okay, if you really feel the calling, and you have a gift, then you don’t really have a choice do you, you have to share your gift. If it’s your destiny, you will be miserable doing anything else so surrender to it and practice, a lot, now, before you’re on tour 350 days a year. But you really have to assess if it’s your ego that wants it, like could you be poor and happy and working for 10 years away from your loved ones, playing bar after coffee shop to 50 people at a time, if so then it’s for you. Otherwise, if you want to be a musician, and you don’t pass those tests, you better have lots and lots of money to make yourself a star like Taylor Swift or Paris Hilton did. “Paris is a Porn Star” is one of my songs from “Space Queen”! She understands the power of doing what it takes to be a star, and she’s hot!

For full interview with Kim Manning, click here.

Linnea Vedder

Linnea Vedder is the drummer and one of the singers and principal songwriters for Cliffie Swan, whose new Drag City album Memories Came True is a delightful blend of pop, psychedelia, and sweet harmonies. Cliffie Swan was formerly called Lights, with two albums released under this name including the wonderful 2009 album Rites.

Jeff Moehlis: What advice would you give to an aspiring musician?

Linnea Vedder: I slept and dreamt that life was Joy./ I woke and saw that life was Duty./ I acted, and behold, Duty was Joy. -Rabindranath Tagore

Click here for the full interview.

Scott McCaughey

Scott McCaughey is a singer and songwriter, and is the leader of the bands The Young Fresh Fellows and The Minus 5. Since 1994 he has made contributions to R.E.M. both live and in the studio. He is also in and writes songs for The Baseball Project with Peter Buck, Steve Wynn, and Linda Pitmon.

Jeff Moehlis: What advice would you give to an aspiring musician?

Scott McCaughey: Put out your own record. Don’t wait for anybody to tell you whether it’s good or bad or not. Just record your music and release it on whatever level you want to release it, either digitally, make your own CD. It doesn’t cost that much. Anybody can do it these days. So my advice is to do it.

James Jackson Toth

James Jackson Toth is an insanely prolific indie folk songwriter and musician who has recorded most frequently under the name Wooden Wand. His latest album, Death Seat, was produced by The Swans’ Michael Gira, and has been receiving a lot of great press from the likes of The New York Times, Interview Magazine, and Crawdaddy. It’s definitely worth checking out!

Jeff Moehlis: What advice would you give to an aspiring songwriter and/or musician?

James Jackson Toth: “Be great or be gone.” – David Briggs. Also, learn a trade.

For full interview with James Jackson Toth, click here

John Doe

John Doe was one of the primary songwriters and singers for the band X, along with Exene Cervenka. X’s 1980 debut album Los Angeles, produced by Doors keyboardist Ray Manzarek, ranks as one of the best punk albums of all time. This was followed by other acclaimed X albums, and a solo career that explored more of a roots music direction. Doe is also an actor who has appeared in a variety of films and television shows.

Jeff Moehlis: What advice would you give to an aspiring musician?

John Doe: Don’t do it.

JM: You’re not the only one to say that.

JD: Because if they’re meant to do it, they will anyway. My second advice would be just to be true to yourself. It’s like Sonic Youth, everybody hated them, or didn’t like them, or they went, “ah, whatever”. But they just kept doing what they did, and eventually it worked out.

JM: And they’re still doing it, too.

JD: That’s right.

For full interview with John Doe, click here.

Dave Alvin

Dave Alvin first received acclaim in L.A. roots rockers The Blasters, for which has was the primary songwriter, and whose revved up take on rhythm and blues won favor in the early-80′s punk rock scene and beyond. After a short stint with country-punkers The Knitters and punk-rockers X, Alvin launched his highly-regarded solo career which continues to this day. Alvin’s latest album, Eleven Eleven, came out in 2011.

Jeff Moehlis: What advice would you give to an aspiring musician?

Dave Alvin: Quit. [laughs]

JM: But you just told me how great it is to be on the road…

DA: My answer was partially humorous, and partially serious out of a business side of things. The music industry has changed so much. It was always tough, and it’s only gotten tougher. I’m a very lucky guy. I’m a very fortunate exception to the rules, in that so many of my peers and friends of mine can no longer tour. They won’t make records. The fact that after thirty years I’m still making records and touring never ceases to astound me. Not to sound religious, but I’m very blessed. I’m very lucky because of that. And partially that’s because of who my heroes were growing up, the guys we were talking about earlier, Big Joe and T-Bone and Lightnin’ and whoever, who didn’t quit. It wasn’t even a lifestyle, it was just life. You just played music.

Which brings me to my actual answer to your question. Whatever you’re doing musically, do it out of love. As cornball as that sounds, it’s true. That’s the only thing that will get you through playing on a Sunday night in Sioux Falls, South Dakota in a snowstorm. That love of music is the only thing that gets you through. Beer will help. A pretty girl in the crowd will help. But it’s really love.

I love playing music, this is what I do. I’m playing music, I’m lucky to be playing music. If you do it for love, that’ll inform the choices you make, whether you’re going to make that change, you know, stop playing Chicago blues and start playing Euro-techno music [laughs]. Well, I love playing Chicago blues – I think I’ll stick to that. You may find out that you have a longer career following your heart’s desire than the desires of the marketplace.

For the full interview with Dave Alvin, click here.

Henry Rollins

Henry Rollins was the frontman for seminal hardcore punk band Black Flag from 1981 to 1986 – a period which included their acclaimed album Damaged. After that band broke up, he formed the Rollins Band. He also tours as a spoken word artist, and has acted in various movies and television shows including FX’s Sons of Anarchy.

Jeff Moehlis What advice would you give to an aspiring musician?

Henry Rollins: My advice isn’t all that much to write home about. All I know is what I went through. I don’t know if it’s of any use. I say one must work really hard, harder than they have worked on anything in their lives. Total commitment, that’s the only way. To the point of obsession and losing all your friends. This, to me is the way to do it, all the way or not at all. I never had any talent, just determination.

Victor Krummenacher

Victor Krummenacher is a founding member and bass player for the eclectic alternative rock band Camper Van Beethoven. Their first album Telephone Free Landslide Victory came out in 1985, and includes such classic songs as “The Day That Lassie Went to the Moon”, “Where the Hell is Bill?”, the Black Flag cover “Wasted”, and “Take the Skinheads Bowling”. They released four more acclaimed albums before burning out: the independently-released II & III and self-titled Camper Van Beethoven, and the major-label albums Our Beloved Revolutionary Sweetheart and Key Lime Pie. The band re-formed at the end of the end of the 1990′s, and has released several more albums, with a new one coming out in January 2013. Krummenacher has also been in the bands Monks of Doom and Cracker. (Jason Thrasher photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Victor Krummenacher: One, make sure you’ve got something else that you can do that you can make money doing, at all times. Two, be realistic about what music is to people these days, and understand it’s a hard game, and that you might not get in fact what you want. Protect your music and your muse at all costs. Don’t give it away. The only way you’re going to make anything unique and soulful is to be completely true to what your vision is. Maybe it’ll translate, and maybe it won’t, but if you don’t do that then I think you don’t have a chance. Don’t do it just to do something else. Do it because you need to do it.

