Tata Vega is one of the featured artists in the Academy Award winning documentary film 20 Feet From Stardom, thanks to her amazing career as a backing vocalist with artists including Michael Jackson, Ray Charles, Elton John, Stevie Wonder, Madonna, and Leon Russell.
In addition to backing other artists, she was in the groups Pollution and Earthquire, and has released eight solo albums. She was nominated for a Grammy award for Best Soul female Gospel Performance in 1985, and sang on four songs for the soundtrack of The Color Purple, including one (“Miss Celie’s Blues (Sister)”) which was nominated for an Academy Award in the Best Original Song category.
This interview was for a preview article for the benefit concert for The Rhythmic Arts Project (TRAP) at SOhO in Santa Barbara on 3/13/16. Tickets to the event are available here. It was done by phone on 2/26/16. (L. Paul Mann photo)
Guitarist Danny Kortchmar played on some of the most beloved albums from the 1970’s – Carole King’s Tapestry, James Taylor’s Sweet Baby James, and Jackson Browne’s Running on Empty, to name the most obvious.
But that’s just scratching the surface of his phenomenal career in music, which also included six months with The Fugs, some great fusion albums with The Section, a fruitful collaboration with Don Henley that yielded “Dirty Laundry”, “All She Wants to Do is Dance”, and “Sunset Grill”, producing a Neil Young album, co-writing “Somebody’s Baby” with Jackson Browne, and playing on the Harry Nilsson album Pussy Cats which was produced by John Lennon.
This interview was for a preview article for Kortchmar’s concert at the Maverick Saloon in Santa Ynez with Steve Postell and Dan Navarro on 3/9/16 as part of the Tales From the Tavern concert series. It was done by phone on 2/26/16.
Bob Margolin has serious Blues cred from his time as a guitarist in blues legend Muddy Waters’ band from 1973 until 1980, appearing on various albums including 1977’s Hard Again, which was produced by Johnny Winter. With Waters, Margolin was also part of the concert documented in the movie The Last Waltz. After his time with Waters, he has released various acclaimed albums as a solo artist, most recently “My Road” which came out earlier this year.
This interview was done for a preview article for Margolin’s 3/12/16 concert at the Carrillo Recreation Center in Santa Barbara. It was done by email, with answers received on 2/23/16.
The Dickies’ first release was a 1978 single featuring a hyper-speed cover Black Sabbath’s “Paranoid”, and other early singles included covers of the children’s TV show theme song “Banana Splits (Tra La La Song)” and The Moody Blues’ “Nights in White Satin”.
In addition to their masterful punk rock interpretations of others’ material, The Dickies also wrote loads of smokin’ originals, often with twistedly amusing lyrics and themes. Their classic albums are usually considered to be The Incredible Shrinking Dickies and the follow-up Dawn of The Dickies, both released in 1979, but that’s not the end of their story, with various additional releases by the band over the years.
This interview with Dickies singer Leonard Graves Phillips was done by email, with answers received on 2/14/16. It was for a preview article for the 2/27/16 concert by The Dickies at The Garage in Ventura. This ended being a short interview, but size doesn’t matter, right? (Greg Papazian photo)
Hardcore anarcho-punk rockers Reagan Youth were first active in the years when Ronald Reagan was President, and it’s fair to say that their politics didn’t align with those of “The Gipper”. But even leaving politics aside, there’s no denying that their music was full of raw power, thanks to singer Dave Rubinstein, aka David Insurgent, and guitarist Paul Bakija, aka Paul Cripple.
Their first EP, Youth Anthems for the New Order (later re-released as Volume 1) came out in 1984, and featured fuzzy distortion and anti-fascist commentary on the socio-political scene. Their next recordings, Volume 2 released in 1990, continued the punk rock attitude but with a more ambitious sound.
