Review of Alan Parsons talking about working with The Beatles, plus screening of first appearance of The Beatles on Ed Sullivan, 2/9/14, Carpinteria Plaza Playhouse Theater.
In one of the more memorable scenes from the 1992 movie Wayne’s World, Wayne and Garth get to hang out backstage with Alice Cooper, to which they respond by bowing down and telling him, “We’re not worthy! We’re not worthy!”
Cooper commands such respect, fictional or otherwise, both for his music and pioneering dark theatrics involving guillotines, snakes, twisted makeup, and much more. His efforts have earned him the honorary (or is it dishonorary?) title of the “Godfather of Shock Rock”, plus well-deserved election to the Rock and Roll Hall of Fame.
The Alice Cooper saga began in the late 1960′s when the band, at that time itself called Alice Cooper, released the psychedelic-tinged album Pretties For You, which Frank Zappa reportedly agreed to produce to get the band to leave his house. Early notoriety came when Alice Cooper, the singer, threw a live chicken from the stage which was subsequently attacked and killed by the audience, an incident exaggerated by the press. The classic Alice Cooper sound was born when producer Bob Ezrin came on board, and the band’s profile grew with hits like “I’m Eighteen”, “School’s Out”, and “No More Mr. Nice Guy”.
Alice Cooper, the singer, launched a successful solo career with his 1975 album Welcome to My Nightmare, and since that time he has released multiple albums and played countless concerts which push the boundaries of what a rock and roll show can be.
This interview was done for a preview article for Alice Cooper’s concert on 11/21/13 at the Chumash Casino. It was done by phone on 11/5/13.
Brute Force is the recording/performance name of Stephen Friedland. Friedland was a member of The Tokens in the mid-1960′s, and composed songs recorded by The Tokens, The Creation, Cyrkle, and The Chiffons. In 1967, his bizarrely brilliant solo album I, Brute Force, Confections of Love was released, including songs such as “To Sit on a Sandwich” and “Tapeworm of Love”. He is best known for the 1969 single “King of Fuh”, which was admired by George Harrison and John Lennon and was released on Apple Records. Unfortunately, Captiol/EMI refused to distribute this single because some of the lyrics sounded like profanity. In October 2010, Confections of Love was re-released on CD, with “King of Fuh” as one of the bonus tracks; also that month, Apple Records released Come and Get It, The Best of Apple Records, a compilation containing “King of Fuh”.
This interview was conducted by email in January 2011.
Songwriters and musicians answer the question: What advice would you give to an aspiring songwriter/musician? Responses from:
Sir George Martin
Booker T. Jones
Doug “Cosmo” Clifford
Rickie Lee Jones
“Weird Al” Yankovic
Kronos Quartet: David Harrington, John Sherba, Hank Dutt
Abdul “Duke” Fakir
David “Honeyboy” Edwards
Stephen ‘Doc’ Kupka
Francis ‘Rocco’ Prestia
Country Joe McDonald
Van Dyke Parks
R. Stevie Moore
James Jackson Toth
Donald “Dino Sex” Sachs
Dannis and Bobby Hackney
Will Cullen Hart