For the full interview with Victor Krummenacher, click here

David Lowery

David Lowery is a founding and continous member of the eclectic alternative rock band Camper Van Beethoven, to which he contributes vocals and guitar. Camper Van Beethoven’s first album Telephone Free Landslide Victory came out in 1985, and includes such classic songs as “The Day That Lassie Went to the Moon”, “Where the Hell is Bill?”, the Black Flag cover “Wasted”, and “Take the Skinheads Bowling”. They released four more acclaimed albums before burning out, the independently-released II & III and self-titled Camper Van Beethoven, and the major-label albums Our Beloved Revolutionary Sweetheart and Key Lime Pie. The band reformed at the end of the end of the 1990′s, and has released several more albums, with a new one coming out in January 2013.

Lowery also co-founded the popular alt-rock band Cracker, whose songs include “Teen Angst (What the World Needs Now)”, “Low” and “Euro-Trash Girl”. (Jason Thrasher photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

David Lowery: Play what you want, rather than what other people want.

Jonathan Segel

Multi-instrumentalist Jonathan Segel is a member of the eclectic alternative rock band Camper Van Beethoven. He was in the band for their first album Telephone Free Landslide Victory, which came out in 1985 and includes such classic songs as “The Day That Lassie Went to the Moon”, “Where the Hell is Bill?”, the Black Flag cover “Wasted”, and “Take the Skinheads Bowling”. He also appeared on the independently-released II & III and self-titled Camper Van Beethoven, but not for the major-label albums Our Beloved Revolutionary Sweetheart and Key Lime Pie. Segel has been back with the band since they reformed at the end of the end of the 1990′s. He has also played with Sparklehorse and Eugene Chadbourne. (Jason Thrasher photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Jonathan Segel: Don’t quit your day job. Shit, I don’t know man.

JM: You aren’t the first to say that.

JS: It depends on what kind of music they’re into, and what they do. I’d say just make sure that you are making the music that you want to make, not somebody else’s idea of what’s good.

Greg Lisher

Greg Lisher is the lead guitarist for the eclectic alternative rock band Camper Van Beethoven. He has been with the band since their second album II & III, including for the major-label albums Our Beloved Revolutionary Sweetheart and Key Lime Pie. Lisher is also the lead guitarist for Monks of Doom. (Jason Thrasher photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Greg Lisher: What is it they do?

JM: Say an eighteen year old kid who plays guitar.

GL: Take lessons. Go to school. Practice like four hours a day. That’s what I did. And train your ear.

Jack Grisham

Jack Grisham is the lead singer for T.S.O.L., which stands for True Sounds of Liberty and along with Black Flag, Circle Jerks and Social Distortion was at the forefront of the L.A. hard-core punk movement in the early 1980′s. Their early sound evolved from anti-government hardcore punk, to goth punk, to art punk. Grisham left T.S.O.L. in 1983, but returned in 1999. In 2003, he ran for governor of California in the recall election. Grisham lost the election, and still tours with T.S.O.L.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jack Grisham: Shit man, I mean I ruined my life doing this.

No, I mean, I do it for fun. The minute it becomes work then it’s a drag, you know what I’m saying? Because if this was a real job, it sucks. And we’re successful. You know what I’m saying? Most people aren’t successful. We’re always broke, you never know where the money’s coming from. Totally unstable, you’re away from your family all the time.

It’s rough. If we’re going on tour, we only tour ten days in a row, or two weeks in a row. Because I was in Germany, and my kid called me crying, and she’s like, “Dad, I need you.” And I thought, I’m fucking three days from even getting home to you. That was the last straw. The minute she said she needs me, and I couldn’t get home, I said I’ll never be where I can’t get to my kid within a day. So that’s it.

And all the rest is bullshit, you know?

Ron Emory

Ron Emory is the guitarist for T.S.O.L., which stands for True Sounds of Liberty and along with Black Flag, Circle Jerks and Social Distortion was at the forefront of the L.A. hard-core punk movement in the early 1980′s. Their early sound evolved from anti-government hardcore punk, to goth punk, to art punk. Emory stayed on for a while as the band transitioned to glam metal, and he and the band have since returned to their punk rock roots.

Jeff Moehlis: What advice would you give to an aspiring musician?

Ron Emory: Just learn everything you can about it. Have fun with it.

Rick Wilder

Rick Wilder is the frontman for The Mau Maus, a legendary late-1970′s / early 1980′s L.A. punk rock band that recently reformed and released the album Scorched Earth Policies: Then and Now, which includes songs recorded in 1983 with Doors guitarist Robbie Krieger and new recordings from 2011. Before The Mau Maus, Wilder fronted the proto-punk band Berlin Brats. (L. Paul Mann photo)

For interview with Rick Wilder, click here.

Jeff Moehlis: What advice would you give to an aspiring musician?

Rick Wilder: Get out there! Stop fucking with your machine [computer] and get out there!

Scott “Chopper” Franklin

Scott “Chopper” Franklin plays bass guitar for the legendary L.A. punk rock band The Mau Maus, and has also recorded and toured with The Joneses, The Cramps, and Charley Horse. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Scott “Chopper” Franklin: I would just say, make sure you love to do it. I mean, it’s cliche, but it’s important to make sure you love to do it.

Michael Livingston

Michael Livingston plays guitar for the legendary L.A. punk rock band The Mau Maus, and has also recorded and toured with The Livingstons. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Michael Livingston: Keep playing. I find that I’m happy when I play music, and I’m not happy when I don’t play music. You’ve gotta worry about the money, but if you have to play and not make any money, you still have to play.

Paul “Black” Mars

Paul “Black” Mars plays drums for the legendary L.A. punk rock band The Mau Maus. He also was lead vocalist for an early version of L.A. Guns, co-writing many of the songs on that band’s first album; however, he left the band before the album was recorded. Mars also played with The Joneses and Black Cherry. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Paul “Black” Mars: Practice. Practice, practice, practice.

You just need to have an intolerance to repetition. Listen to all of the bands that you like, and imitate, and keep playing along with them. And then eventually try to branch out and develop your own style.