Sadly, Rubinstein became consumed by a drug habit, and ended up committing suicide in 1993 after the murder of his girlfriend by serial killer Joel Rifkin. But Reagan Youth lives on, with Bakija leading the charge.
This interview with Paul Bakija was done by email, with answers received on 2/16/16. It was for a preview article for the band’s performance at GiGi’s Cocktail’s in Ventura on Tuesday, February 23.
“Eclectic” is a word that often gets thrown around by lazy music journalists trying to describe a band, but it’s truly the right word for describing Fishbone, who has been throwing ska, funk, hard rock, soul, and more into the mix for over three decades. To get a sense of their diversity – and overflowing talent – listen to “Party at Ground Zero”, “Sunless Saturday”, and “Everyday Sunshine”, and try to wrap your head around the fact that these were all recorded by the same band. And that’s just scratching the surface.
This interview was for a preview article for the 2/6/16 Fishbone concert at Velvet Jones in Santa Barbara, for which the band’s line-up included original vocalist / sax man Angelo Moore (aka Dr. Madd Vibe), bassist Norwood Fisher, and trumpeter Dirty Walt. It was done by phone on 1/29/16.
Nick Oliveri played bass and co-wrote songs for some of the most acclaimed hard rock / stoner metal of the last few decades, including Kyuss’ 1992 album Blues for the Red Sun, and Queens of the Stone Age’s 2000 album Rated R and 2002 album Songs for the Deaf. Under the name Rex Everything, he has also played bass off and on for punk rockers/shockers The Dwarves. Oliveri has done a number of guest spots, including with the Eagles of Death Metal, and hd leads the band Mondo Generator whose releases include 2000’s Cocaine Rodeo and 2012’s Hell Comes To Your Heart.
This interview was for a preview article for the 1/30/16 concert by The Dwarves at The Garage in Ventura, CA. It was done by phone on 1/8/16. (Ester Segarra photo)
Bruce Johnston has had an incredible career in music. In the early days of rock and roll, he played shows as part of the backing band for Ritchie Valens, and he did one performance in the backing band for Eddie Cochran. Then, after a stint as a young producer for Columbia Records, he was asked to fill in for a few concerts with The Beach Boys, which turned into membership in the band for thousands of concerts and the recordings of some of their best-known albums including Pet Sounds, Smile, Friends, Sunflower, and Surf’s Up. Along the way, he also did vocal arrangements and sang background vocals for Pink Floyd’s The Wall, and wrote “I Write the Songs”, which was a Grammy Award winning Number 1 hit for Barry Manilow.
This interview was for the 1/30/16 concert by The Beach Boys at the Granada Theatre in Santa Barbara, CA. It was done by phone on 1/8/16. (L. Paul Mann photo)
Promo materials for Tin Machine.
Promo materials for the David Bowie HBO Special “Serious Moonlight”
The following is a list of some of the notable musicians who passed away in 2015, including a few who performed in the Santa Barbara area in recent years. Some are well-known, many are not, but all are worthy of our respect.
R.I.P. — Rock In Peace.
Doyle, aka Doyle Wolfgang von Frankenstein, was a teenage Misfit, joining the horror punk band on guitar in 1980 when he was only 16 years old. The younger brother of Misfits bassist Jerry Only, Doyle’s riffage can be heard on the band’s albums Walk Among Us and Earth A.D./Wolfs Blood, plus about half the songs on Collection I and II.
The Misfits broke up in 1983, but Doyle was back in the fold for a stretch when they reformed (minus original singer Glenn Danzig) in 1995. After stints in Gorgeous Frankenstein and Kryst the Conqueror, and some guest appearances with Danzig such as this one, Doyle is now promoting his own band’s hard rockin’ album Abominator.
This interview took place in Doyle’s trailer at Discovery Ventura in Ventura, California after his concert on 11/8/15. (L. Paul Mann photo)
Two decades ago, Everclear’s hit single “Santa Monica” made them alt-rock superstars. This came from their album Sparkle and Fade, which also made a deep impression with tracks that addressed topics like drugs (“Heroin Girl”) and interracial relationships (“Heartspark Dollarsign”).