Michael Andrews

Multi-instrumentalist/singer/composer Michael Andrews recently released the wonderful album Spilling A Rainbow, which was inspired by him becoming a first-time father and features lush sounds, creative arrangements, and thoughtful lyrics. Andrews is best known for his work on movie soundtracks, most famously that for Donnie Darko which included a cover of Tears For Fears’ “Mad World” that became the Christmas Number One single in Britain in 2003. He has also contributed to the soundtracks for movies including Bridesmaids, Walk Hard: The Dewey Cox Story, and Paris, je t’aime, and the television show Freaks and Geeks. Andrews has also released albums with The Greyboy Allstars, and has produced albums for Inara George and Metric. (Laura Heffington photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Michael Andrews: Don’t expect things to happen the way you expect.

For the full interview with Michael Andrews, click here.

Joey Burns

Joey Burns is the co-founder, singer, guitarist, and one of the principal songwriters for Calexico, a Tuscon, Arizona-based band which blends Americana and Mexican influences. Notable albums by Calexico include 1998′s The Black Light, 2003′s Feast of Wire, and 2008′s Carried to Dust, and they recently toured in support of Arcade Fire.

Jeff Moehlis: What advice would you give to an aspiring musician?

Joey Burns: Patience. Patience for your inner critic, and patience on all those around you who are encouraging and inspiring you to be a musician. And I guess just be kind of open and travel as much as you can.

Dallas Good

Dallas Good is the lead vocalist and rhythm guitarist for The Sadies, a Toronto-based psychedelic/surf/country rock/garage band that he leads along with his brother Travis, who plays lead guitar and adds exquisite harmonies. They have released multiple acclaimed albums since their 1998 debut, and have worked with notable artists including Neko Case, Jon Langford, and John Doe.

Jeff Moehlis: What advice would you give to an aspiring musician?

Dallas Good: Only play music you like. That seems like a really stupid, obvious answer, but it’s really easy to get into a situation where you’re playing songs that are like, “I know that he likes this one, but…”

Another answer: we have a song that we wrote with Jon Langford [from The Mekons] that sums it up pretty well: “Get the money and don’t leave anything behind” [laughs].

Michael Chapman

Michael Chapman is an English singer-songwriter and guitarist who has recorded over thirty albums, including 1970′s Fully Qualified Survivor which is considered to be a British folk-rock classic. His guitar playing has been compared favorably to that of John Fahey and Roy Harper.

Jeff Moehlis: What advice would you give to an aspiring musician?

Michael Chapman: Stick at it. Don’t the bastards grind you down. Nil carborundum bastardum. It you want to do it, do it. Don’t let them put you off. Sometimes are better than other. You’ve got to take the thick with the thin. I’ve been on the road 45 years, some are great and some are not so great. You just keep on going.

Russell Ferrante

Russell Ferrante is best known as the pianist and co-founder of the fusion band Yellowjackets. Before that, he toured with Jimmy Witherspoon and Joni Mitchell. He has also written with and produced records for Bobby McFerrin, Al Jarreau, and Rita Coolidge.

Jeff Moehlis: What advice would you give to an aspiring musician?

Russell Ferrante: Play with musicians that are better than you are. I think that’s how you learn and grow. Get a great teacher, too.

Jimmy Haslip

Jimmy Haslip is best known as the bass guitarist and co-founder of the fusion band Yellowjackets. He has also worked with other artists including Bruce Hornsby, Rita Coolidge, Tommy Bolin, Alan Holdsworth, Donald Fagen, and Kiss.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jimmy Haslip: First of all, find something that really inspires you – whether it’s music, art, sculpture – something that will inspire you to go and practice. And study as much as you can about as many different kinds of music as you possibly can. Just make sure you find some way to self-motivate yourself, so that you’re not staring at the walls someday thinking, “What am I gonna do next?” There has to be some inner fire that all of us have. You’ve got to find that inner fire. Once you find that, I think then the self-motivation just comes along with it. So finding that, and being motivated, practicing as much as you can, and trying to learn all that you can about all kinds of music – that’s my advice. And when you do that, then that will prepare you for any kind of gig or situation, experience, whatever, you’ll be prepared to jump in there and do a good job.

Eddie Tuduri

Eddie Tuduri is a drummer who has toured and/or recorded with Delaney Bramlett, Bobby Whitlock, The Beach Boys, Rick Nelson, Jim Messina, Dr. John, Ike Turner, Johnny Rivers, and many others. After a 1997 surfing accident, Tuduri founded The Rhythmic Arts Project, which integrates drums into the treatment and education of children with developmental disabilites.

Jeff Moehlis: What advice would you give to an aspiring musician?

Eddie Tuduri: Take lessons, find a good teacher. Don’t start playing without direction. I studied when I was a kid – when I was twelve, I learned how to read music, I learned the rudiments. It’s very important find a good teacher, so you don’t start off with bad habits.

Brute Force

Brute Force is the recording/performance name of Stephen Friedland. Friedland was a member of The Tokens in the mid-1960′s, and composed songs recorded by The Tokens, The Creation, Cyrkle, and The Chiffons. In 1967, his bizarrely brilliant solo album I, Brute Force, Confections of Love was released, including songs such as “To Sit on a Sandwich” and “Tapeworm of Love”. He is best known for the 1969 single “King of Fuh”, which was admired by George Harrison and John Lennon and was released on Apple Records. Unfortunately, Captiol/EMI refused to distribute this single because some of the lyrics sounded like profanity. Confections of Love was recently re-released on CD, with “King of Fuh” as one of the bonus tracks.

Jeff Moehlis: What advice would you give to an aspiring songwriter and/or musician?

Brute Force: Listen to music of the world. Here and There. Learn something to know you can make money, because making money in the arts is not that easy as picking up a consistent paycheck. If you have to make a choice between a day job and dying for your art it’s probably a happier choice to keep the day job. Be kind to yourself for you are the greatest ally you have. That means realizing what a powerhouse you are and how your body is very sensitive to substances which enter into your body.

You may wish to do drugs. If you’re a singer you ought to know that smoke dries the throat. Your consciousness is far superior without drugs. It is what you are prior to any drug.

Remember when Dorothy, Toto, and her three friends walked thru a field of poppies? They fell asleep! Well, making it in life is a good deal more successful when you’re awake.

You don’t have to know a lick of formal music training to be a songwriter, yet it couldn’t hurt to learn notation, how to play keyboard, or guitar, or instrument of your choice. Take vocal lessons. Learn networking in the arts. Remember that if you are looking to make it in show business that it is 2 words…”show” and “business”.

[later] I would add, belief in oneself, maintaining health and Spiritual Reality.

For full interview with Brute Force, click here.

Mark Tulin

Mark Tulin was the bass guitar player for The Electric Prunes, which is best known for 1966′s psychedelic garage-rock classic single “I Had Too Much To Dream (Last Night),” the lead track on the highly-regarded Nuggets collection compiled in 1972 by Lenny Kaye. The Prunes’ original line-up also released 1968′s psych obscurity Mass in F Minor, a Catholic mass, sung in Latin, composed by music producer/arranger/composer David Axelrod – the track “Kyrie Eleison” from this album was on the soundtrack for the generation-defining movie Easy Rider. Tulin passed away on February 26, 2011.

Jeff Moehlis: What advice would you give an aspiring musician?

Mark Tulin: I think there’s two things. One is, you’d better love the process. Because if you don’t love the process, no success makes up for not loving what you’re doing. Especially in art of any form. Because at the end you’re left with your process. And you find that as nice it is that people like what you, if you’re not enjoying what you’re doing there’s an empty space somewhere.

And the other thing is, don’t give up. At any age. I think the shame is that my generation took their guitars and put them in the garage, and never picked them up again. I’m a firm believer in dreams, and that dreams come true. And what I think we said on one our newer albums is that dreams never quit. You quit on them. They never give up. So love what you’re doing, and do it.

And keep in mind that someone not liking you is an opinion, not a statement of fact. It’s just somebody’s opinion. And it can be a very high-ranking opinion. If I play a track and Bono goes, “I hate what you just did,” that’s his opinion. So that’s it. I just think it’s internal faith, that is what it basically comes down to.

For full interview with Mark Tulin, click here.

Ian Underwood

Ian Underwood is a multi-instrumentalist who played on classic Frank Zappa albums including Hot Rats and We’re Only In In For The Money. Check out his woodwind playing in “Peaches En Regalia”, which just might give you goosebumps. He later contributed to recordings by Quincy Jones, Barbara Streisand, and many others. He also played on the soundtracks of Blade Runner, Aliens, and Titanic.

Jeff Moehlis: What advice would you give an aspiring musician?

Ian Underwood: I would just say do what you want to do. There isn’t any one thing. There’s no path in the arts. I don’t think there is any one way to do it. The main thing is knowing what you want to do, and applying yourself and saying, “That’s what I’m putting my energy into”.

A lot of times people do that just because they can’t do anything else. I mean, Frank [Zappa] would be useless without doing what he did. And that would apply to a lot of other people. It’s not like, “I could do this or I could have a dry cleaning store. Let’s see, which will I do. If I had a dry cleaning store I’d be making money and supporting my family. Yeah, I think I won’t do music, I’ll do a dry cleaning store.”

But it never works out that way. Because people that do it at any level, you know that’s kind of up there, they’re prisoners of their own brain. They’re complete prisoners of their own brain. That’s it. You could say lots of words to it, but it amounts to just being… I mean, it’s not a bad thing to be a prisoner that way. Everybody lives in their own mind, and you have to just see what the result of that is. If somebody wants to do it, I would always encourage anybody to follow whatever is in their mind, music or something else. But music, absolutely.

Billy Cox

Billy Cox is best known as a bassist who played with Jimi Hendrix, first in the early 1960′s when they were in the army together, and later in the Band Of Gypsys and in Hendrix’s Gypsy Sun and Rainbows at Woodstock. He is the last surviving member of Hendrix’s core bands The Jimi Hendrix Experience and the Band of Gypsys. He is currently part of the Experience Hendrix tribute tour. Photo taken by L. Paul Mann.

Jeff Moehlis: What advice would you give to an aspiring musician?

Billy Cox: Keep practicing. In order to be good you have to love something greater than you love yourself. If you love that music greater than you love yourself, you gotta be successful. That’s the key. [Hendrix and I] knew we were getting good and getting better, it was just a matter of someone discovering us. He got discovered first, before me [laughs].

Jim Kweskin / Geoff Muldaur

When the Jim Kweskin Jug Band formed in 1963, they breathed new life into the jug band music genre whose heyday had been several decades earlier. In the process, they inspired many bands including the Grateful Dead and the Lovin’ Spoonful, played several times at the Newport Folk Festival, and had a helluva lot of fun.

After the Jim Kweskin Jug Band broke up in the late 1960′s, Muldaur played with Paul Butterfield’s Better Days, and contributed to recordings for a number of notable artists. Both Kweskin and Muldaur have also released various solo albums over the years, and in recent years they have resumed performing together.

Jeff Moehlis: What advice would you give to an aspiring musician?

Geoff Muldaur: Stop copying. If you don’t have your own thing, get a real job.

Jim Kweskin: Don’t follow anyone’s rules.

For full interview with Jim Kweskin and Geoff Muldaur, click here

Will Cullen Hart

Will Cullen Hart is a co-founder of the Elephant 6 Collective of musicians. He has written and performed songs for The Olivia Tremor Control and Circulatory Systems. Hart is also a visual artist, and created much of the the album artwork for these bands.

Jeff Moehlis: What advice would you give to an aspiring musician?

Will Cullen Hart: Listen to your heart. Even if somebody says it could be better this way, you’re probably right in your heart. That’s really it. That’s what I did. Even if it’s out of fashion, go for it. If you feel like it’s right, then it’s right.

Scott Spillane

Scott Spillane is a member of the Elephant 6 Collective of musicians. He played horns and helped with horn arrangements on the album In the Aeroplane Over the Sea by Neutral Milk Hotel, wrote “The Fool” from that album, and is frontman for the band The Gerbils.

Jeff Moehlis: What advice would you give to an aspiring musician?

Scott Spillane: Listen – really listen – to what you’re playing. That’s number one. And kill your babies.

JM: What do you mean by that?

SS: Edit yourself. Don’t be afraid to edit yourself.

Julian Koster

Julian Koster is a member of the Elephant 6 Collective of musicians. He played saw, banjo, and accordian on the album In the Aeroplane Over the Sea by Neutral Milk Hotel. He is also the leader of the band The Music Tapes.

Jeff Moehlis: What advice would you give to an aspiring musician?

Julian Koster: Belief and faith. And then more belief and then more faith. And then more belief and then more faith and then more belief and then more faith and then more belief and then more faith.

It’s just there’s so much that’s required to do anything that is truly and sincerely heartfelt. It requires a constant, massive amount of faith and belief. And over, and over, and over again.

Bert Lams

Bert Lams is a guitarist extraordinaire from Brussels, Belgium who is best known as a composer and performer for the California Guitar Trio, which in addition to original compositions plays covers ranging from “Bohemian Rhapsody” to “Pipeline” to “Tocatta and Fugue in D Minor”. He was also part of Robert Fripp’s League of Crafty Guitarists and the Robert Fripp String Quintet.

Jeff Moehlis: What advice would you give to an aspiring musician?

Bert Lams: Wow, there’s lots of things here. From my own experience, I can say that I learned a lot by finding somebody with experience, to share that with me. So I was lucky enough to find some good teachers, and that’s really important. Genius is not that common, so most of us need to stand on the shoulders of others.

JM: Was that [Robert] Fripp for you?