More hits followed on cheerful subjects such as trying too hard to fit it (“Everything to Everyone”), parental abandonment (“Father of Mine”), and divorce (“Wonderful”). OK, actually not-so-cheerful subjects. But that was arguably why Everclear’s music struck a chord with so many people in the 1990’s and beyond.
This interview with Everclear singer/songwriter/guitarist Art Alexakis was for a preview article for the band’s 11/22/15 concert at the Majestic Ventura Theater. It was done by phone on 11/18/15.
When I talked to actor Tab Hunter on the phone, he was so effusive in his love for the Santa Barbara area that I suggested that he should get a job as the spokesman for the city’s tourism office, to which he joked that he could be a greeter for the cruise ships that visit town.
But at 84 years young, Hunter is busy with other things, so the cruise ship greeter gig will have to wait. He is currently promoting his latest movie, a documentary called “Tab Hunter Confidential”, which like his autobiography with the same name tells his incredible story inside and outside of Hollywood. The documentary will screen on Thursday, November 19 at the Granada Theatre, with Tab Hunter himself in attendance. Tickets are available here.
If you’re too young (or too old) to remember, Hunter was a big-time movie star in the 1950’s and beyond, with credits including Battle Cry and Damn Yankees, and, later, Polyester and Lust in the Dust. His co-stars included John Wayne, Lana Turner, Natalie Wood, Gary Cooper, Rita Hayworth, Sophia Loren, Fred Astaire, Debbie Reynolds, Vincent Price, Divine, and many others. He was also a music star – in fact, his recording of “Young Love” knocked Elvis off the top of the charts in 1957.
But, perhaps foremost, Hunter was a Hollywood heartthrob, one of the biggest of the 1950’s. The plot twist is that his legions of female fans were unaware that he was actually gay, living a secret life that threatened to shatter his popularity.
This interview was done by phone on 11/9/15.
Chris Thile has been described as “the most remarkable mandolinist in the world”, with a range that spans bluegrass to Bach, plus many points in between and beyond. He has won acclaim as part of Nickel Creek and Punch Brothers, and for his solo career, including a 2012 MacArthur “genius grant” and several Grammy Awards. And starting in 2016, he will take over as host of NPR’s Prairie Home Companion in 2016.
This interview was done by phone on 11/3/15 for a preview article for Thile’s solo performance at the Lobero Theatre in Santa Barbara on 11/8/15.
The inspiration for the name of the band Promise of the Real comes from the Neil Young song “Walk On”, specifically the line “Some get stoned, some get strange / Sooner or later, it all gets real”. Well, “sooner or later” is here, in the sense that Promise of the Real played with Young on his latest album The Monsanto Years, and is now on tour with him.
On their own, Promise of the Real – led by singer/guitarist Lukas Nelson, who is the son of country music legend Willie Nelson – has been creating buzz since their first album came out in 2010, and a new album is on the way in a few months. This interview with Lukas was for a preview article for the Neil Young / Promise of the Real concert at the Santa Barbara Bowl on 10/10/15. It was done by phone on 10/1/15. (Jim Eckenrode photo)
Swervedriver first made their mark twenty-five years ago with the release of their debut “Son of Mustang Ford” EP, which had a heavy rockin’ sound that put them as much in the camp of American indie rock al a Dinosaur Jr. and Sonic Youth as the British shoegaze box which they were put into. More acclaimed EPs and LPs in the same vein followed in the 90’s, but bad luck with personnel and record labels kept them from getting their full due, and the band didn’t survive the decade.
Original singer/guitarist Adam Franklin and guitarist Jimmy Hartridge revived the band in 2008, and earlier this year they released their first new album, I Wasn’t Born to Lose You, in 17 years.