BL: It’s been different people, it’s been different people all through my life. It can be someone who you’re a fan of, who you listen to the music of and imitate all the licks of. But ideally it’s someone that’s there for you.

That’s one thing. If it’s younger people, if they’re very young, if they’re like teenagers, I always recommend that they just go and play with their friends. That’s how it happened for me, playing with other people as a teenager. That kind of opened me up.

Paul Richards

Paul Richards, from Salt Lake City, Utah, is also a guitarist extraordinaire who composes and performs with the California Guitar Trio, and was part of Robert Fripp’s League of Crafty Guitarists and the Robert Fripp String Quintet.

Jeff Moehlis: What advice would you give to an aspiring musician?

Paul Richards: The thing that worked the best for us was to find a way to do it ourselves. Because you can’t rely on the elusive record deal, especially now that all the record companies are struggling. So if you can find a way to do things on your own as much as possible, that’s one of the best things. In the beginning we booked our own gigs, we did our own recordings at home, you know, bought good equipment and found ways to good quality recordings and found a way to promote ourselves, all without having to rely on somebody else. So that’s a big part of it.

The other thing is, it took us eight years of constant work to get to the point where we could start to make any money playing music. Some bands can go much quicker than other bands. First we started in L.A. and then we started going beyond L.A. and then beyond California and just gradually expanded. And then we did a whole tour at Borders Bookstores [JM saw them at Borders in Palo Alto way back then] and found other things we could do that weren’t reliant on a big promotional unit. They were things that we could do ourselves.

You know, first of all we could get ten people to come, then maybe twenty people, and then fifty people, and then once we could show an agency that we could sell a few tickets then we got a good agency. I don’t think you need a manager, I don’t think you need a record company, but an agency helps you get good gigs. And you can probably do that on your own, too, but for us that’s the thing that makes the most sense, and it works well for us. An agency typically takes 15%, but for the amount of work that they do, 15% is well worth it. And a good agent will have a lot of connections to venues, to places like McCabe’s where we’re playing tomorrow. On our own we had tried to play McCabe’s for years and years and years, and they never had us until our agency finally had a connection and had some other artists who had played there. Then they got us in the door there. So I think an agency is key. But beyond an agency, doing things on your own is one of the best things that you can do.

John Kadlecik

John Kadlecik (pronounced Kad-le-sik) is the lead guitarist for Furthur, the band which is keeping the music of the Grateful Dead alive thanks to original Dead band members Bob Weir and Phil Lesh, and Kadlecik’s Jerry Garcia-inspired guitar explorations.

Before joining Furthur, Kadlecik played in Dark Star Orchestra, which was notable – and quite popular – for covering full Grateful Dead setlists from throughout that band’s history. And before that, Kadlecik was a member of various bands including Uncle John’s Band, Wingnut, and Hairball Willie, the latter of which I can personally attest to having put on a great show in Ames, Iowa back in the early 1990′s. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

John Kadlecik: Well, the only good reason to make art is because you have to. Everyone has the perks that they appreciate in different proportions, but people who are focused exclusively on that, whose idea is to make a living at it or getting fans or attention or girls or money or whatever… The only good reason to make art is because you have to, or are compelled to.

With that being said, I would really just be paraphrasing Jerry Garcia from one of my favorite quotes of his. The three things a musician really needs to get them where they most likely can hang, maybe not make it as a rock star but at least be able to take music as a profession. Have something to say as an artist, is one. Two, have enough skills, or develop the skills you need to say what you need to say. Which is more important than, I think, making some sort of hypothetical technical standard. You know, if a punk rocker only needs to know one or two bar chords to get their music out, then that’s all they need. You don’t need to be able to play like Al Di Meola [laughs]. But they need to know those three chords, and at least get the guitar somewhat in tune, right [laughs]? And then the third thing is to be able to get along with other musicians. If you can get those three things down, you have got a pretty good shot, at least, of living a life as a musician. Not necessarily as a famous musician, which is really kind of like winning the lottery, in a lot of ways. But you get a chance to get your art out and live the life of an artist.

For the full interview with John Kadlecik, click here.

Seymour Duncan

Seymour Duncan is the co-founder of the company that shares his name and for 35 years has been making guitar pickups, which convert the mechanical vibrations of a string into an electrical signal that can be amplified. Duncan’s pickups give guitarists some of the finest tones in rock ‘n’ roll, and have been used by artists such as Jeff Beck, Eddie Van Halen, Slash and Joe Satriani. Duncan is also a fine guitarist himself, playing in the Santa Barbara band Flatfoot Joe. (Photo: L. Paul Mann)

Jeff Moehlis: What advice would you give to an aspiring musician?

Seymour Duncan: It’s best to be very patient, and really believe in what you believe in. Just do it. Just be out there and do it. Don’t let anybody discourage you. Everybody’s different. Everybody has their own soul and their own creativity, and I believe in that. Be your own, and go out there, and just really do it, it’s so important.

For me it’s important to try to help other kids. I got helped by Les Paul, Jeff Beck, The Ventures, they’ve all helped me by asking questions. You know, I want to be there for younger kids, too. I want to try to be a good inspiration for them.

Nolan Gasser

Nolan Gasser is an acclaimed composer, with compositions including American Festivals and two pieces written for NASA’s Fermi Gamma-Ray Space Telescope. He is also the Chief Musicologist for Pandora Media, Inc., which provides the popular Pandora Radio streaming music service; he is the architect of all five Music Genomes (Pop/Rock, Jazz, Hip-Hop/Electronica, World Music, and Classical). Moreover, he is the Artistic Director of Classical Archives which is the web’s largest classical music site.

Jeff Moehlis: What advice would you give to an aspiring musician/composer?

Nolan Gasser: There are four essentials to building a career as a musician, but I think they apply elsewhere.

You have to have natural talent. You have to be honest with yourself about if you have enough natural talent that’s going to make you stand out in a crowd, and be able to be employable. You have to work hard, because music, like everything else, if you have the audacity to think that you can become a composer, well good luck, buddy. Because there’s been so many geniuses, so many people that you’d be lucky to carry their water. So you just have to work so hard to be the best you can be.

The third thing is you have to be lucky. And luck is one of those things, of course, that you make. You have to be out there, you have to be pushing hard and be daring so that you have the opportunities to be lucky. Getting that email from Tim was one of the luckiest things that ever happened to me. But I was there. I had put in the time as a musicologist, as a composer, as a rock and jazz musician, so I was ready for that. Because if you’re not ready for the lucky meeting… I always quote Emerson: “I pity he who is a victim of fate, but blessed is he who’s guided by destiny”. Fate is something that happens to you, but destiny is something that you make happen. You can call it luck. You ask anybody who is successful, they say, well I’ve been very lucky. But you make your own luck.