This interview was for Swervedriver’s concert at Velvet Jones in Santa Barbara on 9/27/15. It was done by email, with responses received on 9/2/15. (Giles Borg photo)
He came from a land down under, couldn’t get to sleep, and told Johnny to “be good, be good”. Who can it be now? Colin Hay, of course, singer/songwriter for Men At Work, the Australian band which burned bright for a few years in the early 80’s.
After Men At Work stopped working, Hay continued sharing his music with the world in an acclaimed solo career, which got a nice boost from having his songs used on the TV show Scrubs. His most recent solo album, Next Year People, came out earlier this year.
This interview was for Colin Hay’s concert at the Lobero Theatre on 9/19/15, as part of the Sings Like Hell series. It was done by phone on 8/31/15.
One measure of Bela Fleck’s incredible musical skills on the banjo – and his diverse musical sensibilities – is that he has been nominated for a Grammy Award in more musical categories than anyone else in history. And he has won 15 times, including a Latin Grammy for the 2007 collaboration album The Enchantment with jazz pianist Chick Corea. A true innovator, Fleck continues to expand the possibilities that the banjo can offer.
This interview was for the 9/15/15 concert by Bela Fleck and Chick Corea at the Lobero Theatre in Santa Barbara. It was done by email, with answers received on 8/17/15. (C. Taylor Crothers photo, 2015 copyright Chick Corea Productions)
In 1968, multi-instrumentalist Rusty Young co-founded the pioneering country rock band Poco along with Richie Furay and Jim Messina, who he met when he was asked to add pedal steel guitar to Furay’s signature song “Kind Woman” in the waning days of the great Buffalo Springfield. He is Poco’s only continuous member over the band’s illustrious career and two dozen albums, and wrote their biggest hit “Crazy Love”.
This interview was for the 9/13/15 concert at the Lobero Theatre in Santa Barbara billed as Jim Messina with special guest Poco’s Rusty Young “Sittin’ In”. It was done by phone on 8/31/15.
Jerry Douglas has been called the “Jimi Hendrix of dobro players” in honor of his skills on the resonator guitar and inspiring musicianship. His playing can be heard on over 1500 albums, including the O Brother, Where Art Though? soundtrack and recordings with James Taylor, Paul Simon, Mumford & Sons, Elvis Costello, Garth Brooks, Earl Scruggs, and Ray Charles. And since 1998, he has been a key member of Alison Krauss and the Union Band, both on recordings and on tour.
This interview was for a preview article for Jerry Douglas’ solo concert at the Lobero Theatre in Santa Barbara on 8/28/15. It was done by email, with his reply received on 8/21/15.
There are many things that are great about Eddie Tuduri, including his career as a drummer which had him touring and/or recording with Rick Nelson, Jim Messina, Steve Perry, Dr. John, Ike Turner, The Beach Boys, Johnny Rivers, Delaney Bramlett, Bobby Whitlock, and many other artists.
But, most importantly, he is a great human being, who after breaking his neck in a body surfing accident has devoted his boundless energy to The Rhythmic Arts Project (TRAP), a program with a global reach that “educates individuals with intellectual and developmental differences as well as children in typical preschools by embracing a unique methodology that encompasses rhythm as a modality to address basic life and learning skills as well as reading, writing and arithmetic.”
This interview was for a preview article for a benefit concert for TRAP on 8/21/15 at 4 p.m. at the Hill-Carrillo Adobe, 15 E. Carrillo St. in Santa Barbara. On the program is an incredible lineup of musicians – including Tuduri, Airto Moreira, Tamara and Bill Champlin, Táta Vega, and the band Pockets. It was done by phone on 8/5/15.
Three Dog Night had an amazing string of hit songs from 1969-1975 – count ’em, 21 straight Top 40 Hit Singles including three – “Mama Told Me (Not to Come)”, “Joy to the World”, and “Black and White” – which reached Number One.