And the fourth thing is you’ve got to be smart. A lot of musicians, including a lot of great jazz musicians and a lot of great rock musicians, are not the most practical people. But if you want to raise a family, send a kid to college, pay your mortgage, and have a nice life, then you need to be smart. You need to figure out how can you take these tools that you have and translate them into making a living. And part of that is, you’ve really got to do all the other things, but you’ve got to have a big toolkit, you’ve got to make yourself indispensable by having skills that other people don’t have.

I always tell young people, do something dramatic. I went to Paris after my undergrad. And that has helped me in more ways than I can count. In part by people just saying ‘wow’, and suddenly you look different in their eyes. You’re not just a kid that grew up in Southern California and stayed there. You went across the ocean. And it wasn’t that hard. It was a lot of fun. But you grow so much. So be dramatic, do something dramatic. And think big. Especially when you’re young. Imagine your wildest dreams, and say OK, I’m going to get there. Maybe you won’t get there, but you’ll get a lot closer than if you say, well, I just want to be able to play at that bar down the street.

For full interview with Nolan Gasser, click here.

Daniel Levitin

Daniel Levitin is a cognitive psychologist, record producer, and best-selling author of “This Is Your Brain On Music: The Science of a Human Obsession” and “The World In Six Songs: How the Musical Brain Created Human Nature”. He has been a producer or a recording engineer for artists including Blue Oyster Cult, Chris Isaak, Jonathan Richman and the Modern Lovers, Santana, and The Grateful Dead, and has been a consultant for albums by Stevie Wonder and Eric Clapton. He is a professor and the director of the Laboratory for Music Perception, Cognition, and Expertise in the Department of Psychology at McGill University. (Photo credit: Arsenio Coroa)

Jeff Moehlis: What advice would you give to an aspiring musician?

Daniel Levitin: Practice. Deliberate practice. Not mindless, but mindful. And practice a little bit every day, because your brain has to consolidate the information through sleep. So three hours, all on a Sunday afternoon, isn’t the same as even 15 minutes a day.

David Freiberg

David Freiberg was a co-founder of 1960′s psychedelic band Quicksilver Messenger Service, which was known for extended jams as captured on their classic album Happy Trails. He toured with Jefferson Airplane toward the end of that band’s existence, and stayed on when the band evolved into Jefferson Starship. He was a co-writer of Jefferson Starship’s 1979 hit song “Jane”. Both Freiberg and Paul Kantner quit the band as its sound became more commercial, in particular before the recording of “We Built This City” as Starship. Photo taken by L. Paul Mann.

Jeff Moehlis: What advice would you give to an aspiring musician?

David Freiberg: Having fun is more important than going to #1. If you’re in a band and something goes to #1, that’s really good luck. But it’s also a big curse. It’s like winning a lottery. Hardly anyone who wins a lottery is ever happy. Their life goes to hell immediately. Everybody wants to get that money, and they don’t know who their friends are, because everybody’s a friend, right? I don‘t know, it’s kind of like that. Just don’t change.

Steve Young

Steve Young is a singer and songwriter whose best known song is “Seven Bridges Road,” which was covered by and became a Top 40 hit for The Eagles. He also wrote “Lonesome, On’ry And Mean”, which became a trademark song for Waylon Jennings, and “Montgomery in the Rain”, which was covered by Hank Williams, Jr.

Jeff Moehlis: What advice would give to an aspiring songwriter?

Steve Young: Become a dentist [laughs]. You know, go to dental school. That’s just my joke.

If you’re a true writer, then you’ve got to write. My real opinion is you should do it, and if you don’t make any money from it, try to have a backup plan and just try to see what happens. Because it’s probably tougher than it has ever been. The music business itself is pretty low-key, let’s face it. So, I think you have to be a little crazy to do it. It’s really an unknown. Just like acting, there are a few people who actually make a living doing it. But again, I don’t want to deny anybody their expression or their art. You should try it, you should do it, if nothing else for yourself and a few friends. Just do it and see where it goes. If it goes nowhere, you still have the pleasure of doing it.

JM: Your answer reminds me… I asked the bassist from the Meat Puppets what advice he’d give an aspiring musician, and he also said “become a dentist.”

SY: He did? Wow, that’s cool!

JM: But then he also said, “Look at what I did, and don’t do that.” Because he got involved in drugs and had problems…

SY: Boy, could I ever say the same thing? It sounds like we have a similar story. I was my own worst enemy in the music business itself. I was just lucky to have any degree of success doing anything.

For full interview with Steve Young, click here.

Justin Roberts

Justin Roberts was in the indie rock band Pimentos for Gus before becoming an award-winning children’s musician who writes clever, thoughtful songs with a well-crafted power pop sound. His latest CD is 2008′s Pop Fly.

Jeff Moehlis: What advice would you give an aspiring songwriter?

Justin Roberts: I think as with anything, it’s practice. Keep doing it, and be willing to write bad songs. Sometimes I look back on some of the simpler songs I wrote early on and think, wow, I wish I could write one of those. But you can’t. So you have to just accept what you’re doing at the time, and try to be content with that. Because you can only do what comes out of you, and you just have to let that stuff come out and not block it too much.

There’s a book called “Art and Fear” that was recommended to me during one of my many sessions of [writer's] block. It’s a great book. It’s mostly about visual artists, but there’s a great story in there where there’s a pottery class, and they divide the class into two groups. They say for one group they say they’re going to graded on the quantity of pots that you make, and for the other group you’re going to be graded on the quality of the pots that you make. They went off and did the thing, and a week later when they came back all of the best work was done by the group that was going to be graded on quantity. And the people who were graded on quality ended up not finishing things or it was half-baked because they were trying to perfect one thing. Whereas the group that was just trying to make as many things as possible came up with the best stuff. I think with songwriting, it’s a lot like that. You have to just try to write as many things as you can, and certainly discard stuff that is not up to snuff, but don’t judge it right away. Try to work with it and see what could happen.

I think being an editor is good, too, for a songwriter. I sometimes find, for me at least, people that make records and have eight million songs on them, I’m like, you know what, this would be a great record if you had gotten an editor and just gotten rid of some of this stuff. No one has the attention span for a 72 minute CD [laughs]. My favorite records are usually over in about 35 minutes. When vinyl was popular, you could only fit about 18 minutes on a side, and that’s it.

So I think it’s a combination of trying to create as much as you can, and then weeding through it trying to only pull out the best stuff.

Also having people that you trust around you that you can play things to that are the best critics. You don’t always agree with what they say but it’s nice to have people to bounce things off, for me.

JM: Would you answer differently if I asked what advice you would give to an aspiring childrens songwriter?

JR: I think the only different advice I would say is to try not to write a song about what you think a kid would like to hear. You just have to write something that is honest, and if you shoot really high then kids will come with you. I think the mistakes people make often is stuff I wouldn’t personally want to listen to, when it sounds like they’re imagining what they think a kid would want to hear a song about and it comes back as condescending and preachy.

For full interview with Justin Roberts, click here.

Taylor Goldsmith

Taylor Goldsmith is the lead singer, guitarist, and songwriter for Dawes, a Southern California band influenced by The Band and the Laurel Canyon style of the 1970′s. Dawes has released two very nice albums, and has been a live backing band for Jackson Browne, who sang backing vocals for one song on their latest release, and for The Band’s Robbie Robertson.

Jeff Moehlis: What advice would you give to an aspiring musician?

Taylor Goldsmith: I would say play locally until the rest of the country starts hearing about it. Even if you live in nowhere’s-ville, like if you live in Chattanooga, Tennessee but you’re getting 400 people to each show and eventually more, people are going to notice. People always say you just gotta get on tour. I think the only way to do that, and have it mean anything, is if you’re relevant locally.

Nolan Wheeler

The latest band to bubble up to receive the prestigious Austin Music Award for Best New Band is the Austin-based band The Wheeler Brothers, consisting of brothers Tyler (bass guitar), Patrick (drums), and Nolan (guitar, piano and vocals), plus friends A. J. Molyneaux (lapsteel, guitar, vocals) and Danny Matthews (guitar, vocals). The Wheeler Brothers’ “rock ‘n’ roll with a bit of twang” on their debut album Portraits has been well received in Texas and beyond, and their second album is in progress. (Lobo Sucio photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Nolan Wheeler: If someone comes along who believes in your project and wants to help it grow, get out of their way and let them help! I hear a lot of bands along the road that are so proud to have done every little thing themselves, which is cool, but there is a time and place for publicity work, management, booking and such. The real advice: Surround yourselves ONLY with people you know and care about, and who believe whole-heartedly in your project.

For the full interview with Nolan Wheeler, click here.

Charles Bradley

Going all the way back to seeing James Brown perform at the Apollo Theater in Harlem in 1962, Charles Bradley dreamed of being a singer. He found some success as a James Brown impersonator in Brooklyn under the monikers “Black Velvet” and “James Brown Jr.”, eventually catching the attention of Gabriel Roth from Daptone Records. Bradley started releasing singles on Daptone Records in 2002, and by the time his first album No Time For Dreaming was released in 2011, he was the ripe age of 62. And it turns out that the album is awesome, with an old-school soul music vibe that gives it a timeless quality. Amongst the album’s honors was it being named one of the Top 50 albums of the year by Rolling Stone magazine. Even better in a live setting, Bradley lives up to his nickname as “The Screaming Eagle of Soul”. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Charles Bradley: The greatest gift that you can find is who you are and what you have to give to the world. It is your own instrument. Your own instrument is you. You’ve got to find out who you are, knowing what you want to give to this planet Earth. If you want to give turmoil, if you want to give corruption, the Earth will fill that. But if you want to give love to the world, we’ve got the win over all of the corruption. When you’re doing that, you’re doing the will of God, who I believe in.

I may not get where I want to be in the music industry, but one thing I will get is peace and love within my soul. So, love deeply. Everything comes out of the Earth. These chairs you’re sitting on come out of the Earth. God gives us the wisdom and knowledge to learn how to make something out of these things.

So don’t give up. Love is the greatest instrument on Earth. And when you know that, go for it. Don’t be afraid of man’s laws, everything they made for us. Be honest to your spirit.

It’s not what you’ve got, it’s the friends that you carry around. You may have two cents, but your heart is good, and we’re gonna come together, and we’re gonna make some music. Find out who you are. Get to know one another, make some music, and rock this world.

Thomas Brenneck

Thomas Brenneck has played guitar with some of the key players of the recent funk/soul revival, including session work on Amy Winehouse’s breakthrough album Back to Black, and session work and touring with Sharon Jones & the Dap-Kings and Charles Bradley. He is also the guitarist for The Menahan Street Band, whose latest release is The Crossing. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Thomas Brenneck: Just be true to yourself, and follow your heart. Play the music that you dig. And try to find some like-minded musicians. Because collective is better than individual.

In music history, whether it’s The Beatles or The Stones or Stax or Muscle Shoals or Motown, there’s a whole bunch of like-minded musicians following a leader or a good record producer, believing in the song. You have twenty musicians playing a Smokey Robinson song under the direction of Smokey Robinson. You have a visionary and you have an amazing piece of music. Whether it’s The Marvelettes singing a Smokey song, or The Temptations singing “My Girl”, or whatever it may be.

You know, it’s like when you’re young and broke you have to play some music to make a buck. But if you are priviledged enough to play the kind of music that you love, man, that’s what we’re doing, and it’s a blessing. The way we got here is by following our heart, and playing music with our friends. That relationship evolved over years and years. We’ve been playing music with each other for maybe ten years, this band, eleven years. Our drummer and bass player, those guys have been playing music together for maybe fifteen, sixteen years. So if I have an idea, or one of the other guys has an idea, before we even finish expressing our idea these guys pick up on it and they make it a little bit better.

Mike Deller

Mike Deller plays keyboards with The Menahan Street Band, whose latest release is The Crossing, and which backs “The Screaming Eagle of Soul” Charles Bradley on record and on tour. He also plays with The Budos Band, which deftly blends funk, soul, jazz, and Afro-beat. (L. Paul Mann photo)

Jeff Moehlis: What advice would you give to an aspiring musician?

Mike Deller: I would say you should try and know as many instruments as possible. You know what? Persistence and quantity. Just join every band and play every instrument, and I guess that will give you your best shot. Unless you come across a star, then you’re in.

Paul Kowert

Paul Kowert is the bass player for the band Punch Brothers which uses traditional bluegrass instrumentation – mandolin, fiddle, guitar, banjo, and stand-up bass – but with a repertoire that is not limited to traditional bluegrass music. Indeed, they push the boundaries of what can be done in such a format, both with their original songs and with covers of the likes of Radiohead’s “Kid A”.

Jeff Moehlis: What advice would you give to an aspiring musician?

Paul Kowert: Trust what you love, and try to make more of it.

For full interview with Paul Kowert, click here.

Larkin Grimm

Larkin Grimm is a well-traveled, eclectic singer-songwriter in the “freak folk” genre. The Swans’ Michael Gira has described her as “the sound of the eternal mother and the wrath of all women”, and also said “her voice is like the passionate cry of a beast heard echoing across the mountains just after a tremendous thunder storm, when the air is alive with electricity.” Grimm’s fourth album Soul Retrieval, which was recorded with the help of famed T. Rex and David Bowie record producer Tony Visconti, will be released in February 2012.

Jeff Moehlis: What advice would you give to an aspiring musician?