The original line-up for Three Dog Night was notable for having three lead vocalists, Danny Hutton, Chuck Negron, and Cory Wells, each bringing their own unique flair to the material, which usually came from outside writers. Negron left the fold in the 1980’s, but Hutton and Wells have carried on with the Three Dog Night name.
This interview was for a preview article for the Three Dog Night concert on 8/20/15. It was done by phone on 8/4/15.
In singer/songwriter Freedy Johnston’s hometown of Kinsley, Kansas, there’s a sign which says that it’s 1,561 miles to New York City and to San Francisco. In pursuit of a career in music he took the first option, eventually selling part of his family’s farmland in Kansas to finance his acclaimed second album, 1992’s Can You Fly. A couple years later he released This Perfect World, which featured the single “Bad Reputation” and resulted in him being named songwriter of the year in 1995 by Rolling Stone magazine, ahead of some guy named Kurt Cobain. Other well-regarded albums followed, most recently this year’s Neon Repairman.
This interview was for a preview article for Johnston’s 8/15/15 concert at the Lobero Theatre in Santa Barbara. It was done by email, with answers received on 8/6/15. (Dina Regine photo)
By combining it with dubstep and dancing, Lindsey Stirling has shown that violin playing doesn’t have to be stuffy and stodgy. And there’s a lot of people that like what she’s doing, with her YouTube videos regularly receiving tens or even hundreds of millions of views – for example, check out her video for “Crystallize”. She has also released two acclaimed albums, and will be starting on her third one very soon.
This interview with Stirling was for a preview article for Stirling’s 8/15/15 concert at the Santa Barbara Bowl. It was done by phone on 7/24/15. (Photo from lindseystirling.com)
The Cowsills were the family band who served as the real-life inspiration for The Partridge Family. Their hit songs included “The Rain, The Park & Other Things” (think “I love the flower girl”), “Indian Lake”, and “Hair”, and they made multiple appearances on TV shows such as The Ed Sullivan Show and The Johnny Cash Show. Today’s Cowsills consist of siblings Bob, Paul, and Susan.
This interview was for a preview article for the Happy Together Tour concert at the Chumash Casino on 7/23/15, which also includes The Turtles featuring Flo & Eddie, The Buckinghams, The Association, The Grass Roots, and Mark Lindsay of Paul Revere and the Raiders. It was done by phone on 7/10/15.
Eddie Money’s musical career launched with his 1977 debut album, bringing us the timeless hits “Baby Hold On” and “Two Tickets to Paradise”. And thanks in part to his clever videos on MTV, the next decade gave Money even more hit songs including “Think I’m in Love”, “Shakin'”, and “Take Me Home Tonight”. At 66 years young he’s still out there touring, presently with three of his children.
The following mile-a-minute interview was for a preview article for 7/15/15 concert at the Santa Barbara County Fair in Santa Maria. It was done by phone on 7/10/15.
There are only a handful of bands/artists that performed at both the Monterey Pop Festival in 1967 and Woodstock in 1969: Jimi Hendrix, Janis Joplin, The Who, the Grateful Dead, Jefferson Airplane, Country Joe and the Fish, The Paul Butterfield Blues Band, Ravi Shankar, David Crosby (in The Byrds and filling in for Neil Young in Buffalo Springfield at Monterey, then in CSN at Woodstock), Stephen Stills (in Buffalo Springfield at Monterey, then in CSN at Woodstock), and Canned Heat.
Larry “The Mole” Taylor played bass for Canned Heat during their prime years, including at Monterey, at Woodstock, and for the hits “Go Up the Country” and “On the Road Again”. He has also had a fascinating musical history outside of Canned Heat, having played on early surf rock recordings by The Gamblers, as a session bassist for The Monkees, with John Mayall, with Tom Waits, and much, much more.
This interview was for a preview article for the Canned Heat concert on 7/10/15 at SOhO in Santa Barbara. It was done by phone on 6/29/15.