Larkin Grimm: Don’t do it. It is a hard life. We do it because we aren’t suited for anything else. If you can hold onto another job, stick with that! But if you get fired from every job you have ever had and you are a high-strung orchid living on the edge of sanity, GO FOR IT! and try to be kind to the show promoters. They tend to be generous, sensitive, kind people and they deserve respect for what they do.

For full interview with Larkin Grimm, click here.

Jason Reeves

Jason Reeves is a singer-songwriter originally from Iowa City, Iowa. Shortly after moving to California in 2005 he met Colbie Caillat, and co-wrote many of the songs on her debut album Coco, including the hit singles “Bubbly” and “Realize”. He also co-wrote songs on Caillat’s follow-up album Breakthrough, which debuted at #1 on the Billboard 200, plus “The Show”, which was a hit in the UK and elsewhere for Lenka. His 2007 album Magnificent Adventures of Heartache And Other Frightening Tales won acclaim for its heartfelt pop-infused folk songs, and his album The Lovesick will be released by Warner Brothers sometime in 2011.

Jeff Moehlis: What advice would you give to an aspiring songwriter / musician?

Jason Reeves: I would say it’s all about insane amounts of patience and belief in yourself. You have to have a vision and know that it’s worth seeing it through. Other than that, just be true to your heart.

For full interview with Jason Reeves, click here.

Buddy Miller

Buddy Miller is a Nashville-based singer, songwriter, musician, producer, and recording artist. He has released several solo albums, and has toured with and/or recorded with Emmylou Harris, Steve Earle, Shawn Colvin, Linda Ronstadt, Alison Krause and Robert Plant, and Robert Plant’s Band of Joy.

Jeff Moehlis: What advice would you give to an aspiring musician?

Buddy Miller: Just keep doing it. That’s all I’ve ever done. I feel really fortunate to be able to say that. But, you know, if you love it just keep at it.

Black Francis

Black Francis is the primary songwriter, lead singer, and rhythm guitarist of the Pixies, the alt-rock pioneers whose trademark use of quiet verses and loud screaming choruses was a huge influence on Nirvana frontman Kurt Cobain’s songwriting. In fact, Cobain admitted that when he wrote the genre-creating smash hit “Smells Like Teen Spirit”, he “was basically trying to rip off the Pixies.” Francis’ post-Pixies recordings have been variously released under the names Frank Black, Frank Black and the Catholics, and Black Francis.

Jeff Moehlis: What advice would you give to an aspiring musician?

Black Francis: Go play. Go play in front of people. That’s the best thing.

Alex Ebert

Alex Ebert is the lead singer for Edward Sharpe and the Magnetic Zeros, whose music mixes elements of folk, rock, gospel, soul, and a touch of glam, and whose live shows – in Music Illuminati’s opinion – are not to be missed. To date, Edward Sharpe and the Magnetic Zeros have released one album, 2009′s Up From Below. They will be playing at the Coachella Festival in April 2010.

Jeff Moehlis: What advice would you give to an aspiring musician?
Alex Ebert: Do it, even if you don’t feel ready. Just do it. And then, be like a child. That’s the most important thing.

Al Kooper

Al Kooper is a legendary songwriter and musician, who is most notable for co-writing the Gary Lewis and the Playboy’s hit “This Diamond Ring”, playing organ on Bob Dylan’s classic “Like A Rolling Stone” and with him at the Newport Folk Festival when he “went electric”, founding Blood, Sweat, and Tears, playing on sessions with Jimi Hendrix, The Who, and The Rolling Stones, playing on the album Super Session with Mike Bloomfield and Stephen Stills, signing The Zombies to Columbia for their album Odessey & Oracle, and discovering and producing Lynyrd Skynryd.

Jeff Moehlis: What advice would you give to an aspiring songwriter/musician?

Al Kooper: Go to law school. I wouldn’t want my son to become one.

Jeff Hanneman

Jeff Hanneman co-founded and played guitar for thrash metal pioneers Slayer, whose 1986 album Reign In Blood is often hailed as one of the most important and influential heavy metal albums ever produced. He was also one of the band’s songwriters, with credits including “Angel of Death”, “Raining Blood”, “South of Heaven”, “War Ensemble”, and “Seasons in the Abyss”. Hanneman died on May 2, 2013 of liver failure; he was 49 years old.

Jeff Moehlis: What advice would you give to an aspiring musician?

Jeff Hanneman: Kick ass!

Ira Kaplan

Ira Kaplan is the guitarist, and a singer, songwriter, and co-founder of Yo La Tengo, a “cult band” formed in Hoboken, New Jersey in 1984. Yo La Tengo’s sound is often compared favorably to that of the The Velvet Underground, a band they played in the film I Shot Andy Warhol. Photo taken by L. Paul Mann

Jeff Moehlis: What advice would you give to an aspiring musician?

Ira Kaplan: Don’t take advice from anybody.

Discussion

One comment for “Advice From Musicians”

I’ve read several excellent stuff here. Certainly price bookmarking for revisiting. I surprise how much attempt you put to create this sort of excellent informative website.

Posted by Pisos en Oviedo | March 2, 2012, 3:14 pm

Search

ADVICE FROM MUSICIANS

Advice From Musicians

Pete Seeger

Sir George Martin

Steve Reich

Jeff Barry

David Crosby

Graham Nash

Fats Domino

Willie Nelson

George Clinton

Wanda Jackson

Ian Anderson

Jon Anderson

Jeff Mangum

Greg Lake

Geoff Emerick

Bonnie Bramlett

Chuck D

Eddie Izzard

Rickie Lee Jones

Todd Rundgren

Alan Parsons

Laurie Anderson

Glen Matlock

Danny Seraphine

Clem Burke

Stephen Perkins

Holly Near

Will Jennings

Kinky Friedman

Yanni

Mark Volman

Howard Kaylan

Chris Hillman

Richie Furay

Ted Nugent

Billy Corgan

Peter Buck

Bryan Adams

Maceo Parker

“Weird Al” Yankovic

Billy Duffy

Chris Shiflett

Kronos Quartet: David Harrington, John Sherba, Hank Dutt

Abdul “Duke” Fakir

Annie Haslam

David “Honeyboy” Edwards

Jimmy Carter

Ray Manzarek

John Densmore

Paul Kantner

Jorma Kaukonen

Jack Casady

Martin Gore

John McEuen

Fred Tackett

Steve Hillage

Robben Ford

Hale Milgrim

Bones Howe

Don Randi

Bob Cowsill

John Cowsill

David Pack

David Lindley

Rosemary Butler

Tata Vega

T-Bone Burnett

Johnny Rivers

Gary Brooker

Robin Trower

Garland Jeffreys

Airto Moreira

Seun Kuti

June Millington

Jean Millington

Penelope Houston

Jake Shimabukuro