David Lowery is the singer and co-founder – along with Johnny Hickman – of the alt-rock band Cracker, whose well-known early 90’s songs include “Teen Angst (What the World Needs Now)”, “Low”, and “Euro-Trash Girl”. In 2014, the band released its 9th studio album, Berkeley to Bakersfield, with the Berkeley disc featuring the band’s original line-up for the first time in ages and drawing on their punk rock influences, and the Bakersfield disc in a California country vein.
Lowery is also a founding and continuous member of the eclectic alternative rock band Camper Van Beethoven, to which he contributes vocals and guitar. Camper Van Beethoven’s first album, Telephone Free Landslide Victory, came out in 1985, and includes such classic songs as “The Day That Lassie Went to the Moon”, “Where the Hell is Bill?”, the Black Flag cover “Wasted”, and “Take the Skinheads Bowling”. They released four more acclaimed albums before burning out, the independently-released II & III and self-titled Camper Van Beethoven, and the major-label albums Our Beloved Revolutionary Sweetheart and Key Lime Pie. The band reformed at the end of the end of the 1990’s, and has released several more albums.
This interview was for a preview article for Cracker’s concert at SLO Brew in San Luis Obispo on 7/6/15. It was done by phone on 6/25/15.
Released in 1981 and clocking in at under a half hour, the debut album by The Adolescents – affectionately known as “The Blue Album” – helped to lay the groundwork for the emerging Southern California hardcore and skate punk scene. The teenage band that recorded The Blue Album didn’t stay together for long, but their influence was felt strongly in SoCal and beyond. Several reunions and albums followed, and although their ages are no longer in the adolescent range, The Adolescents continue to record and tour. Today’s band includes original singer Tony Cadena and bassist Steve Soto, who was also in the original incarnation of Agent Orange.
This interview was for a preview article for the concert by The Adolescents and The Weirdos at Velvet Jones in Santa Barbara on 7/9/15. It was done by email, with answers received on 6/24/15.
Singer Peter Murphy is often called the “Godfather of Goth”, and although he doesn’t seem to like that label it is undeniable that his singing helped to make the Bauhaus song “Bela Lugosi’s Dead” one of the seminal songs of the goth rock genre. Other notable Bauhaus songs from their first active period of 1978-1983 include “Dark Entries”, “Terror Couple Kill Colonel”, “She’s in Parties”, and a smoking cover of David Bowie’s “Ziggy Stardust”.
After Bauhaus folded and the short-lived band Dali’s Car, Murphy launched a solo career that has brought us songs including “Cuts You Up” and “The Sweetest Drop”. His latest album, 2014’s Lion, came out of sessions with Killing Joke’s Martin “Youth” Glover.
This interview was done by Skype on 6/5/15 – fittingly, Murphy was speaking from a cafe in Istanbul during a storm – and was for a preview article for his 6/13/15 concert at SLO Brew in San Luis Obispo.
There’s an element of truth to Wayne Campbell’s declaration in the movie Wayne’s World 2 that “Everybody in the world has Frampton Comes Alive! If you lived in the suburbs you were issued it. It came in the mail with samples of Tide.”
Frampton Comes Alive! was the smash live double album released by Peter Frampton in 1976, which sold millions of copies and established him as a superstar. And while that album was the high point of his career, he has also had other notable successes – before “coming alive”, he had hit songs with The Herd (the UK hit “I Don’t Want Our Loving to Die”) and Humble Pie (“Natural Born Bugie”, “I Don’t Need No Doctor”), and afterwards he released the Grammy Award winning instrumental album Fingerprints and has been on many successful tours, including the Frampton Comes Alive! 35 tour that stopped at the Santa Barbara Bowl in 2011.
This interview was for Frampton’s concert on 6/7/15 at the Lobero Theatre in Santa Barbara for the 5th Annual Notes For Notes Benefit Concert. Notes For Notes has the admirable mission of providing musical instruments, instruction, and facilities to young musicians. It was done by phone on 5/15/15. (L. Paul Mann photo)
The music of The Waterboys has evolved over the years, from their early-80’s “Big Music” era which gave us the hit song “The Whole of the Moon”, to the later-80’s Irish/Scottish Raggle Taggle band era which recorded the acclaimed Fisherman’s Blues album, to later visits to various points on the Celtic-folk-rock spectrum. The one constant throughout the band’s history is singer/songwriter/multi-instrumentalist Mike Scott, who poetic lyrics and willingness to explore different musical styles has always kept things interesting.
This interview was for a preview article for the 5/16/15 concert by The Waterboys at the Majestic Ventura Theater. It was done by email, with answers received on 4/29/15. (Dara Munnis photo)
Herb Pedersen has contributed his instrumental and vocal talents to recordings and performances by a wide range of artists over the years, including John Denver, Kris Kristofferson, Linda Ronstadt, Jackson Browne, Emmylou Harris, James Taylor, and many, many more. His band memberships have included bluegrass powerhouse The Dillards in the late Sixties and early Seventies, and the Desert Rose Band with ex-Byrd / ex-Flying Burrito Brother Chris Hillman.
This interview was for a preview article for the 5/3/15 performance by Hillman and Pedersen at the Plaza Playhouse Theater in Carpinteria, California. It was done by phone on 4/22/15.
Folk music icon Janis Ian first made her mark with the hit song “Society’s Child” about the challenges facing an interracial couple. Remarkably, this was written when she was only 14 years old, and became a hit in 1967 after it was featured on a TV special hosted by Leonard Bernstein. An even bigger hit for Ian came in 1975 with “At Seventeen”, a song about not fitting in that almost anyone who was a teenager can relate to. Other acclaimed recordings have appeared over the years.
This interview was for a preview article for her concert on 4/29/15 at the Maverick Saloon as part of the Tales From the Tavern concert series. It was done by phone on 4/15/15. (Lloyd Baggs photo)
If you’re a parent, you know that a lot of children’s music gets old much more quickly than your kids do. But thankfully there are some children’s music artists that keep the kids happy while keeping the parents sane. One such artist is Laurie Berkner, who has been singing about dinosaurs, doodlebugs, chickens, bumblebees, songs in tummies, and the like since the 1990’s, with songs full of clever lyrics and catchy melodies. She has also branched out into videos, books, and musicals, and also makes many TV appearances.
This interview was for a preview article for Berkner’s concert on 4/19/15 at Campbell Hall at UC Santa Barbara. It was done by phone on 3/25/15. (Steve Vaccariello photo)
Multi-instrumentalist Fred Tackett officially became a member of Little Feat in 1988, but he had worked as a session player on earlier albums by the band including the classic album Dixie Chicken.
But that was far from his only gig – Tackett has also recorded with an amazing collection of notable artists including Bob Dylan, Ringo Starr, Rod Stewart, Jackson Browne, Glen Campbell, Neil Diamond, Kris Kristofferson, Barbra Streisand, Bonnie Raitt, Lionel Richie, Joan Baez, Jimmy Webb, The Allman Brothers Band, The Carpenters, Tom Waits, Rickie Lee Jones, Curtis Mayfield, Kenny Loggins, The 5th Dimension, Johnny Rivers, Van Dyke Parks, Bob Seger, Carly Simon, Harry Nilsson, and more.
This interview was for a preview article for a benefit concert for Safety Harbor Kids on 4/18/15 at the Lobero Theatre by Tackett and fellow Little Feat guitarist Paul Barrere. It was done by phone on 3/26/15. (L. Paul Mann photo)
Maria Muldaur has had an amazing musical journey, from her early days as part of the 1960’s jug band revival, to solo stardom in the 1970’s with her sultry hit “Midnight at the Oasis”, to membership in the Jerry Garcia Band and many guest appearances with other artists, to her ongoing explorations of the blues.
This interview was for a preview article for Maria’s concert at the Ventura Beach Club in Ventura on 3/20/15 – tickets are available here. It was done by phone on 3/15/15, with Maria full of energy – “I’m all caffeinated up!” – and insight while talking about the upcoming show and her life in music.
Preview of Rock Against MS Benefit Concert at the Whisky A Go Go in West Hollywood, 3/4/15.
Review of Kansas: Miracles Out Of Nowhere documentary at the Santa Barbara International Film Festival at the Lobero Theatre, 2/2/15.
Eleanor Friedberger first made her mark singing in the quirky, eclectic indie rock band The Fiery Furnaces, a duo with her older brother Matthew formed in 2000. After seven always-interesting albums that explored a variety of musical styles and ideas, The Fiery Furnaces went on hiatus in 2011. Since then, Friedberger has released two solo albums with clever, thoughtful lyrics and a wonderful indie pop sound, and another solo album is in the works.
This interview was for a preview article for Friedberger’s concert at Velvet Jones on 2/28/15. It was done by phone on 2/12/15.
In the 1970’s, Kansas arguably achieved a level of popularity that was unmatched by any other American progressive rock band, thanks to radio-friendly songs like “Dust in the Wind”, “Carry On Wayward Son”, and “Point of Know Return”, songs that still regularly show up on the playlists of classic rock radio. Their notable albums include their 1974 self-titled debut, 1976’s Leftoverture, and 1977’s Point of Know Return.
The band’s current line-up includes two original members: Phil Ehart on drums and Richard Williams on guitar. This interview with Ehart was for an article on the documentary film Kansas: Miracles Out Of Nowhere that premiered at the Santa Barbara International Film Festival on 2/2/15. It was done by Skype on 2/14/15.
Singer/songwriter Nell Robinson’s latest CD, Rose of No-Man’s Land, is inspired by her family’s rich family history, particularly their involvement with every major American war dating back to the Revolutionary War and reaching up through modern conflicts in Iraq and Afghanistan. The album weaves stories and songs together into a multi-faceted exploration of war and its impact, with guest contributions by Kris Kristofferson, John Doe, and Ramblin’ Jack Elliott.
This interview was for a preview article for Robinson’s show on 2/13/15 at the Lobero Theatre in Santa Barbara, with special guest Ramblin’ Jack Elliott. It was done by phone on 1/28/15.
Milo Greene is a band blessed with four lead singers and songwriters – Robbie Arnett, Graham Fink, Andrew Heringer, and Marlana Sheetz. Their self-titled debut album came out in 2012, and featured folk-pop songs with plenty of beautiful harmonies. Their second album, Control, expands their sound into a brighter, more rhythmic (and danceable) direction.
This interview with Robbie Arnett was for a preview article for the Milo Greene concert at SOhO in Santa Barbara on 2/10/15. It was done by email, with answers received on 2/6/15.
Brenda Russell has had a long, notable career as a singer and a songwriter. She is best known for the songs “Piano in the Dark”, which was a hit for herself in 1988, and “Get Here”, which was a hit for Oleta Adams in 1991. Other songs by Brenda include “If Only For One Night”, which was a hit in 1985 for Luther Vandross, and “She Walks This Earth (Soberana Rosa)”, for which Sting won a Grammy for Best Male Pop Vocal Performance in 2000. She was also nominated along with Allee Willis and Stephen Bray for a Tony Award for Best Original Score the Broadway musical The Color Purple.
Her songs have also reached the next generation through samples by Flo Rida (who samples “Piano in the Dark” for “I Cry”) and Kayne West (who samples “Think About You” by Brian and Brenda Russell for “See Me Now”).
This interview was for a preview article for a concert in support of The Rhythmic Arts Project (TRAP) on 2/6/15. It was done by phone on 1/23/15.